A sex- and violence-filled romp that sprays David Mamet's staccato dialogue like rubber bullets over the audience.
Edmond (2006)
Tomatometer
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Reviews Counted:72
Fresh:33
Rotten:39
Average Rating:5.5/10
Consensus: A gothic fairytale that catches director Tim Burton and star Johnny Depp at the top of their games.
Rated: R [See Full Rating] for violence, strong language, and sexual content including nudity and dialogue.
Runtime: 82 mins
Genre: Dramas
Theatrical Release:Jul 14, 2006 Limited
Synopsis: We've all seen him: the crazy guy on the street corner whose mutterings, just shy of intelligent commentary, make us wonder how he ended up this way. Edmond Burke (William H. Macy, THANK YOU FOR... We've all seen him: the crazy guy on the street corner whose mutterings, just shy of intelligent commentary, make us wonder how he ended up this way. Edmond Burke (William H. Macy, THANK YOU FOR SMOKING) descends into that alienated, downtrodden territory in one night in this urgent, thought-provoking drama based on a David Mamet play. A staid salaryman with a comfortable existence, Edmond abruptly leaves his wife (Rebecca Pidgeon) one night after having a dire fortune reading, and, in the hours that follow, he taps into a bleak reality that shatters what remains of his sanity. At first deciding to ease his sorrows by having sex, his attempts are thwarted by his characteristic thrift and naive, awkward approach. After getting ripped off by some thugs and pawning his wedding ring, Edmond buys a knife to protect himself from the violence with which he is quickly becoming familiar; when he is again threatened on the street, he rises to the occasion with bitter hatred and his own shocking violence. In the course of the ensuing crime and punishment--each horrifying in its turn--Edmond comes to shaky terms with the meaning of fate and the individual's relative inability to determine its outcome, and finds a most unexpected reconciliation in the face of his knowledge. Macy's performance is astounding as a man buffeted by forces outside his comprehension, while the film uses unflinching realism to address aspects of urban life, including racism, the sex industry, and the indifference with which we treat one another. He is supported by a cast that includes Julia Stiles (THE OMEN), Joe Mantegna (KIM POSSIBLE), Debi Mazar (ENTOURAGE), Mena Suvari (AMERICAN BEAUTY), Denise Richards (LOVE, ACTUALLY), and Bai Ling (THE BEAUTIFUL COUNTRY). [More]
Starring: William H. Macy, Julia Stiles, Joe Mantegna, Rebecca Pidgeon
Starring: William H. Macy, Julia Stiles, Joe Mantegna, Rebecca Pidgeon, Mena Suvari
Director: Stuart Gordon
Director: Stuart Gordon
Studio: First Independent Pictures
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Reviews for Edmond
... the new film adaptation works as a tough, flavorful dark night of the soul, as a middle-aged drone finally has his moment of clarity, which looks a lot like madness.
The director fails to breathe any sort of life into a piece practically carbon-dated by its flailing assaults on political correctness.
The last handful of scenes, featuring Bokeem Woodbine as an acquaintance of Edmond's, are worth the price of a ticket.
Macy is on top form and Mamet fans will savour the vicious barbs of repressed male rage but many will find this is a claustrophobic, stagey exercise without the wit and scope of Glengarry Glen Ross.
Makes little sense as a character study, and borders on nonsense as a screed on race in America.
The most effective Mamet play adaptation I've seen since James Foley's blistering 1992 Glengarry Glen Ross.
Começando com a promessa de se revelar um novo Um Dia de Fúria ("Uma Noite...", neste caso), o filme jamais alcança a intensidade esperada e se enfraquece ainda mais em seu terceiro ato desajeitadamente satírico. Mas Macy está genial.
Gordon can't quite get a handle on this odd material, and fails to moderate Macy's performance.
The title character, played with bravura by William H. Macy, leads us down the path to hell in an absorbing but ultimately sophomoric drama.
Edmond is a slight, self-consciously arty affair that starts off like a gloomy version of Falling Down before petering out with a deeply anti-climatic ending.
If it's a relic you're determined to catch at the movies this week, check out Edmond.
Gordon's direction here lacks any subtlety, as does this bitter material.
David Mamet's genius as a weaver of words and observer of human interaction is put on full display here ....
Edmond plays like Eyes Wide Shut meets Falling Down with a dash of Fight Club, although Mamet's original play debuted way back in 1982 before any of those films existed
Edmond is presented as the cold truth, but it's really just the truth of how the masculinist Mamet feels.
Latest News for Edmond
May 17, 2006:
William H. Macy Elects to Visit "House of Re-Animator"
The creators of the original "Re-Animator" are getting back together to do a 4th chapter. This one will be called "House of Re-Animator," and it will star... More...
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