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Movies / On DVD / Donnie Darko: The Director's Cut
Donnie Darko: The Director's Cut

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Donnie Darko: The Director's Cut (2004)

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Reviews Counted:43

Fresh:39

Rotten:4

Average Rating:8.1/10

Runtime: 2 hrs 13 mins

Genre: Horror/Suspense

Theatrical Release:Jun 2, 2004 Limited

Box Office: $538,574

Synopsis: In a funny, moving and distinctly mind-bending journey through suburban America, one extraordinary but disenchanted teenage is about to take Time’s Arrow for a ride. October 2nd, 1988: just... In a funny, moving and distinctly mind-bending journey through suburban America, one extraordinary but disenchanted teenage is about to take Time’s Arrow for a ride. October 2nd, 1988: just another ordinary day in Donnie Darko’s teen-aged existence. He’s taken his medication, watched Dukakis & Bush debate, and had dinner with the family. Then an outrageous accident occurs, which just misses claiming Donnie’s life. As Donnie begins to explore what it means to still be alive, and in short order to be in love, he uncovers secrets of the universe that five him a tempting power to alter time and destiny. From 26 year-old first time writer-director Richard Kelly comes the provocative DONNIE DARKO, a genre busting fable that blasts the American suburban drama into a wildly imaginative realm of time travel, alternative universes and the manipulation of one’s fate. But at the core of DONNIE DARKO is the simple story of a boy trying to make a stand in a lonely, chaotic world – and discovering that every little thing he does counts on a cosmic scale. Originally screened at the 2001 Sundance Film Festival, DONNIE DARKO became one of the festival’s most talked-about and debated films, praised for blending sci-fi fantasy with an original vision of a modern suburbia teetering on the edge of dread and disaster. The question became: what is DONNIE DARKO? Is it a look back at the underbelly of the Ferris Bueller and Back to the Future era? Or is it a wild journey into multiple realities and multiple outcomes? Is it the story of an increasingly cynical, hypocritical society on a crash-course with apocalypse? Or is it a fairy-tale about a teen hero who changes the world around him? Is this the cosmic death knell of the Regan Era, or a portrait of a troubled community redeemed by the hand of God? The surprising answer is that DONNIE DARKO is all of these – a deep inquiry into the recent past and the possibilities for the future all wrapped up in the story of a teenager unlike any you’ve met before. Writer/director Richard Kelly purposefully wanted DONNIE DARKO to be vast enough to mean different things to different people. But he offers this guidance for the mind-blowing ride ahead: “Maybe it’s the story of Holden Caulfield, resurrected in 1988 by the spirit of Philip K. Dick, who was always spinning yarns about schizophrenia and drug abuse breaking the barriers of space and time. Or it’s a black comedy foreshadowing the impact of the 1988 presidential election, which is really the best way to explain it. But first and foremost, I wanted the film to be a piece of social satire that needs to be experienced and digested several times.” DONNIE DARKO – THE DIRECTOR’S CUT features 20 minutes of never-before-seen footage; new & enhanced visual effects and new music. -- © Newmarket Films [More]

Starring: Jake Gyllenhaal, Maggie Gyllenhaal, Jena Malone, Drew Barrymore

Starring: Jake Gyllenhaal, Maggie Gyllenhaal, Jena Malone, Drew Barrymore, Mary McDonnell, Holmes Osborne, Katharine Ross, Patrick Swayze, Noah Wyle, James Duval

Director: Richard Kelly

Director: Richard Kelly
Screenwriter: Richard Kelly
Producer: Nancy Juvonen, Adam Fields, Sean McKittrick
Composer: Michael Andrews
Studio: Newmarket Films

[See More Credits]

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Release:

Feb 15, 2005

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Reviews for Donnie Darko: The Director's Cut

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1 - 20 (sorted by fresh rating)
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If Kelly felt it necessary to add the new material, that's all to the good. It just means there's more to love.

Full Review Source: Washington Post | comment Comment
08/20/04
Ann Hornaday
Ann Hornaday
Washington Post

It's ultimately Kelly's inventive storytelling and the myriad of complex themes he explores that capture one's imagination and, in this reviewer's case, re-ignite one's passion for the medium.

