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Django Unchained Reviews

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Austin Trunick
Under the Radar

Obscurely referential, extremely indulgent, and deliriously over-the-top, Django is -- in other words -- everything you'd expect from a Tarantino joint.

Full Review Source: Under the Radar | Original Score: 7.5/10

August 18, 2014
Louis Proyect

Overlong, self-indulgent garbage with a portrayal of a "house Negro" that is a grotesque distortion of a sad reality.

Full Review Source:

December 23, 2013
David Keyes

It is plainly a nonstop riot of humor and excitement, and one that matches its delicate nature with an equally calculated sense of importance in leading us to the most satisfying climax possible.

Full Review Source: | Original Score: 3.5/4

July 30, 2013

If the slightly rambling Django Unchained is 'lesser Tarantino' -- you know, only a B instead of an A -- it's still a heady, delirious good time.

Full Review Source: Twitch

July 28, 2013
Will Leitch

You will definitely get your money's worth. But this is one of Tarantino's minor works.

Full Review Source: Deadspin | Original Score: B

June 23, 2013
Wesley Lovell
Cinema Sight

Low-level Tarantino inspires exploration, but delivers little more than a blood bath.

Full Review Source: Cinema Sight | Original Score: 3/4

June 18, 2013
David Thomson
The New Republic
Top Critic IconTop Critic

Django Unchained is 165 minutes and nothing much happens beyond talk and the provision of corpses. The plot lurches around and the artful structure of Pulp Fiction has been abandoned.

Full Review Source: The New Republic

June 13, 2013
Carla Meyer
Sacramento Bee

The fear, anger and betrayal in Jackson's eyes, when Stephen feels his place is threatened, says more about the cruelties of slavery than the ultra- violent, sickening passages of "Django Unchained."

Full Review Source: Sacramento Bee | Original Score: 2/4

May 23, 2013
Al Alexander
The Patriot Ledger

Tarantino slyly takes the dirty diaper that is slavery in America and rubs it in our face.

Full Review Source: The Patriot Ledger | Original Score: A-

May 13, 2013
Phil Villarreal

Django may be unchained, but his movie could have used some tighter shackles.

Full Review Source: | Original Score: 1.5/4

May 7, 2013
Jeremy Lebens
We Got This Covered

Quentin Tarantino's Django Unchained is a brilliant mixture of over-the-top violence and clever writing, making for the most entertaining film of 2012.

Full Review Source: We Got This Covered | Original Score: 4/5

April 23, 2013
Marc Fennell
Triple J

A bloody masterpiece. Funny, Thrilling, cleverly structured.

Full Review Source: Triple J | Original Score: 4/5

April 8, 2013
Michael Dequina

It's a testament to Foxx and Washington's talent, presence, and proven rapport that they keep the central emotional hook strongly present as their underwritten roles are continually pushed to the sidelines by Tarantino's overwriting for others.

Full Review Source: | Original Score: 3/4

April 1, 2013
Marty Mapes
Movie Habit

Countless great scenes in the Tarantino universe

Full Review Source: Movie Habit | Original Score: 4/4

March 24, 2013
Dave White

It's exactly what you expect from Tarantino, so if this movie finds itself challenged in any way, it's in being expected.

Full Review Source: | Original Score: 4.5/5

March 14, 2013
Rob Gonsalves

...the time always flies, and Tarantino gives us a lot of movie for our money.

Full Review Source: | Original Score: 5/5

March 13, 2013
Tom Glasson
Concrete Playground

Tarantino's take on slavery is wildly creative, funny and frightening, true to form yet never predictable.

Full Review Source: Concrete Playground | Original Score: 4/5

March 3, 2013
Robert Denerstein
Movie Habit

Different setting, same old Tarantino

Full Review Source: Movie Habit

February 28, 2013
Greg Evans
Bloomberg News

Slavery is to "Django" what the Holocaust was to Tarantino's "Inglourious Basterds" -- a colossal wrong to be righted by a film geek's best weapons: artistry, imagination and wicked humor.

Full Review Source: Bloomberg News | Original Score: ****1/2

February 28, 2013

Tarantino is, in essence, a classicist who invests the bulk of his drama and tension in lengthy dialogue exchanges that are infinitely more compelling that his elongated sequences of cathartic violence.

Full Review Source: 3AW | Original Score: 4/5

February 15, 2013
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