The film lacks character and relies on standard-issue rom-com formulas.
Dopamine (2003)
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Reviews Counted:50
Fresh:26
Rotten:24
Average Rating:5.5/10
Theatrical Release:Oct 10, 2003 Limited
Synopsis:
Rand's (John Livingston) start-up company, Emerge, is a long time partnership with two good friends, Johnson (Rueben Grundy) and Winston (Bruno Campos). As the economic climate clamps down, they...
Rand's (John Livingston) start-up company, Emerge, is a long time partnership with two good friends, Johnson (Rueben Grundy) and Winston (Bruno Campos). As the economic climate clamps down, they are forced by their venture capital investors to "test" their product's synchronicity with the perceived target market: kids.
That night, drinking in a bar, lamenting their predicament, Rand and Winston meet Sarah (Sabrina Lloyd) for the first time. Even though sparks fly for Rand, it is Winston who makes the alpha dog move. Unbeknownst to Rand, Sarah goes home with Winston for a one-night stand, further complicating the future.
Ironically, it is Sarah's school and classroom that the investors have lined up as the beta testing lab. For Winston, it is a blatant reminder of a bad night. For Rand, it is the opportunity for his attraction to be analyzed, catalogued and evaluated. For Sarah, it is an embarrassing reminder of her actions but the catalyst to all she believes.
As Rand and Sarah begin their own unusual courtship dance, they find their toes continually getting stepped on, but they have an unconscious hope that their own lack of harmony is due only to a poor sense of timing. Rand, in his ever-analytical state decides to create a mate for their animated creation in hopes of understanding his own reservations about love.
Rand's views on love have been formed as he watched the storybook love affair between his Mom and Dad slowly dwindle to nothing because of altered brain chemistry in the form of Alzheimer's. If love was anything more than just a chemical or biological influence, how could it possibly disappear completely?
Sarah's definitions and walls come from a naïve affair when she was younger and has compromised her ability to trust and move on with her life.
Rand and Sarah's empathy for each other opens doors within themselves, but as the relationship culminates, they retreat back to their own stubborn beliefs. When Rand discovers Sarah and Winston's tryst, it is the emotional explosion that brings down the fragile house of cards.
Just when it appeared it couldn't get any worse, Emerge joins the ranks of failed companies, a victim of the plummeting economy with the venture capital investors finally pulling the plug.
Rand, feeling strangely liberated and defenseless, finds himself open to the possibility and opportunities the world has presented. He realizes his view of love is lacking in the only thing that makes love true: believing in it.
Reciprocally, Rand helps Sarah realize that she can't move forward without reconciling her past and facing up to the phantom love she holds unrealistically on a pedestal.
With each other's help, they journey out onto life's thin branch, searching for the answer. The question is, will they find and believe in it together? -- © Dopamine Productions
Starring: John Livingston, Sabrina Lloyd, Bruno Campos, Rueben Grundy
Starring: John Livingston, Sabrina Lloyd, Bruno Campos, Rueben Grundy, William Windom, Nicole Wilder
Director: Mark Decena
Director: Mark Decena
Screenwriter: Timothy Breitbach, Mark Decena
Producer: Debbie Brubaker, Tad Fettig
Composer: Eric Holland
Studio: Sundance Film Series
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Reviews for Dopamine
There's no disguising the fact that, beneath all its talk, this is a very traditional, very predictable romance; it's sorely in need of some comic relief.
Extraordinarily well written and acted, this is one of the smartest and most uniquely creative romantic comedies to emerge in quite some time.
Director Mark Decena and his writing partner show a good deal of promise for their future efforts, but some bad decisions and simplistic characters keep Dopamine from being anything to fall in love with.
Director Mark Decena and co-writer, Tim Breitbach, have formulated that rare screenplay that adapts out of its characters and not a predetermined road. The camera doesn’t just love Sabrina Lloyd – it’s looking to get down on one leg and propose.
Although flawed, Dopamine is ultimately a witty and perceptive movie dealing with the ways people experience love and loss in an increasingly distracted and remote world.
Bland, innocuous and totally disposable, it's the cinematic equivalent of a toothpaste or sneaker designed by and for focus groups.
Developed in the Sundance Institute's screenwriting lab, this feels like a movie that was grown in a petri dish.
It's more likable than it is good. Still, it might leave you feeling romantic (and romantic about your particular city) even if it doesn't nail its case for love in a psychopharmacological age.
Nicely acted by Lloyd and the talented Livingston, it poses some major questions, and is smart enough to refrain from trying to answer them.
The dilemmas in Dopamine ... made me want to reach for the serotonin reuptake inhibitors.
It's a movie, small in compass, conservative in aesthetic, that explores an idea while it makes you laugh. A lot of bigger movies won't provoke you half as much.
| Tomatometer Percentage | Movie |
|---|---|
| 66% 66% | Public Enemies |
| 83% 83% | Harry Potter and the H… |
| 44% 44% | Night at the Museum: B… |
| 75% 75% | Julie & Julia |
| 32% 32% | Terminator Salvation |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
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