Imagine the first serious competition to the Deutsche dummkopf Uwe Boll as "worst director" working today, thanks to this mad and maddening mash-up genre picture.
Doomsday (2008)
Tomatometer
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Reviews Counted:63
Fresh:30
Rotten:33
Average Rating:5/10
Consensus: Doomsday is a pale imitation of previous futuristic thrillers, minus the cohesive narrative and charismatic leads.
Theatrical Release:Mar 14, 2008 Wide
Box Office: $10,955,425
Synopsis: Writer/director Neil Marshall earned the respect of horror devotees with his first two features, DOG SOLDIERS and THE DESCENT, refreshing and scary twists on the werewolf and expedition-gone-wrong... Writer/director Neil Marshall earned the respect of horror devotees with his first two features, DOG SOLDIERS and THE DESCENT, refreshing and scary twists on the werewolf and expedition-gone-wrong genres. Where those works exemplified a respect for pure horror, devoid of the tension-spoiling comedy that infects most fright films, DOOMSDAY is Marshall's love letter to the post-apocalyptic action-exploitation films of the 1980s. Bubbling over with action, gore, and dark humor, his third film has all the bases covered for a fun, knowingly corny viewing experience. After a deadly plague results in the quarantine of the entire country of Scotland (in a scene reminiscent of I AM LEGEND), a wall is built around the country preventing anyone from going in or out. Thirty years later, the British government believes everyone within the wall to be dead, but when they find signs of life and learn of the possibility of a cure, a team of specially trained agents led by Eden Sinclair (Rhona Mitra) become the first outsiders to venture inside the country since the epidemic. They discover that there are plenty of survivors who have splintered into fierce, warlike tribes, living in a lawless society where cannibalism and murder are the order of the day. Astute viewers will have a blast playing "spot the influence," with loving, obvious nods to ESCAPE FROM NEW YORK, ALIENS, 28 DAYS LATER, and the MAD MAX films. At the film's halfway point, Marshall switches gears, transforming the film from a punk-informed futuristic action film into a medieval-style chase film, utilizing Scotland's castles and sumptuous green landscapes to the fullest. Mitra is an exciting physical presence as Eden, a female version of NEW YORK's Snake Plissken, and the great supporting cast includes Bob Hoskins and Malcolm McDowell. [More]
Starring: Rhona Mitra, Bob Hoskins, Adrian Lester, Alexander Siddig
Starring: Rhona Mitra, Bob Hoskins, Adrian Lester, Alexander Siddig, David O'Hara, Malcolm McDowell, Sean Pertwee, MyAnna Buring, Nora-Jane Noone
Director: Neil Marshall
Director: Neil Marshall
Screenwriter: Neil Marshall
Producer: Steven Paul, Benedict Carver
Composer: Tyler Bates
Studio: Rogue Pictures
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Reviews for Doomsday
Doomsday is a mess of lousy filmmaking and unrelenting artistic bankruptcy, smashed together to form an ear-splitting, overcooked, awfully irritating shell of an experience.
Doomsday typifies the kind of movie that gets dumped into theaters during the late winter -- a regurgitated storyline, no big stars, and no real prospects at the box office.
If Marshall's goal was to deliver a no-nonsense, tongue-in-cheek, mega-violent "throwback" action flick, I'd say he's done a damn fine job of it.
Soulless, impersonal and shamelessly derivative, this dime-a-dozen sci-fi garbage is such a depressing step down for Neil Marshall that one can hardly believe it was made by the same guy responsible for the rightfully acclaimed The Descent.
The survivors have made it a priority -- as they have in so many post-apocalyptic action flicks -- to store up provisions of mascara and hair dye.
Neil Marshall should be ashamed for foisting such a disappointing follow-up to The Descent on his fans.
Marshall delivers what he promises and Mitri makes for a cool, kick-arse heroine in the Ellen Ripley mold.
Attention, apocalypse-hungry filmgoers: Doomsday may be the blue-light special you're looking for.
I can't support or defend Doomsday in the slightest. But it's also the most fun I've had at the movies in weeks. If you're in the mood for sheer sensation without the slightest bit of intelligence, this is the flick for you.
Brimming with exploitation antics, grindhouse sensibilities and, heh heh, exploding bunnies, Doomsday conjures a future thrown back to the dead-end styles and amoral excesses of the eighties - and no future could be bleaker than that.
The movie doesn't disguise the fact that this is a loving homage to early 80's science fiction cult classics.
A series of loosely linked action scenes, Doomsday plays out more like a video game than a movie.
Doomsday might seem novel - if you've never seen "The Road Warrior," "Aliens," "Escape from New York" or any other post-apocalyptic flick before.
As the crowd screams and pounds their chests, the camera shows Eden's back. It's a grim resolution, even in the post-apocalypse.
When the film's unspooling and we're watching Rhona Mitra drive a sports car through an exploding bus, we find ourselves in movie geek heaven.
Most fantasy-action films blow their budgets in the first half-hour, and limp home with their makeup smeared. Doomsday is unusually patient, smartly saving most of its fireworks for the later innings.
Latest News for Doomsday
July 28, 2008:
RT on DVD: Harold & Kumar, Doomsday and Dark City Director's Cut
Since we're all still recovering from Comic-Con 2008, and tons of new home video details dropped at the Largest Nerd Gathering in the World, it's time for RT on DVD: Geek... More...
July 25, 2008:
Team of specialists sent to quarantined Scotland in post-apocalyptic sci-fi adventure. ![]()
More...
May 14, 2008:
UK Box Office Breakdown: Speed Racer Tanks
Cripes! The bloodthirsty summer movie season has its first big-budget flop of the summer, and we're only two weeks in. The disappointment, no scrap that, disaster in question... More...
May 06, 2008:
Neil Marshall's 10 Post-Apocalyptic Picks
The Doomsday director runs RT through the movies that inspired his cyber-punk vision of a dodgy future. More...
| Tomatometer Percentage | Movie |
|---|---|
| 44% 44% | Night at the Museum: B… |
| 32% 32% | Terminator Salvation |
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|---|---|
| 83% 83% | Harry Potter and the H… |
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