Full Review Source: Boxoffice Magazine | comment Comment
06/04/04
Annlee Ellingson
Annlee Ellingson
Boxoffice Magazine

The resulting film reveals an artist who has seriously reflected on his work and carefully considered what to add, what to alter and sometimes what to remove.

Full Review Source: KPBS.org | comment Comment
03/30/07
Beth Accomando
Beth Accomando
KPBS.org

The new Darko is just as marvelous as the old.

Full Review Source: Atlanta Journal-Constitution | comment Comment
08/26/04
Bob Longino
Bob Longino
Atlanta Journal-Constitution
Top Critic Icon Top Critic

A generous, compassionate, daring movie.

Full Review Source: St. Paul Pioneer Press | comment Comment
08/26/04
Chris Hewitt (St. Paul)
Chris Hewitt (St. Paul)
St. Paul Pioneer Press

Oddly not as good as the theatrical cut.

comment Comment
03/29/09
Cole Smithey
Cole Smithey
ColeSmithey.com

The film feels like a collision between a John Hughes teen comedy and a David Lynch freakfest.

Full Review Source: Minneapolis Star Tribune | comment Comment
07/06/06
Colin Covert
Colin Covert
Minneapolis Star Tribune

The die-hards will dig it, and those who skipped its initial run should greater enjoy their first trip through the cellar door of Donnie's universe.

Full Review Source: Kansas City Star | comment Comment
09/09/04
David Frese
David Frese
Kansas City Star

A deliriously subtle exploration of storytelling possibilities, and a deliciously wry teen-pic to boot.

Full Review Source: Christian Science Monitor | comment Comment
07/29/04
David Sterritt
David Sterritt
Christian Science Monitor

Remains the most potent Reagan-child rebel yell to date.

Full Review Source: Village Voice | comment Comment
07/20/04
Dennis Lim
Dennis Lim
Village Voice
Top Critic Icon Top Critic

Contains about 10 additional minutes and is as fabulous and enjoyable as ever.

Full Review Source: Washington Post | comment Comment
08/20/04
Desson Thomson
Desson Thomson
Washington Post
Top Critic Icon Top Critic

it cannot be discounted that the substantial supplementary features went a long way towards backing up the film's legitimacy to its ever-increasing population of followers.

Full Review Source: Movie City News | comment Comment
06/10/05
Douglas Pratt
Douglas Pratt
Movie City News

The 2001 cut is my preference, but the 2004 changes have their select attributes. Both editions, indeed, are modern masterworks.

Full Review Source: DustinPutman.com | comment Comment
08/14/04
Dustin Putman
Dustin Putman
DustinPutman.com

To Read review visit www.EmanuelLevy.com

Full Review Source: EmanuelLevy.Com | comment Comment
11/14/04
Emanuel Levy
Emanuel Levy
EmanuelLevy.Com

Still an exceptionally challenging film...but it's not quite the equal of the one some of us found so extraordinary in 2001.

Full Review Source: One Guy's Opinion | comment Comment
09/02/04
Frank Swietek
Frank Swietek
One Guy's Opinion

It's a dreamlike, intuitive movie that has much to say about life and death and points in between.

Full Review Source: Dallas Morning News | comment Comment
08/26/04
Gary Dowell
Gary Dowell
Dallas Morning News
Top Critic Icon Top Critic

Friends and neighbors, this is a Great American Movie.

Full Review Source: New Times | comment Comment
04/01/06
Gregory Weinkauf
Gregory Weinkauf
New Times

Richard Kelly's revamped version of his creepy, cool debut is neither a bold revelation nor a bland over-elaboration.

Full Review Source: Netflix | comment Comment
09/16/04
James Rocchi
James Rocchi
Netflix

Not necessarily better, but just a different and equally impressive take on a great film.

Full Review Source: IGN Movies | comment Comment
07/29/04
Jeff Otto
Jeff Otto
IGN Movies

No other movie I've seen has been able to capture that late '80's feel with such accuracy; as a result, Donnie Darko affects me like few other movies can.

Full Review Source: Window to the Movies | comment Comment
07/22/04
Jeffrey Chen
Jeffrey Chen
Window to the Movies
 
 
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