The fullness of Duck Season is in direct proportion to its smallness; its modesty makes it bloom.
Duck Season (2006)
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Reviews Counted:21
Fresh:19
Rotten:2
Average Rating:7.7/10
Consensus: This modest cinematic slice-of-life manages to subtly capture many small but resonant and truthful moments of adolescence.
Theatrical Release:Mar 10, 2006 Limited
Box Office: $141,235
Synopsis: With DUCK SEASON, writer/director Fernando Eimbcke lovingly brings a touching tale to life. Shot in black-and-white and on a minuscule budget, Eimbcke's film is a slice-of-life comedy that takes... With DUCK SEASON, writer/director Fernando Eimbcke lovingly brings a touching tale to life. Shot in black-and-white and on a minuscule budget, Eimbcke's film is a slice-of-life comedy that takes place over the course of one day in a Mexico City apartment. Flama (Daniel Miranda) and Moko (Diego Catano) are two bored teenagers who plan a day of unsupervised fun together in Flama's mother's humble abode. Videogames, Coca-Cola, and pizza are high on their list of priorities, but things don't quite go according to plan. First, a slightly older female neighbor, Rita (Danny Perea), arrives to bake a cake in the kitchen. Then the pizza man arrives and the boys challenge him to a soccer videogame as payment for the food. But when the power in the building cuts out mid-game the fun really starts as the foursome argue, clown around, and do anything they can to stave off the boredom that threatens to engulf them. Ostensibly a comedy, Eimbcke's beautifully shot movie also presents some thoughtful musings on teenage life. Flama's parents are going through a painful divorce--a subject he tentatively broaches with the others by showing them a painting of ducks that his mother and father both want to claim as their own. From here the movie takes a pleasant stroll into the adolescent psyches of its four characters, with the group devouring Rita's marijuana-laced cake and wandering into delicious dreamlike states which reveal their naive hopes and dreams. Although stylistically reminiscent of the earliest works by filmmakers such as Jim Jarmusch and Kevin Smith, DUCK SEASON conjures up a world all of its own, and is a welcome introduction to the cinematic mind of Fernando Eimbcke. [More]
Starring: Enrique Arreola, Diego Catano, Daniel Miranda, Danny Perea
Starring: Enrique Arreola, Diego Catano, Daniel Miranda, Danny Perea, Carolina Politi
Director: Fernando Eimbcke
Director: Fernando Eimbcke
Screenwriter: Paula Markovitch, Fernando Eimbcke
Producer: Jamie Bernardo Ramos
Composer: Alejandro Rosso
Studio: Warner Independent
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Reviews for Duck Season
Effortlessly nonchalant in its observations of kids and the way the world looks to them.
A quiet, loopy gem, Duck Season is a goofball celebration of old friends, new beginnings, adolescent freedom, and baked goods laced with a little something extra.
By the end, we realize that a bit of truth has been uncovered by Eimbcke, a director we'll no doubt be hearing from again.
Give Duck Season a chance. Sit on your watch for the first 20 minutes and see what happens. Eimbcke's gentle persuasion will reward your patience for weeks to come.
A film so small and understated that it was nearly over before I realized how much I was going to miss these characters once their story had been told.
The film's calm and witty visual rhythm offers a rueful awareness of time passing and of time wasted, in ways that people tend not to appreciate fully until long after they've wasted it.
Not very much really happens in Duck Season, but in its rich details, it remembers how absorbing and endless every single day can seem when you're 14.
Duck Season hits every one of its modest marks and then some. It's the kind of movie to send you out looking at strangers on the street with newfound appreciation and something close to love.
The beauty of Duck Season is its insistence that profound human experiences can arrive slowly, in incremental packages, scattered over the course of an average Sunday.
Director Fernando Eimbcke, in an extraordinary debut, never expresses contempt for his characters. By examining their inner lives with compassion and respect, he inspires us to do the same.
Summing up Duck Season is a simple enough affair, but hardly does justice to this ironic, carefully crafted comedy, the latest indication that Mexican cinema is going through one of its spasmodic periods of renaissance.
Though his camera rarely moves, Duck Season director Fernando Eimbcke and his cast capture teen ennui in an entertainingly universal way.
It's about the kind of kids who could never sit still enough, unfortunately, for a movie that perfectly captures the frustrations, longings, obsessions and torments of the awkward years before manhood.
A story about friendship and the ecstasy of communion (not coincidentally, the story opens on a Sunday morning), Duck Season suggests that transcendence arrives when you least expect it.
As the Sunday in question spirals delicately but unmistakably out of control, Eimbcke's quiet but steely assurance asserts itself and causes all the film's disparate strands to come wonderfully together.
Eimbcke reveals a disciplined visual sense, a good ear for dialogue and an easy rapport with his fresh young actors.
The lovely, unpredictable comedy Duck Season marks the arrival of a fresh talent in writer-director Fernando Eimbcke.
The tender and droll Mexican charmer Duck Season captures the stalled rhythms of a lazy Sunday shared by pals, a time of idleness in which pleasure gets tangled with melancholy.
| Tomatometer Percentage | Movie |
|---|---|
| 66% 66% | Public Enemies |
| 83% 83% | Harry Potter and the H… |
| 44% 44% | Night at the Museum: B… |
| 75% 75% | Julie & Julia |
| 32% 32% | Terminator Salvation |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
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