As French crime thrillers go, this is about as good as it gets. It's also an important film historically, and to top it off, the jazz score, by Miles Davis, is famous in its own right.
Elevator to the Gallows (1957)
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Reviews Counted:40
Fresh:38
Rotten:2
Average Rating:8/10
Theatrical Release:Jun 24, 2005 Limited
Synopsis: This psychological thriller is imbued with a wonderful Parisian atmosphere and a moody, improvisational score by legendary jazz trumpeter Miles Davis. A beautiful woman, Florence, and her lover,... This psychological thriller is imbued with a wonderful Parisian atmosphere and a moody, improvisational score by legendary jazz trumpeter Miles Davis. A beautiful woman, Florence, and her lover, Julien, plan to murder her husband (who happens to be Julien's boss as well), so they can be together. After carefully carrying out the crime, Julien gets stuck inside the elevator when the power is turned off. The film takes off in a number of surprising twists and turns, one of which includes a young couple who steal Julien's car. They take a ride outside the city and kill a German couple in a hotel, a crime the police eventually pin on Julien. However, Jeanne Moreau's performance as Florence wandering around nighttime Paris in a sad, desperate search for her missing lover, with Davis' haunting score in the background, heightens the tension and suspense of the film and reveals the story's emotional core. [More]
Starring: Jeanne Moreau, Maurice Ronet, Georges Poujouly
Starring: Jeanne Moreau, Maurice Ronet, Georges Poujouly
Director: Louis Malle
Director: Louis Malle
Screenwriter: Louis Malle, Roger Nimier
Story: Noel Calef
Composer: Miles Davis
Studio: Rialto Pictures
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Reviews for Elevator to the Gallows
It's precisely Malle's omnivorous appetite that makes his first feature, adapted from a policier, so delectable, one stuffed with many sumptuous sights and sounds.
a perfect hybrid of French noir elegance and the New Wave's rough hewn realism
Elevator to the Gallows is a treat for the film buff. Watching Moreau and Malle as they discover each other and a new trend in filmmaking, and listening to Miles Davis during their quest will remind you of what movies are all about.
In backwards-thinking terms, Malle was the Tarantino of his day, giving French cinema a creative, influential shot in the arm that opened new horizons in directorial thinking.
The plot crackles with energy and misdirection, while the black-and-white film sharpens angles and amplifies the shadows lurking in every hallway.
A stylish noir-ish crime drama boasting, amongst other things, an improvised Miles Davis soundtrack.
A suspense thriller with a tense, jazzy score and a rich undercurrent of fatalistic irony.
It's easy to see why this is a classic. It's got a great story, pacing that keeps you on your toes, decent performances, and a style that's timeless.
An intelligent thriller that served as an important precursor in the late 1950s to such New Wave classics as Breathless and The Four Hundred Blows.
Moreau’s nocturnal wanderings are made unbearably poignant by an exquisite Miles Davis jazz score that became famous in its own right.
These 1950s French noirs abandon the formality of traditional crime films, the almost ritualistic obedience to formula, and show crazy stuff happening to people who seem to be making up their lives as they go along.
Louis Malle was just 25 when he made this moody piece of Gallic pulp fiction about a girl, a gun and a broken lift.
Made almost 50 years ago, the black-and-white French classic still grabs you by the throat.
What turns it fabulous, indeed mythical, is the presence of another entity: Paris at night in the '50s, to the tune of Miles Davis's score as realized in the dappled hues of Henri Decae's gorgeous poetic cinematography.
the score by Miles is a remarkable one, tapping into the jazzy zeitgeist of the time
Great writing, brilliant direction, awesome music... What could go wrong? Easy: smack a ridiculous, insulting to the audience's intelligence ending.
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