Allegedly all these incidents connect symbolically in Barney's mind, but in the viewer's, they thud, inert and separate as stones.
Drawing Restraint 9 (2006)
Tomatometer
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Reviews Counted:47
Fresh:27
Rotten:20
Average Rating:5.5/10
Consensus: Some of the images are striking, if confusing, but the film is unbearably slow and tedious.
Theatrical Release:Mar 29, 2006 Limited
Synopsis: Matthew Barney teams up with Bjork for DRAWING RESTRAINT 9. In this highly experimental film in the style of Barney's CREMASTER cycle, Bjork also provides the soundtrack, making it essential... Matthew Barney teams up with Bjork for DRAWING RESTRAINT 9. In this highly experimental film in the style of Barney's CREMASTER cycle, Bjork also provides the soundtrack, making it essential viewing for fans of her more esoteric ventures. [More]
Reviews for Drawing Restraint 9
As visually stunning as it is, DR9 is also more than two hours and contains, at best, 10 lines of dialogue, an ear-piercing Bjork score and no discernible plot.
Conventional storytelling may not be Barney’s thing, but he has a superb cinematic eye, an incredible imagination and the wherewithal to make his visions happen.
Barney and Björk certainly deserve each other; theirs is a match made purgatorial.
Drawing Restraint 9 is a lovely thought, but it's not a surprising one; going out on that proverbial limb, it all might be much ado about nothing.
The experience is at times taxing, but the imagery ... is undeniably arresting and sticky.
...suffers from the loss of experiencing Barney's visual imagination for the first time.
Offers no restraint on the writer/director's penchant for weird esoterica.
It is a series of lyrical ambiguities filtered through the prism of Japanese religious and whaling cultures that defy literal interpretation even as they are sculpted into physical significance.
A tapestry of sensuous, striking and sometimes disturbing imagery, Drawing Restraint 9 marks the latest cinematic visit to the wacky world of experimental artist Matthew Barney.
A gorgeous feature that's both passing strange and undeniably beautiful.
What is undeniable is that this, even more than Barney's previous work, is a film of outrageous, startling ingenuity and beauty.
Like Björk's Medulla%u2014a heady, not-entirely terrible piece of experimental pop music just short of unlistenable%u2014Drawing Restraint 9 is beautiful, maddeningly indigestible, and impossible to resist.
An unsatisfying marriage of excessive production values with insipid cinematography and flat-footed editing.
[Barney's] pieces are wrought with meaning, and it's best to approach them with the mindset that literally everything on screen is loaded with significance
Surprisingly linear and entrancing like a comfy drug haze... but how does one emotionally or intellectually engage with cinema that spends all its energy just being unique?
| Tomatometer Percentage | Movie | Date |
|---|---|---|
| | Before Tomorrow | 12/2 |
| | Film Ist: A Girl & A Gun | 12/2 |
| 67% 67% | Everybody's Fine | 12/4 |
| 60% 60% | Brothers | 12/4 |
| | Armored | 12/4 |
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