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Elephant (2003)
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Reviews Counted:34
Fresh:26
Rotten:8
Average Rating:7.1/10
Consensus: The movie's spare and unconventional style will divide viewers.
Rated: R [See Full Rating] for disturbing violent content, language, brief sexuality and drug use - all involving teens
Runtime: 81 mins
Genre: Dramas
Theatrical Release:Oct 24, 2003 Limited
Box Office: $1,189,207
Synopsis: Winner of the Palme d’Or and Best Director prizes at the 2003 Cannes Film Festival, Gus Van Sant’s Elephant takes us inside an American high school on what appears to be an ordinary day.... Winner of the Palme d’Or and Best Director prizes at the 2003 Cannes Film Festival, Gus Van Sant’s Elephant takes us inside an American high school on what appears to be an ordinary day. Throughout his career, from Mala Noche and My Own Private Idaho through Good Will Hunting and Finding Forrester, Van Sant has explored what it is to be young and searching for a place in the world, an identity that feels true. With Elephant, Van Sant takes these inquiries into new terrain, working with actual high school students to create a portrait of teenagers in today’s volatile world. Elephant unfolds on an ordinary day, filled with class work, football, gossip and socializing. The film observes the comings and goings of its characters from a gentle remove, allowing us to see them as they are. For each of the students we meet, high school is a different experience: stimulating, friendly, traumatic, lonely, hard. Beautiful and poetic – yet deeply disturbing - Elephant shows high school life as a complex landscape where the vitality and incandescent beauty of young lives can shift from light to darkness with surreal speed. It’s a beautiful fall day, and golden leaves skitter ahead of the wind across green lawns. Walking through the park on his way to class, Eli persuades a punk-rock couple to pose for some photographs. Nate finishes football practice and goes to meet his girlfriend Carrie for lunch. John leaves his dad’s car keys in the school office for his brother to pick up. In the cafeteria, Brittany, Jordan and Nicole gossip and complain about their mothers’ snooping. Michelle dashes to the library, while Eli snaps some photos of John in the hallway. John walks out onto the lawn, crossing paths with Alex and Eric. An ordinary high school day. Except that it’s not. HBO Films in association with Fine Line Features present a Meno Film Company Production, in association with Blue Relief, Inc. ELEPHANT. Director of Photography Harris Savides, ASC. Executive Producers Diane Keaton and Bill Robinson. Produced by Dany Wolf. Written, directed and edited by Gus Van Sant. [More]
Starring: John Robinson, Elias McConnell, Alex Frost, Eric Deulen
Starring: John Robinson, Elias McConnell, Alex Frost, Eric Deulen, Jordan Taylor, Carrie Finklea, Nicole George, Brittany Mountain, A.D. Miles, Alicia Miles, Kristen Hicks, Bennie Dixon, Nathan Tyson, Timothy Bottoms
Director: Gus Van Sant
Director: Gus Van Sant
Screenwriter: Gus Van Sant
Producer: Dany Wolf
Studio: Fine Line Features
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Reviews for Elephant
A living, breathing work that's distinctively different from the regular hyper-reality of Hollywood films.
Elephant is the film equivalent of Maya Lin's Vietnam monument, that collective gravestone to the fallen, in the way it employs abstract means to quantify the loss of life and elicit a profound sense of grief.
An 86-minute cosmic provocation to rethink how we talk about the unspeakable, the scapegoats we look for, the effigies we burn.
We ask: Who are these people? Which ones are troubled enough to bring guns to school? What are their lives like? What made them this way?
The most fluid of films, it glides through its 81 minutes with a mesmerizing ease, skating on smooth tracking shots down the corridors of an American high school and into the heart of an American malaise.
As movies go, it's wholly predictable, occasionally and intentionally dull, and apparently quite lazy.
A small, improvisatory, quiet movie whose modesty and lack of preening self-importance mask what is actually a remarkably ambitious and bravura piece of filmmaking.
It is hard to make absolute sense of. Yet it invites us to feel quite strongly about our conclusions.
I don't think Van Sant's movie provides us with enough of an answer to be regarded as anything more than an experiment.
It simply looks at the day as it unfolds, and that is a brave and radical act; it refuses to supply reasons and assign cures, so that we can close the case and move on.
Evasive and maddening? You bet. Brilliant, enlightening? That, too. From where I sit, it's the most important American movie of the year.
Elephant demands a commitment to sticking with a nontraditional story. There's no three-act structure here, no consolation at the end of the line.
An exercise in voyeurism and a trancelike plunge into the dark side of American teen life that can both fascinate and repel you.
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August 26, 2007:
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