Doomsday (2008)
Average Rating: 5.2/10
Reviews Counted: 67
Fresh: 34 | Rotten: 33
Doomsday is a pale imitation of previous futuristic thrillers, minus the cohesive narrative and charismatic leads.
Average Rating: 5.1/10
Critic Reviews: 12
Fresh: 5 | Rotten: 7
Doomsday is a pale imitation of previous futuristic thrillers, minus the cohesive narrative and charismatic leads.
liked it
Average Rating: 3.1/5
User Ratings: 83,724
My Rating
Movie Info
Three decades after a major country is quarantined in hopes of containing a lethal and highly contagious virus nicknamed "Reaper," signs that the super-bug has resurfaced in a major city prompt desperate specialists to race back into the infected zone to find a cure in director Neil Marshall's (The Descent) miasmic speculative sci-fi thriller. Few could have foreseen the terror that the microorganism known as "Reaper" would unleash upon the unsuspecting population, and when terrified authorities
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Cast
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Rhona Mitra
Eden Sinclair -
Bob Hoskins
Bill Nelson -
Adrian Lester
Seargent Norton -
Alexander Siddig
John Hatcher -
David O'Hara
Canaris -
Malcolm McDowell
Kane -
Craig Conway
Sol -
MyAnna Buring
Cally -
Liebenberg. Leanne
Viper -
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Doomsday Trailer & Photos
All Critics (67) | Top Critics (12) | Fresh (35) | Rotten (39) | DVD (10)
Marshall's adrenalin-fuelled skill and enthusiasm propel the action forward with reckless abandon.
Marshall's mash note to '80s postapocalyptic action-adventures re-creates the era's trashy pleasures with such scrupulous fidelity -- and distinct lack of irony -- that you'd swear the movie was unearthed from the ruins of a Times Square grind house.
[Director] Marshall cribs whole sections from other movies (Aliens and The Road Warrior, most blatantly) so baldly that you have to wonder how he'd like it if someone ripped off The Descent this egregiously.
I still believe with all my heart that no movie with real car stunts, a tough-chick hero, and a severed head that thunks directly into the camera can be all bad. But this is pushing it.
Most fantasy-action films blow their budgets in the first half-hour, and limp home with their makeup smeared. Doomsday is unusually patient, smartly saving most of its fireworks for the later innings.
If you can accept this farrago of nonsense, and enjoy simulated beheadings and lopped-off hands and massive spurts and splashes of blood, this may be the movie for you.
I somehow ended up admiring "Doomsday" for being the most unapologetically ridiculously, preposterous action movie I've ever seen.
In terms of sheer excitement, it's the best movie of 2008.
As it slogs through one hectic yet mundane set pieces after another, the film slowly drowns in its own pool of clichés.
Violent action flick paints a grim, bloody future.
Doomed
One's enjoyment of Doomsday might stem from how much one admires a blatant homage to the 1980s.
Doomsday might seem novel - if you've never seen "The Road Warrior," "Aliens," "Escape from New York" or any other post-apocalyptic flick before.
... piles on the clichés and plot complications without adding anything interesting (let alone distinctive or memorable).
Apparently Marshall was munching on a serious dosage of Escape from New York pills when manufacturing Doomsday, resulting in not only a comatose actioner, but a derivative one as well.
Apparently, even the individuals behind the film recognize how redundant Doomsday is, going so far as to point out the far better examples it rips off in order to achieve its throwback tedium.
Forget about trying to follow the preposterous plotline of this insult to the intelligence, unless you want to laugh out loud.
Doomsday gives this tired genre a shot in the arm by playing it up with old school adoration.
A bit like a medley of greatest hits performed by a hot, young talent who brings a new vocal inflection to the tired, old standards.
Doomsday possède définitivement toutes les caractéristiques d'un film culte en devenir, même si celles-ci nous laissent toujours en tête une curieuse impression de déjà vu.
A tribute to the early 1980s anarchy actioners The Road Warrior and Escape From New York, Neil Marshall's Doomsday also blends elements from 28 Days Later for a fun and ultra-violent action-sci-fi-kinda-horror film.
Get your Mad Max mutant-maniacs-in-monster-machines on.
The movie doesn't disguise the fact that this is a loving homage to early 80's science fiction cult classics.
It's a mishmash of homages to writer/director Neil Marshall's favorite B movies. That doesn't make it bad at all, though; it ends up being quite entertaining.
Audience Reviews for Doomsday
Super Reviewer
The downside is not a question of whether Doomsday is an interesting or entertaining film, or both. Because it's been crafted with so much energy, style and good heartedness. The problem overall is that it lacks a cohesive narrative to support the eye popping beauty of it's surface visuals. The less exhilarating flaw however is how terribly ordinary it is. And how unremarkable it is in comparison to the numerous futuristic thrillers that it decides to borrow from. Rhona Mitra didn't help at all because her performance is simply an utterly charmless and less thrilling impression of Kate Beckinsale in Underworld. I know that it isn't a great start to the review, but the film offers plenty of reasons why it should be recommended. While incredibly stupid and wildly derivative, it is a real heart-racer of a film. Neil "Dog Soldier" Marshall's tremendously fast paced direction is an impressive and quite welcome change to his usual restrained but nevertheless amazing directorial talent. His previous films "Dog Soldiers" and "The Descent" were claustrophobic works of art. This is a rip roaring and hilarious action horror that delivers the thrills but falls at the expense of a likable heroine and developed character arcs. Marshall's previous films boasted all of the above, and their absence dissapointed me. I have always kept high expectations for him because he is one of the best directors of our time. Although Doomsday is certainly not a classic, it is also never dull. It has all of the breathtaking, explosive qualities that Hollywood films should have. That is a good thing, but it also means that the things good about it are generic. The heartbreaking downside for me was the disappearance of the flawlessness of his earlier films. As they say, you can't have too much of a good thing. I think Doomsday is a fun, messy, flawed, dark and gritty film. It has variable qualities and ideas that fit and others that don't. But it passes in terms of living up to the strength of it's convictions. It's well designed, underated, action packed and purely badass.
Super Reviewer
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- Viper: If you're hungry, why don't you try a piece of your friend.
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- Sol: This is OUR city!
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- Viper: Very nice job!
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Latest News on Doomsday
July 28, 2008:
RT on DVD: Harold & Kumar, Doomsday and Dark City Director's CutSince we're all still recovering from Comic-Con 2008, and tons of new home video details dropped at...
May 6, 2008:
Neil Marshall's 10 Post-Apocalyptic PicksThe Doomsday director runs RT through the movies that inspired his cyber-punk vision of a dodgy...
March 16, 2008:
Box Office Guru Wrapup: Horton Hears Cash Registers Ring at Box OfficeNorth American film fans heard the call of the elephant and stampeded to the box office to see the...
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Foreign Titles
- Doomsday: El día del juicio (ES)










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