A sly, sweet, and consistently enlightening documentary about family, love, and religion ... and a couch.
Divan (2004)
Tomatometer
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Reviews Counted: 20
Fresh: 19
Rotten:1
Average Rating: 7.1/10
Theatrical Release:Mar 17, 2004 Limited
Synopsis: In this charming memoir documentary, director Pearl Gluck uses humor to diffuse her take on the serious topics of alienation from one's family and culture, the legacy of the Holocaust, and the... In this charming memoir documentary, director Pearl Gluck uses humor to diffuse her take on the serious topics of alienation from one's family and culture, the legacy of the Holocaust, and the celebrity cult of Hasidic Jewish rabbis. Born into a Brooklyn Hasidic community, Gluck left when her mother divorced her father and chose a secular life. After years of estrangement from her father and conflicted feelings about her Hasidic upbringing, Gluck goes on a quest to retrieve a revered divan, a family heirloom upon which a famous rabbi once slept, in hopes that bringing this iconic couch back to her father will bring the two together. In her pursuit, Gluck meets her extended family (of varying religious orthodoxy) in Hungary, takes part (along with her father) in a pilgrimage to the graves of Hasidic rabbis, and interviews a series of people who have chosen to leave the Hasidic community. Tongue-in-cheek, self-reflexive nods to the story fuel the film's fast-paced humor. For example, Gluck chooses the coveted sofa, a symbol of the power of Hasidic rabbis and faith, to seat interviewees who have left the Hasidic community. The surprise twist of an ending provides an extra jab at the restrictive male forces Gluck challenges throughout the film, and provides a sardonically funny solution to Gluck's dilemma of identity. DIVAN is the result of a Hungarian Yiddish oral history project, funded by a Fulbright scholarship Gluck received while studying at New York University. [More]
Director: Pearl Gluck
Director: Pearl Gluck
Producer: Pearl Gluck
Screenwriter: Pearl Gluck, Susan Korda
Composer: Frank London
Studio: Zeitgeist Films
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Reviews for Divan
As it is, Divan is akin to meeting someone serendipitously on a train or cafe -- someone you like well enough -- who tells you his or her life story in all its detail and assumes you're completely enthralled.
The filmmaker is a likable protagonist/ethnographer whose self-deprecating wit and sweet-tempered chutzpah make her odyssey easy viewing. It's also surprisingly moving.
An appealing essay on how material possessions can channel our deepest longings.
This is someone's home movie, and an endearing one at that, but it isn't made well enough to justify an admission price.
Divan is an engrossing documentary about a father-daughter relationship, a search for roots, Hasidism, and a treasure from the past.
Investigation into an individual's connection to their history and their community, and the nature of what we regard as sacred and why.
Makes up in energy and high spirits what it lacks in structure and style.
Pearl Gluck has made what may be the first movie to evoke in equal measure the attraction of Hasidic Judaisim and the equally compelling reasons she abandoned it.
A jaunty, insightful and unabashedly self-indulgent reflection on Hasidic culture and family expectations.
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