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Movies / On DVD / The Dying Gaul
The Dying Gaul

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The Dying Gaul (2005)

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Reviews Counted:66

Fresh:32

Rotten:34

Average Rating:5.7/10

Consensus: Though it has a fine cast, The Dying Gaul's plot feels calculated and too intellectualized.

Rated: R [See Full Rating] for strong sexual content and language.

Runtime: 1 hr 45 mins

Genre: Dramas

Theatrical Release:Nov 4, 2005 Limited

Box Office: $278,160

Synopsis: Playwright/screenwriter Craig Lucas (The Secret Lives of Dentists, Longtime Companion, Prelude to a Kiss) makes an audacious directorial debut with The Dying Gaul, a fiercely original psychological... Playwright/screenwriter Craig Lucas (The Secret Lives of Dentists, Longtime Companion, Prelude to a Kiss) makes an audacious directorial debut with The Dying Gaul, a fiercely original psychological thriller based on his play of the same name. Part Sunset Boulevard, part Greek tragedy, The Dying Gaul is a tale of lust, power, corruption, betrayal and revenge set in the seductive world of the Hollywood elite. Peter Sarsgaard stars as Robert Sandrich, a fledgling screenwriter who has been living on the fringes, writing spec script after spec script to no avail. His life changes when he is offered a million dollars for his latest and most personal work - "The Dying Gaul," the raw, autobiographical story of the death of his lover. But there's a catch - the studio thinks the project will be much more commercially viable if Robert will only change the dead lover to a woman. Making the offer is Jeffrey (Campbell Scott), a smooth, ruthless and sexually avaricious studio executive who seduces Robert with the intoxicating Hollywood cocktail of power, money and sex. Patricia Clarkson stars as Jeffrey's wife, Elaine, a former screenwriter now ensconced in a Malibu villa with children, a housekeeper, and time on her hands. She brings the grieving Robert into the family fold, drawn by his talent and his pain. When Robert confides that he finds solace, both sexual and emotional, in the ghost-like world of chat rooms, the curious Elaine meets him there anonymously. As their online dialogue unfolds, she discovers that Robert and her husband are having an affair. The shock of that revelation - and the unexpected way she responds - sets off a dangerous series of deceptions, confessions and betrayals. Never sliding into the conventional histrionics of the thriller, The Dying Gaul is infinitely more complex, as the lines between predator and prey, sadist and victim shift and blur. Visually stunning, The Dying Gaul contrasts the dazzling California sunlight that bleaches out the palm-lined movie studios and oceanfront estates with the cold and detached world of cell phones and computers. What emerges is a truly original postmodern Hollywood noir, unsettling, unpredictable and morally explosive. As John Cooper writes in the 2005 Sundance Film Festival program, "Lucas has honed a precise, interlocking plot that exploits his scalpel-sharp irony. The Dying Gaul will push you to the edge of your seat, simultaneously unnerving you with its complexity and frightening you with its believability." --© Hole Digger Studios [More]

Starring: Patricia Clarkson, Campbell Scott, Peter Sarsgaard, Robin Bartlett

Starring: Patricia Clarkson, Campbell Scott, Peter Sarsgaard, Robin Bartlett, Bill Camp, Thomas Jay Ryan

Director: Craig Lucas

Director: Craig Lucas
Screenwriter: Craig Lucas
Producer: Campbell Scott, George Van Buskirk
Composer: Steve Reich
Studio: Strand Releasing

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Release:

Mar 21, 2006

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Reviews for The Dying Gaul

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N/R

Click to read the article

Full Review Source: Time Out New York | comment Comment
08/16/07
Geoff Andrew
Geoff Andrew
Time Out New York

An absorbing, fascinating film, but disturbing and a little grim.

Full Review Source: Cinematical | comment Comment
04/08/07
Jette Kernion
Jette Kernion
Cinematical

Sound silly? Well, it is, plus passé (as so many techno-concerned conceits soon become), self-indulgent and nihilistically nasty in tone.

