A sweet and lilting comedy, a coming-of-age story that doesn't try too hard to prove itself.
Duck Season (2006)
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Reviews Counted:72
Fresh:65
Rotten:7
Average Rating:7.1/10
Consensus: This modest cinematic slice-of-life manages to subtly capture many small but resonant and truthful moments of adolescence.
Theatrical Release:Mar 10, 2006 Limited
Box Office: $141,235
Synopsis: With DUCK SEASON, writer/director Fernando Eimbcke lovingly brings a touching tale to life. Shot in black-and-white and on a minuscule budget, Eimbcke's film is a slice-of-life comedy that takes... With DUCK SEASON, writer/director Fernando Eimbcke lovingly brings a touching tale to life. Shot in black-and-white and on a minuscule budget, Eimbcke's film is a slice-of-life comedy that takes place over the course of one day in a Mexico City apartment. Flama (Daniel Miranda) and Moko (Diego Catano) are two bored teenagers who plan a day of unsupervised fun together in Flama's mother's humble abode. Videogames, Coca-Cola, and pizza are high on their list of priorities, but things don't quite go according to plan. First, a slightly older female neighbor, Rita (Danny Perea), arrives to bake a cake in the kitchen. Then the pizza man arrives and the boys challenge him to a soccer videogame as payment for the food. But when the power in the building cuts out mid-game the fun really starts as the foursome argue, clown around, and do anything they can to stave off the boredom that threatens to engulf them. Ostensibly a comedy, Eimbcke's beautifully shot movie also presents some thoughtful musings on teenage life. Flama's parents are going through a painful divorce--a subject he tentatively broaches with the others by showing them a painting of ducks that his mother and father both want to claim as their own. From here the movie takes a pleasant stroll into the adolescent psyches of its four characters, with the group devouring Rita's marijuana-laced cake and wandering into delicious dreamlike states which reveal their naive hopes and dreams. Although stylistically reminiscent of the earliest works by filmmakers such as Jim Jarmusch and Kevin Smith, DUCK SEASON conjures up a world all of its own, and is a welcome introduction to the cinematic mind of Fernando Eimbcke. [More]
Starring: Enrique Arreola, Diego Catano, Daniel Miranda, Danny Perea
Starring: Enrique Arreola, Diego Catano, Daniel Miranda, Danny Perea, Carolina Politi
Director: Fernando Eimbcke
Director: Fernando Eimbcke
Screenwriter: Paula Markovitch, Fernando Eimbcke
Producer: Jamie Bernardo Ramos
Composer: Alejandro Rosso
Studio: Warner Independent
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Reviews for Duck Season
This movie has two strikes against it -- it's in black and white and it's subtitled, but if you like good movies, that won't stop you from hunting this down and checking it out.
A smart little film that dances adroitly from goofy to gorgeous and back again.
Duck Season is definitely worth seeing, but mostly it is worth seeing past, into the future of a promising new filmmaker.
The fullness of Duck Season is in direct proportion to its smallness; its modesty makes it bloom.
The film hints at homosexuality, touches on adolescent sexuality, teenage ennui ('There's nothing to do!'), friendship, loneliness and probably a few other themes.
Eimbcke reveals a disciplined visual sense, a good ear for dialogue and an easy rapport with his fresh young actors.
The modest film works best for the viewer who goes with its flow of inertia.
Director Fernando Eimbcke, in an extraordinary debut, never expresses contempt for his characters. By examining their inner lives with compassion and respect, he inspires us to do the same.
A work of Jarmuschian deadpan, Fernando Eimbcke’s Duck Season is independent in the purest and most literal sense of the word.
Eimbcke has found a sweet and moving way to make concrete the kids’ blind search for meaning and comfort.
The bemused sympathy we feel is brought about by both young actors doing a fine job with the minimalist material.
Admittedly a modest piece, but it affords much pleasantly deadpan humor while also touching on deeper emotional currents.
A light and breezy portrait of adolescence spiked with interesting observations on time, sexuality, and the search for meaning.
Further delicious evidence of the reviving fortunes of Latin American cinema.
Captures the restlessness and confusion of adolescence in ways both funny and profound.
Because it's shot in black and white, involves characters doing bland things in a bland setting, and yet is surprisingly entertaining, you could call this Clerks -- The Mexican Home Edition.
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