Don't miss this opportunity to see the movie that launched the legend of Jeanne Moreau.
Elevator to the Gallows (1957)
Tomatometer
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Reviews Counted:40
Fresh:38
Rotten:2
Average Rating:8/10
Theatrical Release:Jun 24, 2005 Limited
Synopsis: This psychological thriller is imbued with a wonderful Parisian atmosphere and a moody, improvisational score by legendary jazz trumpeter Miles Davis. A beautiful woman, Florence, and her lover,... This psychological thriller is imbued with a wonderful Parisian atmosphere and a moody, improvisational score by legendary jazz trumpeter Miles Davis. A beautiful woman, Florence, and her lover, Julien, plan to murder her husband (who happens to be Julien's boss as well), so they can be together. After carefully carrying out the crime, Julien gets stuck inside the elevator when the power is turned off. The film takes off in a number of surprising twists and turns, one of which includes a young couple who steal Julien's car. They take a ride outside the city and kill a German couple in a hotel, a crime the police eventually pin on Julien. However, Jeanne Moreau's performance as Florence wandering around nighttime Paris in a sad, desperate search for her missing lover, with Davis' haunting score in the background, heightens the tension and suspense of the film and reveals the story's emotional core. [More]
Starring: Jeanne Moreau, Maurice Ronet, Georges Poujouly
Starring: Jeanne Moreau, Maurice Ronet, Georges Poujouly
Director: Louis Malle
Director: Louis Malle
Screenwriter: Louis Malle, Roger Nimier
Story: Noel Calef
Composer: Miles Davis
Studio: Rialto Pictures
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Reviews for Elevator to the Gallows
It's easy to see why this is a classic. It's got a great story, pacing that keeps you on your toes, decent performances, and a style that's timeless.
Made almost 50 years ago, the black-and-white French classic still grabs you by the throat.
Henri Decaë's black-and-white cinematography brings out the melancholy mystery of Paris' boulevards and cafes, and Ms. Moreau, shot with natural lighting and without make-up, is like a mournful goddess of glamour.
A suspense thriller with a tense, jazzy score and a rich undercurrent of fatalistic irony.
the score by Miles is a remarkable one, tapping into the jazzy zeitgeist of the time
Moreau’s nocturnal wanderings are made unbearably poignant by an exquisite Miles Davis jazz score that became famous in its own right.
Part film noir, part melodrama, part Hitchcockian thriller, the film strives to be anything and everything and in many ways succeeds.
A plan for a perfect murder goes wildly wrong in this 1958 melodrama by one of France's great filmmakers.
Director-writer Louis Malle's first feature at 26 is a stylish French New Wave noir-ish thriller that never satisfies as much as it should.
What makes this swooningly atmospheric movie a true romance is the face of Jeanne Moreau in close-up, at once impassive, devious and tragic as she wanders the rain-soaked streets of nighttime Paris.
If you've never seen this 1957 film-noir gem, you should be seduced by the cool nocturnal cinematography of Henri Decae and the languid improvisational sounds of Miles Davis.
a perfect hybrid of French noir elegance and the New Wave's rough hewn realism
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