Average Rating: 8.1/10
Reviews Counted: 18
Fresh: 18 | Rotten: 0
No consensus yet.
Average Rating: N/A
Critic Reviews: 2
Fresh: 2 | Rotten: 0
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Average Rating: 3.9/5
User Ratings: 4,747
Peter Greenaway's first fiction feature (after the mock-documentary The Falls) made him immediately famous and was named one of the most original films of the 1980s by British critics. The action is set in the director's beloved 17th century. Ambitious young artist Mr. Neville (Anthony Higgins) is invited by Mrs. Herbert (Janet Suzman) to make 12 elaborate sketches of her estate. Besides money, the contract includes sexual favors that Mrs. Herbert will offer to the draughtsman in the absence of
Oct 2, 1982 Wide
Dec 14, 1999
All Critics (24) | Top Critics (4) | Fresh (20) | Rotten (0) | DVD (7)
Artificial in the extreme, it may nevertheless be Greenaway's most naturalistic and easygoing film.
It shows the director at his best and most playful, and it's a strange delight.
It's Blow Up mixed with Botticelli, a 17th Century murder mystery where the clues are buried in pencil sketches, where outlandish period garb and extravagant wigs hide the most corrupt comedy of manners.
Greenaway creates his thesis over the decaying corpses of animals, which doesn't inspire a middle-of-the-road kind of viewer response.
A puzzle book for intellectual aesthetes.
One of the best, most original and diabolical films to come out of England.
ravishingly beautiful
Greenaway ploughs the familiar landscape of the murder mystery, but plants in it new, exotic fruits all of his own.
The Draughtsman's Contract is a thoroughly entertaining murder mystery set in 17th century England.
There are a lot of good things I can say about this film. The costumes and setting are gorgeous, and all of the performances are great - most of all Anthony Higgins, who is not only masterful in his role but wears Restoration costume as if he'd been born to do so. However, despite enjoying the first two thirds of the
July 3, 2009Super Reviewer
This viewer obviously lacked the historical knowledge or the cinemaphile's love of abstract symbolism to appreciate this. The film was far too obscure for my tastes. A sketch artist agrees to a personal services contract with an aristocrat (sort of a "friends with benefits" arrangement) and finds himself set up to take
November 10, 2008Super Reviewer
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