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Movies / On DVD / Elevator to the Gallows
Elevator to the Gallows

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Elevator to the Gallows (1957)

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Reviews Counted:40

Fresh:38

Rotten:2

Average Rating:8/10

Rated: Not Rated

Runtime: 1 hr 32 mins

Genre: Foreign Films

Theatrical Release:Jun 24, 2005 Limited

Synopsis: This psychological thriller is imbued with a wonderful Parisian atmosphere and a moody, improvisational score by legendary jazz trumpeter Miles Davis. A beautiful woman, Florence, and her lover,... This psychological thriller is imbued with a wonderful Parisian atmosphere and a moody, improvisational score by legendary jazz trumpeter Miles Davis. A beautiful woman, Florence, and her lover, Julien, plan to murder her husband (who happens to be Julien's boss as well), so they can be together. After carefully carrying out the crime, Julien gets stuck inside the elevator when the power is turned off. The film takes off in a number of surprising twists and turns, one of which includes a young couple who steal Julien's car. They take a ride outside the city and kill a German couple in a hotel, a crime the police eventually pin on Julien. However, Jeanne Moreau's performance as Florence wandering around nighttime Paris in a sad, desperate search for her missing lover, with Davis' haunting score in the background, heightens the tension and suspense of the film and reveals the story's emotional core. [More]

Starring: Jeanne Moreau, Maurice Ronet, Georges Poujouly

Starring: Jeanne Moreau, Maurice Ronet, Georges Poujouly

Director: Louis Malle

Director: Louis Malle
Screenwriter: Louis Malle, Roger Nimier
Story: Noel Calef
Composer: Miles Davis
Studio: Rialto Pictures

[See More Credits]

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Release:

Apr 25, 2006

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Reviews for Elevator to the Gallows

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1 - 20 (sorted by critic A-Z)
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As French crime thrillers go, this is about as good as it gets. It's also an important film historically, and to top it off, the jazz score, by Miles Davis, is famous in its own right.

Full Review Source: San Francisco Chronicle | comment Comment
08/19/05
Walter V. Addiego
Walter V. Addiego
San Francisco Chronicle
Top Critic Icon Top Critic

It's precisely Malle's omnivorous appetite that makes his first feature, adapted from a policier, so delectable, one stuffed with many sumptuous sights and sounds.

Full Review Source: Village Voice | comment Comment
06/22/05
Melissa Anderson
Melissa Anderson
Village Voice
Top Critic Icon Top Critic

Like a black-and-white Hitchcockian tour of hell.

Full Review Source: Combustible Celluloid | comment Comment
08/18/05
Jeffrey M. Anderson
Jeffrey M. Anderson
Combustible Celluloid

A straightforward but classy thriller.

Full Review Source: Time Out | comment Comment
02/09/06
Geoff Andrew
Geoff Andrew
Time Out

a perfect hybrid of French noir elegance and the New Wave's rough hewn realism

Full Review Source: I.E. Weekly | comment Comment
04/20/06
Jay Antani
Jay Antani
I.E. Weekly

Elevator to the Gallows is a treat for the film buff. Watching Moreau and Malle as they discover each other and a new trend in filmmaking, and listening to Miles Davis during their quest will remind you of what movies are all about.

Full Review Source: Miami Herald | comment Comment
03/23/07
Marta Barber
Marta Barber
Miami Herald

In backwards-thinking terms, Malle was the Tarantino of his day, giving French cinema a creative, influential shot in the arm that opened new horizons in directorial thinking.

Full Review Source: SPLICEDWire | comment Comment
08/18/05
Rob Blackwelder
Rob Blackwelder
SPLICEDWire

The plot crackles with energy and misdirection, while the black-and-white film sharpens angles and amplifies the shadows lurking in every hallway.

Full Review Source: Denver Post | comment Comment
10/14/05
Michael Booth
Michael Booth
Denver Post
Top Critic Icon Top Critic

A stylish noir-ish crime drama boasting, amongst other things, an improvised Miles Davis soundtrack.

Full Review Source: Edinburgh U Film Society | comment Comment
01/01/00
Keith H. Brown
Keith H. Brown
Edinburgh U Film Society

A suspense thriller with a tense, jazzy score and a rich undercurrent of fatalistic irony.

Full Review Source: Minneapolis Star Tribune | comment Comment
10/05/06
Colin Covert
Colin Covert
Minneapolis Star Tribune
Top Critic Icon Top Critic

It's easy to see why this is a classic. It's got a great story, pacing that keeps you on your toes, decent performances, and a style that's timeless.

Full Review Source: TheMovieChicks.com | comment Comment
04/07/06
Cherryl Dawson and Leigh Ann Palone
Cherryl Dawson and Leigh Ann Palone
TheMovieChicks.com

An intelligent thriller that served as an important precursor in the late 1950s to such New Wave classics as Breathless and The Four Hundred Blows.

Full Review Source: BBC | comment Comment
02/20/02
Tom Dawson
Tom Dawson
BBC

Moreau’s nocturnal wanderings are made unbearably poignant by an exquisite Miles Davis jazz score that became famous in its own right.

Full Review Source: New Yorker | comment Comment
06/27/05
David Denby
David Denby
New Yorker
Top Critic Icon Top Critic

These 1950s French noirs abandon the formality of traditional crime films, the almost ritualistic obedience to formula, and show crazy stuff happening to people who seem to be making up their lives as they go along.

Full Review Source: Chicago Sun-Times | comment Comment
09/15/05
Roger Ebert
Roger Ebert
Chicago Sun-Times
Top Critic Icon Top Critic

Louis Malle was just 25 when he made this moody piece of Gallic pulp fiction about a girl, a gun and a broken lift.

Full Review Source: Channel 4 Film | comment Comment
05/24/03
Jon Fortgang
Jon Fortgang
Channel 4 Film

Made almost 50 years ago, the black-and-white French classic still grabs you by the throat.

Full Review Source: St. Paul Pioneer Press | comment Comment
10/05/06
Chris Hewitt (St. Paul)
Chris Hewitt (St. Paul)
St. Paul Pioneer Press

What turns it fabulous, indeed mythical, is the presence of another entity: Paris at night in the '50s, to the tune of Miles Davis's score as realized in the dappled hues of Henri Decae's gorgeous poetic cinematography.

Full Review Source: Washington Post | comment Comment
09/09/05
Stephen Hunter
Stephen Hunter
Washington Post
Top Critic Icon Top Critic

the score by Miles is a remarkable one, tapping into the jazzy zeitgeist of the time

Full Review Source: Apollo Guide | comment Comment
08/02/08
Dan Jardine
Dan Jardine
Apollo Guide

... a little gem...

Full Review Source: Los Angeles CityBeat | comment Comment
07/30/05
Andy Klein
Andy Klein
Los Angeles CityBeat

Great writing, brilliant direction, awesome music... What could go wrong? Easy: smack a ridiculous, insulting to the audience's intelligence ending.

Full Review Source: Montreal Film Journal | comment Comment
09/10/02
Kevin N. Laforest
Kevin N. Laforest
Montreal Film Journal
 
 
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