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Dogville

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Dogville (2003)

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Reviews Counted:150

Fresh:106

Rotten:44

Average Rating:7/10

Consensus: A challenging piece of experimental filmmaking.

Rated: R [See Full Rating] for violence and sexual content

Runtime: 2 hrs 57 mins

Genre: Dramas

Theatrical Release:Mar 26, 2004 Limited

Box Office: $1,498,177

Synopsis: This is the sad tale of the township of Dogville, in the Rocky Mountains, up where the road came to its definitive end near the entrance to the abandoned silver mine. The residents of Dogville... This is the sad tale of the township of Dogville, in the Rocky Mountains, up where the road came to its definitive end near the entrance to the abandoned silver mine. The residents of Dogville were good, honest folk and they liked their town. The house in which Tom (Paul Bettany) lived was the best – in good times it might almost have passed for presentable. Tom’s father (Phillip Baker Hall) had been a doctor and now received a modest pension. Tom was a writer, but in order to postpone the day when he would have to put pen to paper in earnest, he had come up with a series of town meetings on the subject of moral rearmament. Every evening at seven, when Martha (Siobhan Fallon) chimed the hour, Tom headed to the Henson home in order to inflict upon his childhood friend Bill (Jeremy Davies) yet another humiliating defeat at checkers. Some folks might say the opportunity to meet Bill’s older sister Liz (Chloe Sevigny) was more of a draw than the checkerboard and they might be right. That night as Tom strolled home through Elm Street (a sentimental soul from the East Coast had once dubbed their main street “Elm Street” though no Elm tree had ever cast its shadow in Dogville) he heard gun shots in the valley below. Tom sat down on the old lady’s bench to think but was roused from this activity by the sound of Moses barking, as if the dog were standing face to face with a force to be taken seriously. Her name was Grace (Nicole Kidman). She hadn’t chosen Dogville from a map or sought out the township for a visit but Tom felt right away that she belonged. When a carload of armed men arrived in pursuit of the beautiful fugitive, Tom hid her away and told the gangsters that he had seen nothing out of the ordinary. At the town meeting the following day, Tom provided a quick summary of the events of the previous evening to the astonished people of Dogville before going down to the mine to retrieve the fugitive from her hideaway. It was decided that Grace would be allowed to stay for two weeks. In order to win the trust of the townsfolk, Tom proposed that Grace be put to work. Although everyone protested that they did not need any help, Tom was certain that Grace’s services would soon be in demand. However, Grace’s interview with Jack McKay (Ben Gazzara) proved sadly symptomatic of the attitude of the good people of Dogville. Jack had expressed his ‘no’ concisely and precisely. With Tom’s encouragement, Ma Ginger (Lauren Bacall) grudgingly allowed Grace to tend to the wild gooseberry bushes behind her general store. Grace persisted and slowly but surely, all of the residents of Dogville found they had some work for her after all. It was in complete silence that the people of Dogville turned up for the meeting at the mission house - two weeks to the day that the beautiful fugitive had come to town. Grace was sent out to await the verdict of the townsfolk. She listened as the bell chimed once for each vote allowing her to stay. Spring and early summer proved a happy time for Grace. The town had agreed that everyone was to give according to his abilities and she received wages for her chores - not much, but enough to save up for the first of the tiny china figurines from the row of seven that had stood for so long gathering dust in the window of the store. At the annual Fourth of July picnic, Grace and Tom shyly declared their love for one another. One day, when Grace was in the orchard helping Chuck (Stellan Skarsgaard) the police came to Dogville and put up a wanted poster. That the gangsters had fixed to have charges made against Grace in their efforts to neutralize her came as no surprise. But Dogville began to bare its teeth. Suddenly, Grace was working all hours. She was scolded by Ma Ginger for taking a shortcut through the gooseberry bushes. Jack McKay allowed his hand to linger on her thigh; Chuck took advantage of her in the apple orchard. Chuck and Vera’s boy, Jason, demanded a spanking from poor Grace and having received his punishment, promptly betrayed her. But Grace had finally saved up enough money to purchase the last of the little china figurines in Ma Ginger’s window. Vera (Patricia Clarkson), Liz and Martha visited Grace to air their grievances against her. Grace was restrained by Liz and Martha as Vera smashed each and every one of Grace’s beloved, hard-won china figurines. Tom persuaded Grace that she should escape from Dogville with the help of the simple trucker, Ben (Zelko Ivanec). Instead of taking Grace down the mountain, Ben took advantage of her in the back of his truck and returned to Dogville with the fugitive hidden under a tarp. Grace’s plan to escape was exposed and Tom did not come to her defense when it was discovered that Tom Edison Sr.’s considerable stash of money had disappeared. The good people of Dogville decided to prevent her running away again and Grace was attached by Moses’ collar to a rusty old flywheel that she dragged behind her on a heavy chain. With the exception of Tom who bitterly denied himself, all the menfolk of Dogville now took to visiting Grace at night and forcing themselves on her. Tom saw everything and it pained him. Another town meeting was convened and Grace told her side of the story, simply and without embellishment. But the townsfolk were not receptive to her argument and Tom, fearing that he too might be driven out of their good favor if he continued in his support of Grace, took drastic measures. Before returning to the meeting that night, Tom opened the little drawer he hadn’t opened since the night of Grace’s arrival, took out the gangster’s card and made a telephone call. And then it was as if Dogville just waited. Even the wind dropped, leaving the town in an unfamiliar calm. From the moment when they’d finally heard the vehicles starting one after the other from the direction of the edge of the woods, things moved rapidly. Tom had arranged a delegation to provide a proper reception. Dogville might be off the beaten track but it was hospitable nevertheless. As for Grace, well, she was no expert in exclusive automobiles, but she recognized with no difficulty the purr of the Cadillac as it rounded the corner and made its way into the township of Dogville… [More]

Starring: Nicole Kidman, Paul Bettany, Lauren Bacall, Harriet Andersson

Starring: Nicole Kidman, Paul Bettany, Lauren Bacall, Harriet Andersson, Jean-Marc Barr, Blair Brown, James Caan, Patricia Clarkson, Jeremy Davies, Ben Gazzara, Philip Baker Hall, John Hurt, Zeljko Ivanek, Chloë Sevigny, Udo Kier, Stellan Skarsgard

Director: Lars von Trier

Director: Lars von Trier
Screenwriter: Lars von Trier
Producer: Vibeke Windelov
Studio: Lions Gate Films

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Release:

Aug 24, 2004

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Reviews for Dogville

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101 - 120 (sorted by date)
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A satanic "Our Town."

