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Movies / On DVD / The Dying Gaul
The Dying Gaul

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The Dying Gaul (2005)

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Reviews Counted:66

Fresh:32

Rotten:34

Average Rating:5.7/10

Consensus: Though it has a fine cast, The Dying Gaul's plot feels calculated and too intellectualized.

Rated: R [See Full Rating] for strong sexual content and language.

Runtime: 1 hr 45 mins

Genre: Dramas

Theatrical Release:Nov 4, 2005 Limited

Box Office: $278,160

Synopsis: Playwright/screenwriter Craig Lucas (The Secret Lives of Dentists, Longtime Companion, Prelude to a Kiss) makes an audacious directorial debut with The Dying Gaul, a fiercely original psychological... Playwright/screenwriter Craig Lucas (The Secret Lives of Dentists, Longtime Companion, Prelude to a Kiss) makes an audacious directorial debut with The Dying Gaul, a fiercely original psychological thriller based on his play of the same name. Part Sunset Boulevard, part Greek tragedy, The Dying Gaul is a tale of lust, power, corruption, betrayal and revenge set in the seductive world of the Hollywood elite. Peter Sarsgaard stars as Robert Sandrich, a fledgling screenwriter who has been living on the fringes, writing spec script after spec script to no avail. His life changes when he is offered a million dollars for his latest and most personal work - "The Dying Gaul," the raw, autobiographical story of the death of his lover. But there's a catch - the studio thinks the project will be much more commercially viable if Robert will only change the dead lover to a woman. Making the offer is Jeffrey (Campbell Scott), a smooth, ruthless and sexually avaricious studio executive who seduces Robert with the intoxicating Hollywood cocktail of power, money and sex. Patricia Clarkson stars as Jeffrey's wife, Elaine, a former screenwriter now ensconced in a Malibu villa with children, a housekeeper, and time on her hands. She brings the grieving Robert into the family fold, drawn by his talent and his pain. When Robert confides that he finds solace, both sexual and emotional, in the ghost-like world of chat rooms, the curious Elaine meets him there anonymously. As their online dialogue unfolds, she discovers that Robert and her husband are having an affair. The shock of that revelation - and the unexpected way she responds - sets off a dangerous series of deceptions, confessions and betrayals. Never sliding into the conventional histrionics of the thriller, The Dying Gaul is infinitely more complex, as the lines between predator and prey, sadist and victim shift and blur. Visually stunning, The Dying Gaul contrasts the dazzling California sunlight that bleaches out the palm-lined movie studios and oceanfront estates with the cold and detached world of cell phones and computers. What emerges is a truly original postmodern Hollywood noir, unsettling, unpredictable and morally explosive. As John Cooper writes in the 2005 Sundance Film Festival program, "Lucas has honed a precise, interlocking plot that exploits his scalpel-sharp irony. The Dying Gaul will push you to the edge of your seat, simultaneously unnerving you with its complexity and frightening you with its believability." --© Hole Digger Studios [More]

Starring: Patricia Clarkson, Campbell Scott, Peter Sarsgaard, Robin Bartlett

Starring: Patricia Clarkson, Campbell Scott, Peter Sarsgaard, Robin Bartlett, Bill Camp, Thomas Jay Ryan

Director: Craig Lucas

Director: Craig Lucas
Screenwriter: Craig Lucas
Producer: Campbell Scott, George Van Buskirk
Composer: Steve Reich
Studio: Strand Releasing

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Release:

Mar 21, 2006

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Reviews for The Dying Gaul

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1 - 20 (sorted by fresh rating)
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This smart, good-looking movie deserves an audience.

Full Review Source: Washington Post | comment Comment
11/04/05
Ann Hornaday
Ann Hornaday
Washington Post

Most of Lucas' dialogue is dead-on and lovely.

Full Review Source: Los Angeles Daily News | comment Comment
11/04/05
Bob Strauss
Bob Strauss
Los Angeles Daily News

Craig Lucas’s film directing debut, and it’s impressive. The film never feels one bit like a stage adaptation. (I had no clue that it was based on a play until the end credits). It’s also visually surefooted.

Full Review Source: Film Threat | comment Comment
04/30/05
Bob Westal
Bob Westal
Film Threat

sex, lies, and screenwriters. Add in guilt, retribution, seduction, massive quantities of manipulation and you get a juicy twisted love story.

