The film's cinematic signature is made up of moody imagery that is still grounded in reality, but with poetic flourish. Angela Badalamenti's score is elegantly understated
The Edge of Love (2009)
Tomatometer
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Reviews Counted:53
Fresh:18
Rotten:35
Average Rating:5/10
Consensus: Despite effective performances from Knightley and Miller, The Edge of Love lacks a coherent narrative.
Theatrical Release:2008
Synopsis:
Two feisty, free-spirited women are connected by a brilliant, charismatic poet who loves them both.
The passion and pathos of legendary poet Dylan Thomas (Matthew Rhys) is told through the lives...
Two feisty, free-spirited women are connected by a brilliant, charismatic poet who loves them both.
The passion and pathos of legendary poet Dylan Thomas (Matthew Rhys) is told through the lives of two extraordinary women. Vera Phillips (Keira Knightley) and Dylan were each other's first loves who feel the thunderbolt once more when they unexpectedly meet in London ten years later. Caitlin (Sienna Miller) is his adventurous wife, wily at using her beauty and always up for a bit of fun.
Despite their love-rival status, the women form a surprising friendship -- and though bombs rain down on London, the trio indulge in the glory of being young, and alive. When Vera meets and marries handsome Officer William Killick (Cillian Murphy), Dylan resents his trio becoming a foursome -- and Caitlin notes it.
The collapse of their group is avoided when William gets sent away to war -- and the others move back to rural Wales. With Vera now heavily pregnant and missing a husband who never writes back, the battle between her heart and head becomes more intense. William's return instigates a confrontation that has long been brewing -- but the savagery of his attack on Dylan finally forces Vera
to choose between the men in her life and the friend that she loves.
Desire and guilt are complicated by love and friendship in this real-life tale set in beautiful London and the majestic Welsh countryside. --© Official Site
Starring: Keira Knightley, Sienna Miller, Cillian Murphy, Matthew Rhys
Starring: Keira Knightley, Sienna Miller, Cillian Murphy, Matthew Rhys, Simon Armstrong, Ben Batt, Geoffrey Beevers, Paul Brooke
Director: John Maybury
Director: John Maybury
Screenwriter: Sharman MacDonald
Producer: Rebekah Gilbertson, Sarah Radclyffe
Composer: Angelo Badalamenti
Studio: Capitol Films
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Release:
Jul 14, 2009
Reviews for The Edge of Love
Edge doesn't aspire to be anything more than a juicy British wartime soap opera, but when it finds delicious pockets of whispered betrayal, artistic impotency, and cherry-lipped invitation, it adds up to a convincing sit.
Dylan Thomas's life is represented here, but John Maybury's hollow romantic drama is more interested in his women than in his literary art.
A literary tale featuring Matthew Rhys as the poet Dylan Thomas in which Sienna Miller and Keira Knightley fill up the screen with their beauty and vitality.
Love, war and poetry swirl together to form this cocktail of a film, in which fantasy and reality are the main, but conflicting ingredients
Booze and jealousy make a toxic cocktail, one that’s heavily imbibed with much self-lacerating gusto in the grim British drama The Edge of Love.
Impressively directed, superbly written drama with career-best performances from both Keira Knightley and Sienna Miller.
Though very uneven in style and focus . . . the fraught complications among the foursome raise universal issues of freewheeling young love and friendship during wartime.
Maybury at least makes it lush, which is a relief from the drab realism of other English lit biopics.
Maybury tackles the great Dylan Thomas in The Edge of Love, a speculative investigation into a cloudy period of the poet and dramatist's personal life. [Blu-ray]
The film succeeds as a deeply involving study of men and women caught up in a whirlwind beyond their control.
As a look at two women who find an unusual connection, it's rather beautiful.
A period romance, charged with provocative undercurrents about art, war and the eternal battle of the sexes.
...wonderful performances by all the actors, but historically misleading, and doesn't scratch the surface of what bohemian monsters Dylan & Caitlin Thomas were.
For all its vivid evocation of its characters' tomorrow-we-die bonhomie, the film finally never quite convinces viewers of its central subject: the sisterly, almost sapphic bond between Vera and Caitlin.
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