Driving Miss Daisy makes the simple point that combating racism can sometimes mean confronting a part of ourselves that we'd rather pretend does not exist. For Miss Daisy, it's as simple as admitting that Hoke is not just her driver, but her best friend.
Driving Miss Daisy spans a quarter-century in the intricate relationship of a Southern dowager and her chauffeur, and it is a movie that invites you to appreciate the passage of time in more than one way.
Alfred Uhry's adaptation of his Pulitzer-prizewinning play aspires more to complex observation of human behavior than to simple moralism about it. Precisely because it has its priorities straight, it succeeds superbly on both levels.