An enjoyable farce that relocates Jean Renoir's Boudu Saved From Drowning to '80s California, offering fine comedic performances from Nick Nolte, Richard Dreyfuss and Bette Midler.
An enjoyable farce that relocates Jean Renoir's Boudu Saved From Drowning to '80s California, offering fine comedic performances from Nick Nolte, Richard Dreyfuss and Bette Midler.
Down and Out in Beverly Hills is an updated remake of the 1932 Jean Renoir film Boudu Saved From Drowning. Philandering businessman Dave Whiteman (Richard Dreyfuss) rescues scraggly tramp Jerry Baskin (Nick Nolte) from drowning himself in Dave's swimming pool. Much against his will, Jerry is invited to enjoy the hospitality of Dave, his social-climbing wife, Barbara (Bette Midler), and their sexually ambivalent son, Max (Evan Richards). The hapless hobo bonds only with the family dog, Matisse,
which fascinates Barbara to the point that she's willing to share her bed (and a few other things) with him. Dave is twice cuckolded when Jerry makes out with the maid (Elizabeth Peņa), with whom he has been carrying on a torrid -- and noisy -- affair. He plans to wreak revenge on the tramp, but several plot twists result in Dave and Jerry becoming bosom companions. Little Richard appears as the family's easily irritated next-door neighbor. Down and Out in Beverly Hills was the R-rated film that compelled Disney to create its adult-oriented Touchstone Films division. The property was later cleaned up for TV consumption and converted into a short-lived Fox-network sitcom. ~ Hal Erickson, Rovi
Although it is more of a comedy of manners than a well-developed story, there are enough yocks and bright moments to make it a thoroughly enjoyable outing.
Paul Mazursky hasn't only remade Jean Renoir's sublime 1931 Boudu Saved From Drowning: he's yuppified it, inverting virtually every meaning until the film becomes a celebration of the crassest kind of materialism.
A single moment of magical realism shows the Babe-that-might-have-been, very charitably speaking, had the makers of this doggie adventure-comedy chosen a more daring and creative route...
A funny and poignant if also broad reworking of Renoir's classic, Boudu Saved from Drowning, Paul Mazursky's satire also works as a critique of L.A. nouveau riche and their crass lifestyle, reflected, among other things, in the garrish color palette.
This update of Renoir's Boudu Saved from Drowning starts life as a satire on the tribal rites of the new and filthy rich, but goes badly wrong somewhere down the line.
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