It provides a compelling glimpse at a nation wrestling with its greatest demon.
Downfall (2005)
Tomatometer
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Reviews Counted:129
Fresh:118
Rotten:11
Average Rating:8/10
Consensus: Downfall is an illuminating, thoughtful and detailed account of Hitler's last days.
Runtime: 2 hrs 36 mins
Genre: Foreign Films
Theatrical Release:Sep 16, 2004 Limited
Box Office: $5,475,810
Synopsis: When writer-producer Bernd Eichinger read the galleys of historian Joachim Fest's book "Der Untergang" ("The Downfall: Inside Hitler's Bunker, The Last Days of the Third Reich"), he knew he had... When writer-producer Bernd Eichinger read the galleys of historian Joachim Fest's book "Der Untergang" ("The Downfall: Inside Hitler's Bunker, The Last Days of the Third Reich"), he knew he had found the dramatic key to a film he had wanted to make for decades, but never thought possible due to its scope. Fest's book focuses on the final days of the Reich, and Eichinger saw that the horrifying epic of Hitler and his people during his twelve years in power was reflected in those last twelve days in the bunker. "The final days tell us a lot about how the mass fanaticism functioned in the regime's earlier years and how it continued to reign until the bitter end," says Eichinger. Eichinger read another very important book around the same time: the memoirs of Traudl Junge, Hitler's private secretary ("Until the Final Hour: Hitler's Last Secretary"). He recounts, "Fest gave me the time frame, Traudl Junge gave me the character who could hold it all together." DOWNFALL is the first German film to broach the subject of Hitler straight-on since G.W. Pabst's 1956 film "DER LETSTE AKT" ("The Last Act") which was told from the point of view of an ordinary German soldier, played by Oskar Werner. Says director Oliver Hirschbiegel, "In terms of German film history, we are breaking new ground here, since there is no cinematic frame of reference. After reading the book, it was clear to me that if I committed myself, then it would have to be a total and complete commitment, meaning that I was going to spend two years of my life in the Third Reich, with all of those characters and that primitive ideology… My hair stood on end. My wife advised me against it. Yet I noticed that it just wouldn't leave me in peace, and in my heart, before accepting the project, I knew that I had already opened myself up to it." -- © Newmarket Films [More]
Starring: Bruno Ganz, Alexandra Maria Lara, Juliane Kohler, Thomas Kretschmann
Starring: Bruno Ganz, Alexandra Maria Lara, Juliane Kohler, Thomas Kretschmann, Ulrich Matthes, Heino Ferch, Christian Berkel
Director: Oliver Hirschbiegel
Director: Oliver Hirschbiegel
Screenwriter: Bernd Eichinger
Producer: Bernd Eichinger
Studio: Constantin Film
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Reviews for Downfall
What Downfall has going for it is a once-in-a-lifetime performance from Bruno Ganz.
It is useful to reflect that racism, xenophobia, grandiosity and fear are still with us, and the defeat of one of their manifestations does not inoculate us against others.
Le film est ancré par la performance extraordinairement complexe de Bruno Ganz dans le rôle d’Hitler.
Though Ganz doesn't look much like Hitler (beyond the hairpiece and the trademark mustache), he creates a portrait of creepy charm and paternal affection amid his ping-ponging emotional instability.
Some may feel that portraying a Hitler with such human dimension does a disservice to those who died and suffered at his command. Actually, the treatment makes him more accessible, and therefore more terrifying.
The filmmakers' mix of history and conjecture doesn't add up to anything more than reenactment.
Yes, these people had evil in them and, yes, they were pathetically deluded by something they saw in Hitler (the film doesn't try to explain that). But, when you look at them up close, they don't look that different from you and me.
Few movies indeed have ever more completely conveyed Arendt's juxtaposition of the evil that sent millions to their graves with the stultifying banality of their murderers' lives.
Very effectively takes you deep inside Nazi Germany's crumbling heart and brings many infamous moments acutely to life, (but) doesn't offer much in the way of new insight.
Some kind of special Oscar needs to be created for Bruno Ganz, who transformation into Adolf Hitler shatters clichés.
What works best in picture are the dialog-free scenes, when the music comes up and the horror of the destruction washes over the audience like waves of blood.
a spine-chilling experience, a masterpiece of filmmaking and a document which conclusively damns the repetition of its history
Not to be missed; you feel as if you are a fly on the wall of the real bunker with the real Hitler, the real Eva Braun, the real Joseph Goebbels, the real everything.
It's appalling stuff, as it should be, a case study in human horror that should be studied and never, ever, forgotten.
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