Norton, of course, gives everything to the role, but not even an actor of his immense skill can completely erase his pre-existing persona.
Down in the Valley (2006)
Tomatometer
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Reviews Counted:99
Fresh:51
Rotten:48
Average Rating:6/10
Consensus: The premise of Old West clashing with modern suburbia is fresh and initially intriguing, but the second act degenerates into a clumsy jumble of events which strain credibility.
Rated: R [See Full Rating] for violence, sexual content, language and drug use.
Runtime: 2 hrs 5 mins
Genre: Dramas
Theatrical Release:May 5, 2006 Limited
Box Office: $444,655
Synopsis: Director David Jacobsen's DOWN IN THE VALLEY plays like a romantic, operatic lament for the disappearing cinematic and real-life icon: the American cowboy. Many of the elements that would fuse,... Director David Jacobsen's DOWN IN THE VALLEY plays like a romantic, operatic lament for the disappearing cinematic and real-life icon: the American cowboy. Many of the elements that would fuse, say, a classic John Wayne character are present in Edward Norton's (PRIMAL FEAR, 25TH HOUR) character, Harlan Fairfax Caruthers: he's polite, soft-spoken, yet stubbornly brave and handy with Colt steel and lead. While at home in Death Valley in the mid 1800s, these characteristics are positively anachronistic in modern-day San Fernando Valley. How else to explain the reaction of a gaggle of giggling teenagers to Harlan as he pumps their gas? One of the teens, Tope (Evan Rachel Wood), is immediately attracted to these charms and invites Harlan along to the beach. A whirlwind romance follows, much to the chagrin of Tope's (short for October) father, Wade (David Morse), who senses there is more to Harlan than meets the eye. Indeed, things begin to unravel when Harlan lies about "borrowing" a horse from a local rancher that leads to a threat at gunpoint. To make matters worse, Harlan ingratiates himself more by spending time with Tope's attention-starved younger brother, Lonnie (Rory Culkin). Eventually, as more of the dangerous demons beneath Harlan's charming veneer reveal themselves, action must be taken and justice meted out, Old West-style. At times tense and, alternatively, quiet, DOWN IN THE VALLEY features some creative camera work from cinematographer Enrique Chediak that fits both moods. Also, be on the look-out for a scene-long quotation from TAXI DRIVER. [More]
Starring: Edward Norton, Evan Rachel Wood, Bruce Dern, Ellen Burstyn
Starring: Edward Norton, Evan Rachel Wood, Bruce Dern, Ellen Burstyn, David Morse, Rory Culkin, Muse Watson
Director: David Jacobson
Director: David Jacobson
Screenwriter: David Jacobson
Producer: Edward Norton, David Jacobson
Studio: ThinkFilm
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Reviews for Down in the Valley
The film is... shifted from the troubled relationship of the frayed family [to the] private psychodrama... of Norton's troubled character.
Patchy but powerful rumination on myth, youth and man's capacity for brutality.
Strong performances are squandered by an ending that doesn't just fall off the horse, it crashes it into a mountain.
...one of those karaoke pictures that doesn't seem nearly as interested in telling a story as it is in cataloguing the filmmaker's countless influences.
As he did in Primal Fear, American History X and Fight Club, Norton generates suspense by never tipping viewers off if he's supposed to be trusted.
The film just keeps circling, never narrowing in on who its characters truly are or where it wants to take them.
Norton lights up the screen, creating a complex cowpoke lost in every sense of the word, while Wood conveys every bit of the adamant certainty and aching vulnerability inherent in late adolescence.
Noteworthy for the poetry it aspires to and the jumbled prose it delivers.
Jacobson has an excitingly clear-eyed, unsentimental feel for the intensity of adolescent passion.
Jacobson has a good eye for widescreen compositions and sustains a low-key note of dread but is less successful in his attempt to graft a neo-Western to a neo-noir.
In the end, the core idea is weighted down by too much length, strained sympathy, and a conclusion that comes with more relief than satisfaction.
All the problems in this film could have been solved really quickly if anybody had used a little bit of intelligence.
An interesting misfire that unfortunately flames out well before the inevitable final shoot-out.
Latest News for Down in the Valley
May 07, 2006:
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