Full Review Source: Greenwich Village Gazette | comment Comment
03/26/04
Eric Lurio
Eric Lurio
Greenwich Village Gazette

This brilliantly acted film is a highly stylized, surprisingly successful experiment that sits somewhere between theater and cinema.

Full Review Source: TV Guide's Movie Guide | comment Comment
03/26/04
Ken Fox
Ken Fox
TV Guide's Movie Guide

The politics of Dogville are on par with a third-rate gangster picture: cheap, opportunistic nihilism, with no enlivening sense of humor.

Full Review Source: Slate | comment Comment
03/26/04
David Edelstein
David Edelstein
Slate

The only thing simple you can say about Dogville is that it's a masterpiece.

Full Review Source: Reel.com | comment Comment
03/26/04
Kim Morgan
Kim Morgan
Reel.com

This isn't cynicism. It's nihilism. And its brilliant, infuriating display here proves again that Von Trier -- exciting, maddening Von Trier -- may be finding unusual new ways to say things just as he's running out of things to say.

Full Review Source: Newark Star-Ledger | comment Comment
03/26/04
Stephen Whitty
Stephen Whitty
Newark Star-Ledger
Top Critic Icon Top Critic

A stunning display of a filmmaker adventuring on the far side of what's possible.

Full Review Source: New York Post | comment Comment
03/26/04
Megan Lehmann
Megan Lehmann
New York Post

Brilliant and infuriating, wise and naïve, outrageous yet unforgettable.

Full Review Source: New York Daily News | comment Comment
03/26/04
Jami Bernard
Jami Bernard
New York Daily News
Top Critic Icon Top Critic

The story's length, lack of sets, music, or a focused story combine to make one of the most excruciatingly dull cinematic experiences I can remember.

Full Review Source: IGN Movies | comment Comment
03/26/04
Jeff Otto
Jeff Otto
IGN Movies

What starts out as distracting works to bring us in closer to what we should be concentrating on: the passion of Nicole Kidman's tragic heroine, and what her suffering says about the hope of all mankind.

Full Review Source: Los Angeles Daily News | comment Comment
03/26/04
Bob Strauss
Bob Strauss
Los Angeles Daily News

In his strenuous effort to avoid cinematic artifice of any kind, Von Trier has engaged in a different kind of artifice—intellectual artifice.

Full Review Source: AboutFilm.com | comment Comment
03/25/04
Carlo Cavagna
Carlo Cavagna
AboutFilm.com

A simple tale, told so well while being so revealing. There are many reasons why it shouldn't work, but because it does, it feels magical.

Full Review Source: Window to the Movies | comment Comment
03/25/04
Jeffrey Chen
Jeffrey Chen
Window to the Movies

Darkly funny, intellectually challenging and obliquely didactic.

Full Review Source: USA Today | comment Comment
03/25/04
Claudia Puig
Claudia Puig
USA Today

The acting is ice cold. The dialogue is lethargic. And if we're going to sit through any movie that's 177 minutes, it better have some Hobbits in it. There are no Hobbits here, so stay home.

Full Review Source: E! Online | comment Comment
03/25/04
E! Online

Challenging, dramatic, provocative.

Full Review Source: Christian Science Monitor | comment Comment
03/25/04
David Sterritt
David Sterritt
Christian Science Monitor

Von Trier, light years from the formula doggerel at the multiplex, delivers something rare these days: a film of ideas.

Full Review Source: Rolling Stone | comment Comment
03/25/04
Peter Travers
Peter Travers
Rolling Stone
Top Critic Icon Top Critic

While you watch the movie, it can seem ridiculously long-winded. But once it's over, its characters' miserable faces remain etched in your memory, and its cynical message lingers.

Full Review Source: New York Times | comment Comment
03/25/04
Stephen Holden
Stephen Holden
New York Times
Top Critic Icon Top Critic

An audaciously original feat of allegorical story.telling, one of those visionary achievements that stirs moviegoers into a fury and goes on to define a decade.

Full Review Source: Newsday | comment Comment
03/25/04
Jan Stuart
Jan Stuart
Newsday
Top Critic Icon Top Critic

Has rarely been far from my mind in the 10 months following Cannes, during which time it has grown only richer, deeper and more complex than I initially estimated.

Full Review Source: L.A. Weekly | comment Comment
03/25/04
Scott Foundas
Scott Foundas
L.A. Weekly

Gorgeous, experimental, alive with a Scandinavian strain of chutzpah, and artistically elegant.

Full Review Source: Entertainment Weekly | comment Comment
03/25/04
Lisa Schwarzbaum
Lisa Schwarzbaum
Entertainment Weekly
Top Critic Icon Top Critic

Movie pop art is enjoying a renaissance, of which Lars von Trier's savagely cathartic Dogville is the consummate centerpiece

Full Review Source: Film Freak Central | comment Comment
03/25/04
Bill Chambers
Bill Chambers
Film Freak Central
 
 
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