Opening

97% Ghostbusters Aug 29
31% As Above/So Below Aug 29
36% The November Man Aug 27
98% Starred Up Aug 27
76% The Congress Aug 29

Top Box Office

92% Guardians of the Galaxy $17.2M
20% Teenage Mutant Ninja Turtles $16.7M
37% If I Stay $15.7M
21% Let's Be Cops $10.8M
18% When The Game Stands Tall $8.4M
34% The Expendables 3 $6.5M
32% The Giver $6.4M
45% Sin City: A Dame to Kill For $6.3M
66% The Hundred-Foot Journey $5.3M
19% Into The Storm $3.8M

Coming Soon

—— Innocence Sep 05
—— The Longest Week Sep 05
—— The Identical Sep 05
67% Thunder and the House of Magic Sep 05
74% God Help the Girl Sep 05

New Episodes Tonight

91% Doctor Who: Season 8
—— Hell on Wheels: Season 4
39% Intruders: Season 1
89% Outlander: Season 1
46% Reckless: Season 1
—— Unforgettable: Season 3

Discuss Last Night's Shows

—— Jonah From Tonga: Season 1

Certified Fresh TV

86% The Bridge (FX): Season 2
91% Doctor Who: Season 8
83% Extant: Season 1
89% The Honorable Woman: Season 1
87% The Knick: Season 1
89% Manhattan: Season 1
97% Masters of Sex: Season 2
73% Murder in the First: Season 1
89% Outlander: Season 1
82% Satisfaction: Season 1
87% The Strain: Season 1
82% Welcome to Sweden: Season 1
77% You're the Worst: Season 1

East End Hustle Reviews

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Cassandra M

Super Reviewer

August 28, 2009
This movie deserves way better than it has received critically - a fascinating example of indie-film collectivos venturing into the well-funded world of that era's commercial Canadian cinema, and hitting the nail on the head. A grotty tale of sex workers in revolt from their scumbag pimp - played by Pump up the Volume director Allan Moyle, a regular in this Montreal cinematic repertory company - this doesn't just out-sleaze 'American Nightmare'; it also comes very close to out-politicking 'Rejeanne Padovani'. Unlike the former, this one is told entirely from the perspective of the sex workers themselves, and they are a fantastic ensemble, bright and damaged in varying proportions, with unnecessarily rich characterization. The protagonist's loving relationship with her boyfriend is particularly revealing - he offers his support, but the filmmakers go far out of their way to make sure that SHE resolves the conflict, not some hero riding to the rescue. The rape scene is as uncompromising as it is un-pornographic, the single-take sex scene is a startling condensation of the movie's down-to-earth world view, and the film's view of community and friendship as the one real lifeline for these women on the edge is almost unprecedented and very moving. And ideology aside, it works very well as a thriller, with suspense and forward motion throughout. This could be a virtual litmus test for bourgeois film critics - if you can't see the brains beneath the sleaze, you've got blinkers on for sure.
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