A small-scale film on a grand-sized canvas: director Julian Schnabel and his cinematographer, Janusz Kaminski, meet the challenge of adapting ... Bauby's 1997 memoir.
The Diving Bell and the Butterfly (2007)
Tomatometer
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Reviews Counted:151
Fresh:140
Rotten:11
Average Rating:8.2/10
Consensus: It is staggering that this biopic about a paralyzed writer would contain such breathtaking visuals and dynamic performances. Director Julian Schnabel found illuminating ways of portraying the protagonist's "locked-in syndrome," exploring with poetic visuals the personal triumphs of this man limited by his hospital bed.
Rated: PG-13 [See Full Rating] for nudity, sexual content and some language.
Runtime: 1 hr 52 mins
Genre: Foreign Films
Theatrical Release:Nov 30, 2007 Limited
Box Office: $5,875,116
Synopsis: Celebrated painter and filmmaker Julian Schnabel's third feature finds him reaching new artistic heights with this audacious and personal biopic, based on the best-selling memoir of the same name.... Celebrated painter and filmmaker Julian Schnabel's third feature finds him reaching new artistic heights with this audacious and personal biopic, based on the best-selling memoir of the same name. The film tells the remarkable tale of Jean-Dominique Bauby (Mathieu Amalric), the world-renowned editor of French ELLE magazine, who suffered a stroke and was paralyzed by the inexplicable "locked in" syndrome at the age of 43. Bauby's only way of communicating with the outside world was by blinking with one eye, and after several dedicated helpers--a string of impossibly beautiful women (Emmanuelle Seigner, Marie-Josee Croze, Olatz Lopez Garamendia, Anne Consigny)--helped him to speak through this seemingly irrelevant gesture, he began to produce the words that would form his memoir. Along the way, as he swam in and out of consciousness, memories from his past swelled into the present, resulting in a cinematic experience that is at once heartbreaking and hopeful. Schnabel somehow manages to convey Bauby's internal life with remarkable clarity, employing first-person perspective, striking cinematography (by the always great Janusz Kaminski), and Amalric's pained, life-affirming monologues. The result is a wholly original experience, a painful and tender portrait of a life that is made all the more exhilarating because of its close proximity to death. [More]
Starring: Mathieu Amalric, Emmanuelle Seigner, Marie-Josee Croze, Anne Consigny
Starring: Mathieu Amalric, Emmanuelle Seigner, Marie-Josee Croze, Anne Consigny, Patrick Chesnais, Niels Arestrup, Olatz Lapez Garmendia, Max Von Sydow
Director: Julian Schnabel
Director: Julian Schnabel
Screenwriter: Ronald Harwood
Producer: Kathleen Kennedy, Jon Kilik
Composer: Paul Cantelon
Studio: Miramax Films
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Reviews for The Diving Bell and the Butterfly
Diving Bell, though uncompromising in its own way, comes across as aggressively watchable.
Butterfly colors inside the lines but it does so with a dandy sense of personal rhythm.
The putative film adaptation reaches well beyond the contents of that book, expanding its philosophical resignation into a grim but beautiful visual poem.
The visual lyricism and irascible humor of Julian Schnabel's screen adaptation make for a life-against-the-odds drama like none you've ever seen.
Not a movie that you shake off easily -- maybe ever -- and one that makes you want to go out and gulp down every ounce of life you can squeeze into your glass.
The Diving Bell and the Butterfly is the most beautiful movie ever made about a man who could only move one eyelid -- almost dangerously beautiful.
The Diving Bell and the Butterfly keeps opening up, its structure mimicking the awakening of its extraordinary protagonist's mind.
Tells a real person’s life story so inventively you might forget how rotten recent biopics have been.
[Director Schnabel's] best film yet, a high-wire act of visual daring and unquenchable spirit.
A gloriously unlocked experience, with some of the freest and most creative uses of the camera and some of the most daring, cruel, and heartbreaking emotional explorations that have appeared in recent movies.
The film is a masterpiece in which “locked-in” syndrome becomes the human condition.
Stylistically engrossing and compassionate, it's a testament to the indomitable human spirit.
The film, aided by Amalric's pitch-perfect performance, reveals the range of Jean-Do's emotional life, his anger, joy and wry humor.
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