Full Review Source: Film Journal International | comment Comment
03/01/07
David Noh
David Noh
Film Journal International
N/R

Click to read the article

Full Review Source: Time Out | comment Comment
06/24/06
Time Out
Top Critic Icon Top Critic

finds it difficult to infuse humanity into a character who essentially functions as a dramatic device

Full Review Source: Filmcritic.com | comment Comment
03/20/06
Nick Schager
Nick Schager
Filmcritic.com

Lucas' use of chat rooms as a plot-moving device is pretty hackneyed, and when the story takes a thriller-like turn in the third act, it feels really forced.

Full Review Source: Capital Times (Madison, WI) | comment Comment
02/17/06
Rob Thomas
Rob Thomas
Capital Times (Madison, WI)

The Dying Gaul has the tight, nailed-down structure of a good play. But it's the actors who really lift the movie above the shortcomings of its plot.

Full Review Source: MTV | comment Comment
02/07/06
Kurt Loder
Kurt Loder
MTV
N/R

Click to read the article

Full Review Source: Arizona Republic | comment Comment
01/07/06
Arizona Republic
Top Critic Icon Top Critic

Verbally well-matched, morally ambiguously fascinating together, they are exciting to watch.* All three leads give extraordinary performances.

Full Review Source: Cinerina | comment Comment
12/23/05
Karina Montgomery
Karina Montgomery
Cinerina

Almost every time Gaul threatens to be overwhelmed by its maudlin tendencies and need to be 'about' something, it's rescued by its delicious sense of cruelty.

Full Review Source: Orlando Weekly | comment Comment
12/17/05
Steve Schneider
Steve Schneider
Orlando Weekly

The Dying Gaul isn't dead on arrival. But its death throes are only as interesting as the actors, characters and dialogue can make them.

Full Review Source: Orlando Sentinel | comment Comment
12/16/05
Roger Moore
Roger Moore
Orlando Sentinel

It's his heavy-handed and often ludicrous plotting that is the film's downfall.

Full Review Source: Deseret News, Salt Lake City | comment Comment
12/16/05
Jeff Vice
Jeff Vice
Deseret News, Salt Lake City

The one thing Greek tragedy shouldn't desperately want is any kind of catharsis.

Full Review Source: Film Freak Central | comment Comment
12/15/05
Walter Chaw
Walter Chaw
Film Freak Central
N/R

Click to read the article

Full Review Source: San Diego Metropolitan | comment Comment
12/10/05
Jean Lowerison
Jean Lowerison
San Diego Metropolitan
N/R

Click to read the article

Full Review Source: AV Club | comment Comment
12/06/05
AV Club
Top Critic Icon Top Critic
N/R

Click to read the article

Full Review Source: Boston Phoenix | comment Comment
12/06/05
Boston Phoenix
Top Critic Icon Top Critic
N/R

Click to read the article

Full Review Source: St. Louis Post-Dispatch | comment Comment
12/06/05
St. Louis Post-Dispatch
Top Critic Icon Top Critic

The film plays for keeps: It hurts and it doesn't back away from messy questions about art, commerce and conscience.

Full Review Source: Dallas Morning News | comment Comment
12/06/05
Chris Vognar
Chris Vognar
Dallas Morning News
Top Critic Icon Top Critic

Campbell Scott, Peter Sarsgaard and Patricia Clarkson fill the disconcerting material with measured, subtle performances that bring home what's not being said.

Full Review Source: Zap2it.com | comment Comment
12/06/05
Hanh Nguyen
Hanh Nguyen
Zap2it.com

By the end of the film, relationships have turned so corrosive that the characters leave an ugly aftertaste in the mind of the viewer.

Full Review Source: Austin Chronicle | comment Comment
12/06/05
Marjorie Baumgarten
Marjorie Baumgarten
Austin Chronicle
 
 
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