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Movies / On DVD / Down in the Valley
Down in the Valley

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Down in the Valley (2006)

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Reviews Counted:99

Fresh:51

Rotten:48

Average Rating:6/10

Consensus: The premise of Old West clashing with modern suburbia is fresh and initially intriguing, but the second act degenerates into a clumsy jumble of events which strain credibility.

Rated: R [See Full Rating] for violence, sexual content, language and drug use.

Runtime: 2 hrs 5 mins

Genre: Dramas

Theatrical Release:May 5, 2006 Limited

Box Office: $444,655

Synopsis: Director David Jacobsen's DOWN IN THE VALLEY plays like a romantic, operatic lament for the disappearing cinematic and real-life icon: the American cowboy. Many of the elements that would fuse,... Director David Jacobsen's DOWN IN THE VALLEY plays like a romantic, operatic lament for the disappearing cinematic and real-life icon: the American cowboy. Many of the elements that would fuse, say, a classic John Wayne character are present in Edward Norton's (PRIMAL FEAR, 25TH HOUR) character, Harlan Fairfax Caruthers: he's polite, soft-spoken, yet stubbornly brave and handy with Colt steel and lead. While at home in Death Valley in the mid 1800s, these characteristics are positively anachronistic in modern-day San Fernando Valley. How else to explain the reaction of a gaggle of giggling teenagers to Harlan as he pumps their gas? One of the teens, Tope (Evan Rachel Wood), is immediately attracted to these charms and invites Harlan along to the beach. A whirlwind romance follows, much to the chagrin of Tope's (short for October) father, Wade (David Morse), who senses there is more to Harlan than meets the eye. Indeed, things begin to unravel when Harlan lies about "borrowing" a horse from a local rancher that leads to a threat at gunpoint. To make matters worse, Harlan ingratiates himself more by spending time with Tope's attention-starved younger brother, Lonnie (Rory Culkin). Eventually, as more of the dangerous demons beneath Harlan's charming veneer reveal themselves, action must be taken and justice meted out, Old West-style. At times tense and, alternatively, quiet, DOWN IN THE VALLEY features some creative camera work from cinematographer Enrique Chediak that fits both moods. Also, be on the look-out for a scene-long quotation from TAXI DRIVER. [More]

Starring: Edward Norton, Evan Rachel Wood, Bruce Dern, Ellen Burstyn

Starring: Edward Norton, Evan Rachel Wood, Bruce Dern, Ellen Burstyn, David Morse, Rory Culkin, Muse Watson

Director: David Jacobson

Director: David Jacobson
Screenwriter: David Jacobson
Producer: Edward Norton, David Jacobson
Studio: ThinkFilm

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Release:

Sep 26, 2006

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Reviews for Down in the Valley

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61 - 80 (sorted by date)
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Norton, of course, gives everything to the role, but not even an actor of his immense skill can completely erase his pre-existing persona.

Full Review Source: Combustible Celluloid | comment Comment
05/18/06
Jeffrey M. Anderson
Jeffrey M. Anderson
Combustible Celluloid

The film is... shifted from the troubled relationship of the frayed family [to the] private psychodrama... of Norton's troubled character.

Full Review Source: Seattle Post-Intelligencer | comment Comment
05/18/06
Sean Axmaker
Sean Axmaker
Seattle Post-Intelligencer

Patchy but powerful rumination on myth, youth and man's capacity for brutality.

Full Review Source: Chicago Tribune | comment Comment
05/18/06
Allison Benedikt
Allison Benedikt
Chicago Tribune

Strong performances are squandered by an ending that doesn't just fall off the horse, it crashes it into a mountain.

Full Review Source: Metromix.com | comment Comment
05/18/06
Matt Pais
Matt Pais
Metromix.com

...one of those karaoke pictures that doesn't seem nearly as interested in telling a story as it is in cataloguing the filmmaker's countless influences.

Full Review Source: Philadelphia Weekly | comment Comment
05/17/06
Sean Burns
Sean Burns
Philadelphia Weekly

Look out: here comes another revisionist Western.

Full Review Source: PopMatters | comment Comment
05/13/06
Cynthia Fuchs
Cynthia Fuchs
PopMatters

As he did in Primal Fear, American History X and Fight Club, Norton generates suspense by never tipping viewers off if he's supposed to be trusted.

Full Review Source: Zap2it.com | comment Comment
05/13/06
Dan Fienberg
Dan Fienberg
Zap2it.com

The film just keeps circling, never narrowing in on who its characters truly are or where it wants to take them.

Full Review Source: Los Angeles Times | comment Comment
05/12/06
Mark Olsen
Mark Olsen
Los Angeles Times

Norton lights up the screen, creating a complex cowpoke lost in every sense of the word, while Wood conveys every bit of the adamant certainty and aching vulnerability inherent in late adolescence.

Full Review Source: Los Angeles Daily News | comment Comment
05/12/06
Glenn Whipp
Glenn Whipp
Los Angeles Daily News

Noteworthy for the poetry it aspires to and the jumbled prose it delivers.

Full Review Source: Boston Globe | comment Comment
05/12/06
Ty Burr
Ty Burr
Boston Globe

Starts out as an engaging character drama but surrenders to gunplay.

Full Review Source: Spirituality and Practice | comment Comment
05/12/06
Frederic and Mary Ann Brussat
Frederic and Mary Ann Brussat
Spirituality and Practice

Misfires like a seized-up six-shooter.

Full Review Source: Palo Alto Weekly | comment Comment
05/12/06
Jeanne Aufmuth
Jeanne Aufmuth
Palo Alto Weekly

It's singular, unusual, unexpected, fresh and familiar at once.

Full Review Source: Washington Post | comment Comment
05/11/06
Stephen Hunter
Stephen Hunter
Washington Post
Top Critic Icon Top Critic

Jacobson has an excitingly clear-eyed, unsentimental feel for the intensity of adolescent passion.

Full Review Source: L.A. Weekly | comment Comment
05/11/06
F.X. Feeney
F.X. Feeney
L.A. Weekly

Jacobson has a good eye for widescreen compositions and sustains a low-key note of dread but is less successful in his attempt to graft a neo-Western to a neo-noir.

Full Review Source: Christian Science Monitor | comment Comment
05/11/06
Peter Rainer
Peter Rainer
Christian Science Monitor

I didn't buy half of what I was seeing.

Full Review Source: Entertainment Weekly | comment Comment
05/10/06
Owen Gleiberman
Owen Gleiberman
Entertainment Weekly
Top Critic Icon Top Critic

The purity of Norton’s madness is a wonder.

Full Review Source: New York Magazine | comment Comment
05/09/06
David Edelstein
David Edelstein
New York Magazine
Top Critic Icon Top Critic

In the end, the core idea is weighted down by too much length, strained sympathy, and a conclusion that comes with more relief than satisfaction.

Full Review Source: Cinema Signals | comment Comment
05/08/06
Jules Brenner
Jules Brenner
Cinema Signals

All the problems in this film could have been solved really quickly if anybody had used a little bit of intelligence.

Full Review Source: Ebert & Roeper | comment Comment
05/08/06
Richard Roeper
Richard Roeper
Ebert & Roeper
Top Critic Icon Top Critic

An interesting misfire that unfortunately flames out well before the inevitable final shoot-out.

Full Review Source: One Guy's Opinion | comment Comment
05/08/06
Frank Swietek
Frank Swietek
One Guy's Opinion
 
 
61 - 80 (sorted by date)
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