Down in the Valley (2006)
Critic Consensus: The premise of Old West clashing with modern suburbia is fresh and initially intriguing, but the second act degenerates into a clumsy jumble of events which strain credibility.
as Bill Sr.
as Hispanic Kid
as Big Hasid
as Los Vaqueros Announc...
as Girl Driver
as Young Black Man
as Asst. Director
as Craig/Ecstacy Dealer
News & Interviews for Down in the Valley
Critic Reviews for Down in the Valley
Both actors work hard to give this disturbing crime story some flavor and substance, but the narrative is overextended and poorly organized.
It aims to be a Badlands for a new generation. It's closer to The O.C. with horses.
Even if this drama from David Jacobson can't quite cover all the territory the director-writer is looking to survey, it still's one of the most original movies in a long time.
Jacobson examines the life and death of the western and its incompatibility with the youth of today ... a fascinating, yet slightly off-balance, mix of tribute and scrutiny.
Audience Reviews for Down in the Valley
Down in the Valley is a bit of a jumble, switching tones and genres quickly from the first to second half, but I'm still glad I watched it. The performances by all of the main actors, especially Norton, are pitch perfect and make this movie better than it probably is. The first half is the good half, building up a sweet romance that is quiet and touching, but the second half has tons of implausible moments that make this otherwise great movie a little hard to swallow. I wish the screenplay was better than it is, but it is still worth a rental based on everything else.
Down in The Valley What a great film...very layered and subtle. It is beautifully shot and the four main characters are original and yet painfully familiar in their alienation, anger, and despair. The Cowboy character played by Edward Norton (who is amazing) seems so simple at first but as he is drawn into the family his character and the truth unravels in ways that left me at a stand still near the end of the film. The character played by Rory Culkin, "Twig", says very little throughout the film and yet he conveys a sense of yearning and loneliness almost too painful to bare. But even he undergoes an unexpected transformation by the end of the film. The lead is a beautiful creature on the screen. Her relationship with the Cowboy seemed unlikely at first and then became completely believable, especially in the bathtub scene. This is a film for lovers of independent film and psychological kinds of cinema. There are also several scenes that border on surrealism. This film will leave you thinking and wondering about your life
It's all over the place. The filmmaking is unfocused and too in love with itself to care about the real story behind it all. The acting isn't all that convincing either.
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