For me, Griffin comes across as a second-tier comic in a hit-and-miss affair.
DysFunKtional Family (2003)
Tomatometer
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Reviews Counted:63
Fresh:27
Rotten:36
Average Rating:5.2/10
Consensus: The humor is more profane and offensive than funny.
Rated: R [See Full Rating] for strong sexual content, language and drug-related humor
Runtime: 84 mins
Genre: Comedies
Theatrical Release:Apr 4, 2003 Wide
Box Office: $2,152,090
Synopsis: DYSFUNKTIONAL FAMILY takes place at the crossroads of Eddie Griffin's stand-up comedy routine and his actual life. As the title of the film suggests, Griffin frequently exploits his family... DYSFUNKTIONAL FAMILY takes place at the crossroads of Eddie Griffin's stand-up comedy routine and his actual life. As the title of the film suggests, Griffin frequently exploits his family experiences for stage material, much to the alternating delight or chagrin of his mother, uncles, and friends. On stage, Griffin recalls meeting his father for the first time, his school days in Kansas City, and numerous beatings he received from his mother. Spliced between these dramatic moments are shots of Griffin walking around his old elementary school and the house in which he grew up. These biographical landscapes make Griffin's performance feel poignant, providing the viewer with the actual settings and characters from which he draws his material. When the film cuts between Griffin onstage and his mother at home relaying the same story--the two versions are often so completely in synch, it suggests Griffin's "act" is no act at all, just a presentation of his life itself. Most of Griffin's performance provides commentary on sex or race relations in the United States, and his exhibitionistic mode of comedy (if he's not climbing the curtains, he's falling down) and profane candor seem to either attract or alienate audience members both in the film and those watching it. [More]
Starring: Eddie Griffin
Starring: Eddie Griffin
Director: George Gallo
Director: George Gallo
Screenwriter: Eddie Griffin
Producer: David Permut, Paul Brooks, Eddie Griffin
Composer: Andrew Gross
Studio: Miramax Films
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Release:
Sep 9, 2003
Reviews for DysFunKtional Family
Griffin is quick, smart and funny, and presents the critics with the usual challenge in reviewing a comedy concert: What do you write about, apart from quoting his funniest lines?
I didn't know Richard Pryor. Richard Pryor wasn't a friend of mine. But it's safe to say Eddie Griffin is no Richard Pryor.
"Did I go too far?" Griffin asks. The crowd's continued hush is answer enough.
... the intercut footage is distracting, lacking insight to give the comedy a human grounding, and lacking the humor to justify cutting away from his act.
When he isn't checking himself -- or falling back on material that Mr. Pryor should receive royalties for because unimaginative comics have traded on it so often -- Mr. Griffin's journeyman efforts prove rock solid.
It's the hometown footage that really stands out amid the stand-up. With material like that, Griffin and family may have a pilot for a new reality show on their hands.
Griffin takes the stage like the Midwestern tornado he is and keeps his audience laughing until the very last second.
Provides the rare opportunity to sample a comic's material and hang out with the folks who inadvertently shaped it.
When [Griffin's] target shifts to the deeply odd family that gives the movie its title, the jokes are original and uproarious.
...shows why Griffin performs to sold-out crowds on the club circuit.
Griffin isn't untalented, but he seems unpolished, not quite ready to carry the weight of a 90-minute concert film.
"Dysfunktional Family" is an uneven balance of concert and documentary. The characters we see in the home town reunion footage aren't painted as colorfully as Griffin's hilarious stage recollections and sometimes the Kansas City segments seem like fi
When will these second-rate Richard Pryor-manqués figure out that hateful invective doesn't make for satisfying comedy?
More loud than funny...Maybe a few years down the line Griffin can give it another shot.
Griffin unsuccessfully conceals his contempt for Arabs by calling attention to the legacy of slavery, and so the film repeatedly proclaims that the emperor has no clothes.
Griffin is a talent, and he knows his audience. The film captures that more than anything.
| Tomatometer Percentage | Movie |
|---|---|
| 77% 77% | The Hangover |
| 88% 88% | Inglourious Basterds |
| 66% 66% | Public Enemies |
| 24% 24% | G-Force |
| 44% 44% | Night at the Museum: B… |
| Tomatometer Percentage | Movie |
|---|---|
| 82% 82% | Paranormal Activity |
| 58% 58% | 9 |
| 44% 44% | Jennifer's Body |
| 58% 58% | A Perfect Getaway |
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