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Eagle Vs. Shark (2007)
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Reviews Counted:101
Fresh:55
Rotten:46
Average Rating:5.6/10
Consensus: Though there are frequent moments of wit and mordant humor, Eagle vs Shark needs more to distinguish itself from other precious, Napoleon Dynamite-ish comedies.
Rated: R [See Full Rating] for language, some sexuality, and brief animated violence.
Runtime: 1 hr 33 mins
Genre: Comedies
Theatrical Release:Jun 15, 2007 Limited
Box Office: $142,513
Synopsis: Which is the more dangerous predator: an eagle or a shark? That's a trick question. Don't try to answer it. You'll have your own opinion by the end of Taika Waititi's deliciously tangy, deadpan... Which is the more dangerous predator: an eagle or a shark? That's a trick question. Don't try to answer it. You'll have your own opinion by the end of Taika Waititi's deliciously tangy, deadpan feature debut about two colorful misfits thrown into each other's orbit. Lily is one of those weird, sweet-natured girls with stringy hair who is quite lovely and charismatic under a surface of shy awkwardness. But most people don't have enough vision to notice, and the truth is that Lily isn't looking to change. She cashiers at a fast-food joint and pines for Jarrod, the self-aggrandizing, clueless geek from the computer store across the way. Fiercely optimistic, Lily crashes Jarrod's animal/video-game extravaganza, impressing him enough with her shark suit and gaming prowess to score a hookup with Eagle Lord (Jarrod) himself. Soon Lily and her brother are driving Jarrod back to his hometown to confront his childhood nemesis. But here Jarrod's self-absorption blossoms so mightily that it may drive even the most adoring of girlfriends away. As Jarrod prepares to exact his revenge on the past, Lily's quiet power gathers force as well. With so much subtlety and precision in Loren Horsley and Jemaine Clement's straight-faced, oddball performances, Lily and Jarrod's attempts to reach each other are hilarious and excruciatingly real. Meanwhile, Phoenix Foundation's charming, moody score perfectly reflects lopsided hearts as they stumble through uncomfortably transformative terrain. -- Sundance Film Festival [More]
Starring: Jemaine Clement, Loren Horsley, Brian Sergent, Joel Tobeck
Starring: Jemaine Clement, Loren Horsley, Brian Sergent, Joel Tobeck, Rachel House
Director: Taika Waititi
Director: Taika Waititi
Screenwriter: Taika Waititi
Producer: Cliff Curtis, Ainsley Gardiner
Studio: Miramax Films
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Reviews for Eagle Vs. Shark
A shameless rip-off of indie hit Napoleon Dynamite, this New Zealand comedy may contain the odd laugh, but it doesn’t come with many original ideas.
The film wants to be your cuddly, quirky friend, and makes you feel bad for not returning the affection.
Long story short: Although I didn't care for Eagle vs. Shark, I'd be eager to see whatever [director] Cohen makes next.
Eagle vs. Shark might have seemed amusingly original, albeit in a self-consciously quirky, indie-movie kind of way, if Napoleon Dynamite didn't already exist.
The movie is so self-consciously odd and twee it's hard to connect with the sad-sack characters. Waititi borrowed the formula for Dynamite but created a damp firecracker.
A paean film to lonely misfits that follows along the same tracks as "Napoleon Dynamite," and relies entirely on being a charmer.
If you're going to make fun of awkward chavs, even with the best will in the world, you have to avoid simply laughing at them.
Scornful laughs are cheap laughs, and although [director] Waititi allows a few moments of gentle sweetness, he takes the easy way out too often.
As its title unintentionally implies, the movie is at war with itself, unsure whether to mock or to sympathize with its socially maladjusted charcaters, resulting in a schizoid picture that's equally touching and frustrating.
Eagle vs Shark is self-consciously odd and only wants to hold up its protagonists as objects of derision.
Wants to be charmingly off-kilter but comes across as insufferably grating.
A movie that, in its static presentation and gangly, geek characters, bears such a resemblance to Jared Hess' [Napoleon Dynamite] that -- gosh! -- you'd think that Hess might need to have his attorneys go after a royalty check or two.
Though the result is desperately trendy, it's also seriously short on innovation, coasting mostly on the fumes of previous, and better, indie-fare.
As likeable as the movie was, I just didn't find it as funny as I thought I would.
The movie's idea of funny is giving the two lovers identical moles bordering their upper lips.
It becomes increasingly difficult to care one way or another about characters who act like they have undergone frontal lobotomies.
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