Average Rating: 5.8/10
Reviews Counted: 67
Fresh: 33 | Rotten: 34
Though it has a fine cast, The Dying Gaul's plot feels calculated and too intellectualized.
Average Rating: 5.7/10
Critic Reviews: 23
Fresh: 10 | Rotten: 13
Though it has a fine cast, The Dying Gaul's plot feels calculated and too intellectualized.
liked it
Average Rating: 3.1/5
User Ratings: 3,178
An artist who compromises his work for money finds his heart and soul are also being toyed with by his new patrons in this drama. Robert (Peter Sarsgaard) is a playwright who has recently lost his longtime lover and business partner, Malcolm (Bill Camp), to AIDS-related illnesses. Robert has written a screenplay about their relationship, called "The Dying Gaul," and is interested in selling the project to powerful producer Jeffrey (Campbell Scott). However, while Jeffrey likes the script, he
Nov 4, 2005 Wide
Mar 21, 2006
$0.3M
Strand Releasing
All Critics (76) | Top Critics (24) | Fresh (33) | Rotten (37) | DVD (8)
The Dying Gaul isn't dead on arrival. But its death throes are only as interesting as the actors, characters and dialogue can make them.
The film plays for keeps: It hurts and it doesn't back away from messy questions about art, commerce and conscience.
The movie always feels as if it's on the verge of a major discovery. It ends without convincing us that any such discovery has been made.
The Dying Gaul begins with a Herman Melville quote: 'Woe to him who seeks to please rather than appall.' Let them serve not as words of wisdom, but of warning.
[E]xcept for some problems in the middle act, the movie is easy to swallow.
Like minimalist composer Steve Reich's prickly, tense music on the soundtrack, the movie itself is too often too intellectual, experimental and abstract.
An absorbing, fascinating film, but disturbing and a little grim.
Sound silly? Well, it is, plus passé (as so many techno-concerned conceits soon become), self-indulgent and nihilistically nasty in tone.
Like an accomplished swimmer, this little film has its graceful moments, but the third act is marred too much by the equivalent of quick cannonballs into the deep end of the pool.
finds it difficult to infuse humanity into a character who essentially functions as a dramatic device
In the end, the film is only of interest for members of the Campbell Scott Honorary Gay Man Society.
Lucas' use of chat rooms as a plot-moving device is pretty hackneyed, and when the story takes a thriller-like turn in the third act, it feels really forced.
The Dying Gaul has the tight, nailed-down structure of a good play. But it's the actors who really lift the movie above the shortcomings of its plot.
Verbally well-matched, morally ambiguously fascinating together, they are exciting to watch.* All three leads give extraordinary performances.
Almost every time Gaul threatens to be overwhelmed by its maudlin tendencies and need to be 'about' something, it's rescued by its delicious sense of cruelty.
It's his heavy-handed and often ludicrous plotting that is the film's downfall.
The one thing Greek tragedy shouldn't desperately want is any kind of catharsis.
Has neither hero nor villain, only humans. Beyond imperfect, they are complicated thinkers, lovers, dreamers, and performers.
Simply simply gorgeous gorgeous movie about well, the usual - love, lust, betrayal, integrity, Buddhist philosophy, dead lovers communicating through the internet, murder by horticulture. You know, the usual. It's also, of course, a subtle and snide satire on the movie industry, a passionate treatise on sexuality and
March 20, 2009Super Reviewer
just awful
September 27, 2007
Super Reviewer
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