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Dog Days (2002)
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Reviews Counted:33
Fresh:16
Rotten:17
Average Rating:5.4/10
Consensus: A relentlessly disturbing, depressing work.
Theatrical Release:Aug 22, 2003 Limited
Synopsis: DOG DAYS is a scathing satire, exposing the ugly underbelly of contemporary suburban mores. It is the first dramatic feature of notorious documentarian Ulrich Seidl (ANIMAL LOVE). With a keen... DOG DAYS is a scathing satire, exposing the ugly underbelly of contemporary suburban mores. It is the first dramatic feature of notorious documentarian Ulrich Seidl (ANIMAL LOVE). With a keen visual sense and lacerating wit, Seidl weaves together the sordid tales of a large group of people in suburban Austria during a heat wave. There's the Greek divorced couple who continue to live together, miserable and haunted by the memory of their young daughter's death. There's the alarm system salesman who has to find a scapegoat when the cars in a housing complex that he has serviced are vandalized. There's the desperate older woman whose sadistic boyfriend brings a friend along to watch him humiliate her. There's the elderly control freak who weighs every item he's bought at the supermarket when he gets home. Tying them all together is Anna (Maria Hofstatter), who hitches rides to nowhere, verbally assaulting those who pick her up with a constant barrage of inane top ten lists, advertising jingles, and embarrassing personal questions. Seidl gets solid performances from his cast, many of whom are not professional actors. For those who can stomach it, he offers a compelling glimpse of hell on earth. This film was included in the 31st New Directors/New Films 2002 series presented by The Film Society of Lincoln Center and The Department of Film and Media of The Museum of Modern Art in New York City. [More]
Starring: Maria Hofstatter, Christine Jirku, Victor Henneman, Georg Friedrich
Starring: Maria Hofstatter, Christine Jirku, Victor Henneman, Georg Friedrich, Alfred Mrva, Erich Finsches, Gerti Lehner, Franziska Weiss, Rene Wanko, Claudia Martini, Victor Rathbone
Director: Ulrich Seidl
Director: Ulrich Seidl
Screenwriter: Ulrich Seidl, Veronika Franz
Producer: Helmut Grasser, Philippe Bober
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Reviews for Dog Days
Those who know that human beings are more than just the sum of their worst impulses ... will wonder where the rest of the story went.
Mosaic filmmaking at its most irresolute... [its few affecting] moments are antiseptic, sealed off from any larger relatable context or emotional arc.
A loser in almost all respects, boasting a parade of nudity that you don't want to see, and over two hours of conversation yielding nothing of interest.
Just because something is degrading and disturbing, doesn't mean it's art. This dog doesn't deserve a day.
Director Ulrich Seidl presents a mean spirited satire of Austrian suburbia in this ugly movie that is quite possibly the worst film (foreign or domestic) of 2003.
This startling debut fiction feature goes to great, hectoring lengths to prove its final line: 'People are so cruel' -- a judgment from which the filmmaker himself is presumably not exempt.
This is a lament on the human condition, free of scented roses and free of solemnity.
An engrossing and disturbing film that feels like a Dogma 95 film made by Todd Haynes.
Dark, probing, and truly disturbing, Seidl's astonishing feature debut explores angst, anomie, and alientaion in Vienna's upscale suburbs in visually audacious mode that goes beyond Todd Solondz and Todd Haynes.
Oddly compelling, disturbing -- some might say disturbed -- look at suburban life, Austrian style.
Ultimately lacking depth or resonance, Dog Days is willfully provocative, much like a small child performing outrageous acts just to get some attention.
A masterpiece of misanthropy...an uncompromisingly bleak reverie on human misery and meanness.
| Tomatometer Percentage | Movie |
|---|---|
| 66% 66% | Public Enemies |
| 83% 83% | Harry Potter and the H… |
| 44% 44% | Night at the Museum: B… |
| 75% 75% | Julie & Julia |
| 32% 32% | Terminator Salvation |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
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