Ophüls' penultimate film.
The Earrings of Madame De... (1953)
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Reviews Counted:23
Fresh:23
Rotten:0
Average Rating:8.8/10
Consensus: Ophüls' graceful camerawork and visual portrayal of luxury and loss make Earrings a powerful French drama.
Theatrical Release:Mar 16, 2007 Limited
Synopsis: MADAME DE... is set in the glittering world of Paris high society in the dizzy days before World War One. Madame de...(it is one of the films running jokes that we never learn her name) is played... MADAME DE... is set in the glittering world of Paris high society in the dizzy days before World War One. Madame de...(it is one of the films running jokes that we never learn her name) is played by Danielle Darrieux, a beautiful, charming woman married to Andre (Charles Boyer) a worldly Army General. She is pursued by numerous men in hope of an illicit affair. She doesn't say yes, but never quite says no, preferring, as her suitor Baron Fabrizio (Vittorio De Sica) says, "torture by hope." When she takes off the earrings her husband gave her and sells them in order to pay off a debt, the jeweler sells them back to the General, who gives them to his mistress, who gambles them away. They are unknowingly purchased by Baron Fabrizio, who gives them to Madame de... as a sign of his love. But to wear them she must lie to her husband about how she got them back and to her lover about where they came from. Here, as in LETTER FROM AN UKNOWN WOMAN, Ophüls shows his skill in depicting the world of European society. His sense of staging and camera movement perfectly capture not just the mood and feel of the time, but also the emotions of the characters. [More]
Starring: Charles Boyer, Vittorio De Sica, Danielle Darrieux, Jean Debucourt
Starring: Charles Boyer, Vittorio De Sica, Danielle Darrieux, Jean Debucourt
Director: Max Ophuls
Director: Max Ophuls
Screenwriter: Marcel Achard, Annette Wademant, Marcel Ophuls
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Release:
Sep 16, 2008
Reviews for The Earrings of Madame De...
It's powerful stuff, but Ophuls' graceful, gliding camera movements provide a sense of beautiful inevitability.
.. not just directed, not just choreographed, but sculpted in time and space, with actors and decor as the raw materials and the camera carving out the story.
Evanescence is an integral part of cinema, and no other director captured it as lyrically and yet as savagely as Ophüls.
Justifying the superlatives heaped upon it by film-makers and critics alike, this is one of Ophüls' finest achievements, a period drama marked by formal beauty and intense feeling.
One of the most mannered and contrived love movies ever filmed. It glitters and dazzles, and beneath the artifice it creates a heart, and breaks it.
Surely one of the most cruelly tragic, and sublimely funny, melodramas of all time.
On one hand, Madame De . . . is all surface and style; on the other, it conveys real loss.
Ophuls's camera style is famous for its physicalization of time, in which every fleeting moment is recorded and made palpable by the ceaseless tracking shots, yet his delineation of space is also sublime and highly charged.
The tracking shots effortlessly glide down corridors, into rooms, through gardens. They particularly shine during two dancing scenes, where the smooth movements of the partners are echoed by the graceful camera capturing every move in perfect sync.
Ravisihing classic made at the height of Ophuls' career (La Ronde, Lola Montes), this much admired film is flawless in subtle narrative and lavish style as an indictment of socio-sexual mores of European aristocracy splendidly acted by Darrieux and Boyer
Ravisihing classic made at the height of Ophuls' career (La Ronde, Lola Montes), this much admired film is flawless in subtle narrative and lavish style as an indictment of socio-sexual mores of European aristocracy splendidly acted by Darrieux and Boyer
Three good reasons you should see The Earrings of Madame de … are the presence and performances of Danielle Darrieux, Charles Boyer and Vittorio De Sica. This celestial triangle has never been surpassed in grace, charm and, yes, wit and humor.
The brilliance of "Earrings" is in the precision with which Ophuls carefully strips away all the luxury until what we see is not the extravagance, but the wounded, tragic marriage that the extravagance is meant to hide.
Like its turn-of-the-century décor and costuming, it is elegant and filled with decorative but basically unnecessary little items, which give it gentility and a nostalgic mood, but nothing much more substantial.
For the five-year period from 1950-55 (shortly before he died), Max Ophuls was arguably the world's greatest filmmaker creating La Ronde, Le Plaisir, Lola Montes, and this masterful study of a tragic, three-cornered romance.
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