Downfall is not only terrific cinema, it is also a history lesson, a gripping psychological study, and a dire warning.
Downfall (2005)
Tomatometer
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Reviews Counted:129
Fresh:118
Rotten:11
Average Rating:8/10
Consensus: Downfall is an illuminating, thoughtful and detailed account of Hitler's last days.
Runtime: 2 hrs 36 mins
Genre: Foreign Films
Theatrical Release:Sep 16, 2004 Limited
Box Office: $5,475,810
Synopsis: When writer-producer Bernd Eichinger read the galleys of historian Joachim Fest's book "Der Untergang" ("The Downfall: Inside Hitler's Bunker, The Last Days of the Third Reich"), he knew he had... When writer-producer Bernd Eichinger read the galleys of historian Joachim Fest's book "Der Untergang" ("The Downfall: Inside Hitler's Bunker, The Last Days of the Third Reich"), he knew he had found the dramatic key to a film he had wanted to make for decades, but never thought possible due to its scope. Fest's book focuses on the final days of the Reich, and Eichinger saw that the horrifying epic of Hitler and his people during his twelve years in power was reflected in those last twelve days in the bunker. "The final days tell us a lot about how the mass fanaticism functioned in the regime's earlier years and how it continued to reign until the bitter end," says Eichinger. Eichinger read another very important book around the same time: the memoirs of Traudl Junge, Hitler's private secretary ("Until the Final Hour: Hitler's Last Secretary"). He recounts, "Fest gave me the time frame, Traudl Junge gave me the character who could hold it all together." DOWNFALL is the first German film to broach the subject of Hitler straight-on since G.W. Pabst's 1956 film "DER LETSTE AKT" ("The Last Act") which was told from the point of view of an ordinary German soldier, played by Oskar Werner. Says director Oliver Hirschbiegel, "In terms of German film history, we are breaking new ground here, since there is no cinematic frame of reference. After reading the book, it was clear to me that if I committed myself, then it would have to be a total and complete commitment, meaning that I was going to spend two years of my life in the Third Reich, with all of those characters and that primitive ideology… My hair stood on end. My wife advised me against it. Yet I noticed that it just wouldn't leave me in peace, and in my heart, before accepting the project, I knew that I had already opened myself up to it." -- © Newmarket Films [More]
Starring: Bruno Ganz, Alexandra Maria Lara, Juliane Kohler, Thomas Kretschmann
Starring: Bruno Ganz, Alexandra Maria Lara, Juliane Kohler, Thomas Kretschmann, Ulrich Matthes, Heino Ferch, Christian Berkel
Director: Oliver Hirschbiegel
Director: Oliver Hirschbiegel
Screenwriter: Bernd Eichinger
Producer: Bernd Eichinger
Studio: Constantin Film
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Reviews for Downfall
You feel privy to mysterious secrets and a monumental unraveling... It's impossible to look away.
A lot of movies have been made about Adolf Hitler, but this is certainly one of the best; it shows the psychology that goes on when a leader and his followers fall from power.
...succeeds, for the most part, in painstakingly depicting who did what when, but beyond that, it is a missed opportunity.
Hirschbiegel and Ganz are not apologizing for Nazism. They are trying to come to terms with the fact that the evils of Nazism were invented and carried out by human beings.
...a serious and useful film in that it reminds us that the capacity for evil is a human trait.
Some demons are too extreme to comprehend, but Hirschbiegel's film nonetheless provides a painfully unflinching glimpse into the outer workings of the mortally wounded Third Reich.
Give him a hunchback, and Ganz's Hitler could be Richard III offering his kingdom for a tank.
While actor Bruno Ganz's impersonation of Hitler is utterly convincing ... there are a few too many moments when he comes across as a broken old man whose world has shattered around him, even if he brought the calamity on himself.
It is useful to reflect that racism, xenophobia, grandiosity and fear are still with us, and the defeat of one of their manifestations does not inoculate us against others.
Few movies indeed have ever more completely conveyed Arendt's juxtaposition of the evil that sent millions to their graves with the stultifying banality of their murderers' lives.
A riveting re-creation of three world-changing collapses: those of the Nazi party, of militarized Germany as a whole, and of the Führer who guided them into self-destructive ruin.
Downfall is an admirably matter-of-fact history lesson of a movie, but next to real footage of real people with real memories of those days, it pales by comparison.
Força-nos a praticar uma das maiores virtudes do ser humano: compaixão. E esta é sua grande lição: a compreensão de que o ódio cego nos diminui tanto quanto ao inimigo.
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