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Elephant (2003)
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Reviews Counted:139
Fresh:98
Rotten:41
Average Rating:7/10
Consensus: The movie's spare and unconventional style will divide viewers.
Rated: R [See Full Rating] for disturbing violent content, language, brief sexuality and drug use - all involving teens
Runtime: 81 mins
Genre: Dramas
Theatrical Release:Oct 24, 2003 Limited
Box Office: $1,189,207
Synopsis: Winner of the Palme d’Or and Best Director prizes at the 2003 Cannes Film Festival, Gus Van Sant’s Elephant takes us inside an American high school on what appears to be an ordinary day.... Winner of the Palme d’Or and Best Director prizes at the 2003 Cannes Film Festival, Gus Van Sant’s Elephant takes us inside an American high school on what appears to be an ordinary day. Throughout his career, from Mala Noche and My Own Private Idaho through Good Will Hunting and Finding Forrester, Van Sant has explored what it is to be young and searching for a place in the world, an identity that feels true. With Elephant, Van Sant takes these inquiries into new terrain, working with actual high school students to create a portrait of teenagers in today’s volatile world. Elephant unfolds on an ordinary day, filled with class work, football, gossip and socializing. The film observes the comings and goings of its characters from a gentle remove, allowing us to see them as they are. For each of the students we meet, high school is a different experience: stimulating, friendly, traumatic, lonely, hard. Beautiful and poetic – yet deeply disturbing - Elephant shows high school life as a complex landscape where the vitality and incandescent beauty of young lives can shift from light to darkness with surreal speed. It’s a beautiful fall day, and golden leaves skitter ahead of the wind across green lawns. Walking through the park on his way to class, Eli persuades a punk-rock couple to pose for some photographs. Nate finishes football practice and goes to meet his girlfriend Carrie for lunch. John leaves his dad’s car keys in the school office for his brother to pick up. In the cafeteria, Brittany, Jordan and Nicole gossip and complain about their mothers’ snooping. Michelle dashes to the library, while Eli snaps some photos of John in the hallway. John walks out onto the lawn, crossing paths with Alex and Eric. An ordinary high school day. Except that it’s not. HBO Films in association with Fine Line Features present a Meno Film Company Production, in association with Blue Relief, Inc. ELEPHANT. Director of Photography Harris Savides, ASC. Executive Producers Diane Keaton and Bill Robinson. Produced by Dany Wolf. Written, directed and edited by Gus Van Sant. [More]
Starring: John Robinson, Elias McConnell, Alex Frost, Eric Deulen
Starring: John Robinson, Elias McConnell, Alex Frost, Eric Deulen, Jordan Taylor, Carrie Finklea, Nicole George, Brittany Mountain, A.D. Miles, Alicia Miles, Kristen Hicks, Bennie Dixon, Nathan Tyson, Timothy Bottoms
Director: Gus Van Sant
Director: Gus Van Sant
Screenwriter: Gus Van Sant
Producer: Dany Wolf
Studio: Fine Line Features
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Reviews for Elephant
ELEPHANT is poetic in it depiction of a danse macabre, and ruthless in its dissection of it
A small, improvisatory, quiet movie whose modesty and lack of preening self-importance mask what is actually a remarkably ambitious and bravura piece of filmmaking.
An intelligent reflection on Columbine, preferring difficult questions to easy answers, with the sort of quiet subtlety that one would never expect from an elephant.
In the spaciousness of its concerns, it amplifies some burning questions about American life.
A living, breathing work that's distinctively different from the regular hyper-reality of Hollywood films.
It looks both unrelentingly and obliquely at something we all wish never occurred and dispassionately touches on every reason we've dreamed up as to why, while stubbornly refusing to isolate any of them as a clear, blamable cause.
Van Sant has created a must-see event for anyone who cares about film’s power to create vital discussion within society.
An almost metaphysical sigh heaved in response to the Columbine slayings.
People will pillory Van Sant for not taking a position on the causes of Columbine, but simply by showing an accurate depiction of a suburban high school, perhaps he is.
Elephant is the film equivalent of Maya Lin's Vietnam monument, that collective gravestone to the fallen, in the way it employs abstract means to quantify the loss of life and elicit a profound sense of grief.
It's a sad movie, beautiful because it feels so true and disturbing because, as one of the killers says, 'You know there's others like us.'
Elephant demands a commitment to sticking with a nontraditional story. There's no three-act structure here, no consolation at the end of the line.
Elephant never forgets that its shooters, Alex and Eric, also look like other kids. It doesn't demonize them, but instead, watches, alternately patient and tense.
Elephant hurts you in ways you don't see coming; its combination of the orchestrated and the raw gets past your defenses.
Latest News for Elephant
August 26, 2007:
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