A sex- and violence-filled romp that sprays David Mamet's staccato dialogue like rubber bullets over the audience.
Edmond (2006)
Tomatometer
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Reviews Counted:72
Fresh:33
Rotten:39
Average Rating:5.5/10
Consensus: A gothic fairytale that catches director Tim Burton and star Johnny Depp at the top of their games.
Rated: R [See Full Rating] for violence, strong language, and sexual content including nudity and dialogue.
Runtime: 82 mins
Genre: Dramas
Theatrical Release:Jul 14, 2006 Limited
Synopsis: We've all seen him: the crazy guy on the street corner whose mutterings, just shy of intelligent commentary, make us wonder how he ended up this way. Edmond Burke (William H. Macy, THANK YOU FOR... We've all seen him: the crazy guy on the street corner whose mutterings, just shy of intelligent commentary, make us wonder how he ended up this way. Edmond Burke (William H. Macy, THANK YOU FOR SMOKING) descends into that alienated, downtrodden territory in one night in this urgent, thought-provoking drama based on a David Mamet play. A staid salaryman with a comfortable existence, Edmond abruptly leaves his wife (Rebecca Pidgeon) one night after having a dire fortune reading, and, in the hours that follow, he taps into a bleak reality that shatters what remains of his sanity. At first deciding to ease his sorrows by having sex, his attempts are thwarted by his characteristic thrift and naive, awkward approach. After getting ripped off by some thugs and pawning his wedding ring, Edmond buys a knife to protect himself from the violence with which he is quickly becoming familiar; when he is again threatened on the street, he rises to the occasion with bitter hatred and his own shocking violence. In the course of the ensuing crime and punishment--each horrifying in its turn--Edmond comes to shaky terms with the meaning of fate and the individual's relative inability to determine its outcome, and finds a most unexpected reconciliation in the face of his knowledge. Macy's performance is astounding as a man buffeted by forces outside his comprehension, while the film uses unflinching realism to address aspects of urban life, including racism, the sex industry, and the indifference with which we treat one another. He is supported by a cast that includes Julia Stiles (THE OMEN), Joe Mantegna (KIM POSSIBLE), Debi Mazar (ENTOURAGE), Mena Suvari (AMERICAN BEAUTY), Denise Richards (LOVE, ACTUALLY), and Bai Ling (THE BEAUTIFUL COUNTRY). [More]
Starring: William H. Macy, Julia Stiles, Joe Mantegna, Rebecca Pidgeon
Starring: William H. Macy, Julia Stiles, Joe Mantegna, Rebecca Pidgeon, Mena Suvari
Director: Stuart Gordon
Director: Stuart Gordon
Studio: First Independent Pictures
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Reviews for Edmond
When the filmmakers gave the script to all the studios around town and told them that they had Macy and Mamet and they all said, 'Great! We'll read it this weekend.' Maybe there was a reason why they never heard from them again.
While all involved deserve credit for getting even limited financing to film such an off-putting work, they've mainly just proven that some things are better left on the stage.
Mamet's script may not be entirely convincing as either satire or social commentary, but in Macy's hands, poor, pathetic Edmond's story finds its shocking, darkly funny resonance.
Under Gordon’s eye, Macy draws pity for a character who feels nothing beyond his own suffering.
Makes little sense as a character study, and borders on nonsense as a screed on race in America.
The most effective Mamet play adaptation I've seen since James Foley's blistering 1992 Glengarry Glen Ross.
... the new film adaptation works as a tough, flavorful dark night of the soul, as a middle-aged drone finally has his moment of clarity, which looks a lot like madness.
Edmond posits that the fury of a sexist, racist psychopath lies just beneath the surface of even the mildest man. In other words, we're in David Mamet World.
Despite agreeably short running time and committed perfs, Edmond is rendered inert by its stagy atmosphere and failure to fully mine the depths of its protagonist's complex psyche.
After a while, I simply couldn’t empathize with Edmond and all his pain and suffering, and certainly not with all his exposed bigotries and delusions.
Mamet's relentless attempts to provoke viewers seem pretty childish today.
Depressing, disgusting, and dated, Edmond is worth braving to experience America’s best-known serious playwright at his most gruesomely undiluted.
There is no actor more at ease with battered nerves than William H. Macy.
As there's always at least one obscure independent in the annual Oscar race, the whole thing might as well begin here.
A thriller that's dated, pointless and sludgy slow (even clocking in at 76 minutes).
Edmond is too self-absorbed for us to care much about his fate, but like the proverbial train wreck, you can't tear your eyes -- or your ears -- away from the spectacle.
It plays like a hodgepodge of barely connected short films that all happen to star the same actor.
It may be too bleak for most, and as befits a movie based on a one-act play (written by Mamet in 1982), it can be speechy.
Latest News for Edmond
May 17, 2006:
William H. Macy Elects to Visit "House of Re-Animator"
The creators of the original "Re-Animator" are getting back together to do a 4th chapter. This one will be called "House of Re-Animator," and it will star... More...
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