Full Review Source: TheMovieChicks.com | comment Comment
11/28/05
Cherryl Dawson and Leigh Ann Palone
Cherryl Dawson and Leigh Ann Palone
TheMovieChicks.com

The crackling, nasty dialogue is entertaining in the way it is in All About Eve or Valley of the Dolls, and the actors are superb, even if Tharthgaard doeth overdue the lithping a bit.

Full Review Source: St. Paul Pioneer Press | comment Comment
11/22/05
Chris Hewitt (St. Paul)
Chris Hewitt (St. Paul)
St. Paul Pioneer Press

The film plays for keeps: It hurts and it doesn't back away from messy questions about art, commerce and conscience.

Full Review Source: Dallas Morning News | comment Comment
12/06/05
Chris Vognar
Chris Vognar
Dallas Morning News
Top Critic Icon Top Critic

A fantastic premise is squandered, only to be saved by a riveting final act.

Full Review Source: EricDSnider.com | comment Comment
04/30/05
Eric D. Snider
Eric D. Snider
EricDSnider.com

An engrossing psychodrama about Hollywood, sex, and the primal emotions that can drastically change people's lives.

Full Review Source: Spirituality and Practice | comment Comment
09/29/05
Frederic and Mary Ann Brussat
Frederic and Mary Ann Brussat
Spirituality and Practice

Rarely has a film exposed the tender, brutal line between love and cruelty so magnificently.

Full Review Source: Mixed Reviews | comment Comment
10/30/05
Gabriel Shanks
Gabriel Shanks
Mixed Reviews

Lucas' evolved sense of character refuses to apply definitive shades of good and evil to anyone in this distressing triangle.

Full Review Source: Newsday | comment Comment
11/04/05
Gene Seymour
Gene Seymour
Newsday
Top Critic Icon Top Critic

Campbell Scott, Peter Sarsgaard and Patricia Clarkson fill the disconcerting material with measured, subtle performances that bring home what's not being said.

Full Review Source: Zap2it.com | comment Comment
12/06/05
Hanh Nguyen
Hanh Nguyen
Zap2it.com

Stagey, but an original story about a producer and a screenwriter whose relationship is not entirely professional.

Full Review Source: Compuserve | comment Comment
08/24/05
Harvey S. Karten
Harvey S. Karten
Compuserve

Ultimately settles into the whip-smart independent it was meant to be.

Full Review Source: Palo Alto Weekly | comment Comment
11/15/05
Jeanne Aufmuth
Jeanne Aufmuth
Palo Alto Weekly

[E]xcept for some problems in the middle act, the movie is easy to swallow.

Full Review Source: Minneapolis Star Tribune | comment Comment
11/23/05
Jeff Strickler
Jeff Strickler
Minneapolis Star Tribune

An absorbing, fascinating film, but disturbing and a little grim.

Full Review Source: Cinematical | comment Comment
04/08/07
Jette Kernion
Jette Kernion
Cinematical

Verbally well-matched, morally ambiguously fascinating together, they are exciting to watch.* All three leads give extraordinary performances.

Full Review Source: Cinerina | comment Comment
12/23/05
Karina Montgomery
Karina Montgomery
Cinerina

Acclaimed playwright Craig Lucas' directing debut is a flawlessly acted adaptation of his own stage play.

Full Review Source: TV Guide's Movie Guide | comment Comment
11/04/05
Ken Fox
Ken Fox
TV Guide's Movie Guide

The Dying Gaul has the tight, nailed-down structure of a good play. But it's the actors who really lift the movie above the shortcomings of its plot.

Full Review Source: MTV | comment Comment
02/07/06
Kurt Loder
Kurt Loder
MTV

Peter Sarsgaard is particularly exceptional in this dark look at art and artifice, but [its] twists may prove too much of a hairpin curve for most.

Full Review Source: Reeling Reviews | comment Comment
11/17/05
Laura Clifford
Laura Clifford
Reeling Reviews

Audacious and extremely well-acted -- if flawed.

Full Review Source: New York Post | comment Comment
11/04/05
Lou Lumenick
Lou Lumenick
New York Post
Top Critic Icon Top Critic
 
 
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