The Doom Generation Reviews

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Top Critic
Jonathan Rosenbaum
Chicago Reader
January 14, 2011
Striking to look at, though often offensively opportunistic, this mainly comes across as a throwaway shocker with energy to spare. There's not much thought in evidence though.

TV Guide's Movie Guide
January 14, 2011
For the terminally hip and/or terminally adolescent.
Full Review | Original Score: 2/4
Top Critic
Variety Staff
Variety
March 26, 2009
A nihilistic comedy about a trio of alienated youngsters, pic is bold not only in its art design, but also in its narrative and tone, a mixture of satire and horror with heavy dosage of steamy sex and macabre violence.
Top Critic
Emanuel Levy
Variety
June 20, 2006
Inspired by Godard's classic Band Apart, Araki's fifth feature is his most audacious and most technically accomplished film to date, reflecting the larger than usual budget and gained experience.
Full Review | Original Score: 4/5
Top Critic

Time Out
January 26, 2006
Imagine Natural Born Killers with a sense of humour.
Nick Schager
Lessons of Darkness
December 20, 2005
Self-consciously strives for transgressive nihilism without ever recognizing the sheer absurdity of its every component.
Full Review | Original Score: C
Clint Morris
Moviehole
March 11, 2005
A cult classic.....steamy hot, wicked funny
| Original Score: 3/5
Fred Topel
About.com
July 14, 2003
Potentially clever, but ultimately the raw violence isn't creative and therefore is offensive.
| Original Score: 2/5
Top Critic
Janet Maslin
New York Times
May 20, 2003
Sledgehammer direction, heavy irony and the easiest imaginable targets hardly show talent off to good advantage.
Full Review | Original Score: 1.5/5
Top Critic
Peter Travers
Rolling Stone
May 12, 2001
It's a savagely funny ride fueled by Araki's insight and blunt compassion.
Top Critic
Kevin Thomas
Los Angeles Times
February 13, 2001
Plays like a low-budget Natural Born Killers -- and that is not intended as a compliment.
Scott Weinberg
eFilmCritic.com
January 1, 2000
I'd step on a thumbtack before watching it again.
Full Review | Original Score: 1/5
Top Critic
Edward Guthmann
San Francisco Chronicle
January 1, 2000
Amy's a screaming, speed-addled banshee, and not the sort of chick you'd want to run into late at night (or spend 85 minutes with in a darkened theater).
Full Review | Original Score: 2/4
Christopher Null
Filmcritic.com
January 1, 2000
Hands-down one of the most horrid examples of filmmaking I've seen in ages.
Full Review | Original Score: 1.5/5
Ted Prigge
rec.arts.movies.reviews
January 1, 2000
A note to Gregg: grow up. Really. Move out of your parent's basement, read something other than Salinger, and get a day job.
Full Review | Original Score: 0/4
Liz Braun
Jam! Movies
January 1, 2000
It's young, it's hip, it's excruciating for anyone who has already survived adolescence.
| Original Score: 2/5
Dennis Schwartz
Ozus' World Movie Reviews
January 1, 2000
After seeing all the mayhem and watching how retarded and alienated the teens acted, the film felt as healthy as a combined diet of junk food and crystal meth (speed).
Full Review | Original Score: C-
Top Critic
Kathy Fennessy
Film.com
January 1, 2000
More like Natural Born Killers than any other film that comes to mind, but it's ultimately sexier, funnier, and much more 'alternative' (in every sense of the word).
Top Critic
Desson Thomson
Washington Post
January 1, 2000
The violence becomes commonplace. The crudities never end. But there are hip benefits for staying to watch.
Joyce Dundas
Empire Magazine
January 1, 2000
As a stylish black comedy, it is impressively uncompromising and should be applauded.
Full Review | Original Score: 3/5
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