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Movies / On DVD / Elevator to the Gallows
Elevator to the Gallows

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Elevator to the Gallows (1957)

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Reviews Counted:40

Fresh:38

Rotten:2

Average Rating:8/10

Rated: Not Rated

Runtime: 1 hr 32 mins

Genre: Foreign Films

Theatrical Release:Jun 24, 2005 Limited

Synopsis: This psychological thriller is imbued with a wonderful Parisian atmosphere and a moody, improvisational score by legendary jazz trumpeter Miles Davis. A beautiful woman, Florence, and her lover,... This psychological thriller is imbued with a wonderful Parisian atmosphere and a moody, improvisational score by legendary jazz trumpeter Miles Davis. A beautiful woman, Florence, and her lover, Julien, plan to murder her husband (who happens to be Julien's boss as well), so they can be together. After carefully carrying out the crime, Julien gets stuck inside the elevator when the power is turned off. The film takes off in a number of surprising twists and turns, one of which includes a young couple who steal Julien's car. They take a ride outside the city and kill a German couple in a hotel, a crime the police eventually pin on Julien. However, Jeanne Moreau's performance as Florence wandering around nighttime Paris in a sad, desperate search for her missing lover, with Davis' haunting score in the background, heightens the tension and suspense of the film and reveals the story's emotional core. [More]

Starring: Jeanne Moreau, Maurice Ronet, Georges Poujouly

Starring: Jeanne Moreau, Maurice Ronet, Georges Poujouly

Director: Louis Malle

Director: Louis Malle
Screenwriter: Louis Malle, Roger Nimier
Story: Noel Calef
Composer: Miles Davis
Studio: Rialto Pictures

[See More Credits]

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Release:

Apr 25, 2006

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Reviews for Elevator to the Gallows

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1 - 20 (sorted by source)
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the score by Miles is a remarkable one, tapping into the jazzy zeitgeist of the time

Full Review Source: Apollo Guide | comment Comment
08/02/08
Dan Jardine
Dan Jardine
Apollo Guide

The movie's most compelling element of all is Moreau, wandering the nighttime streets trying to find her lover. It's as if she's blown from one cafe to the next on a blended wind of passion, dread and the lonely trumpet wail.

Full Review Source: Atlanta Journal-Constitution | comment Comment
09/22/05
Steve Murray
Steve Murray
Atlanta Journal-Constitution
Top Critic Icon Top Critic

An intelligent thriller that served as an important precursor in the late 1950s to such New Wave classics as Breathless and The Four Hundred Blows.

Full Review Source: BBC | comment Comment
02/20/02
Tom Dawson
Tom Dawson
BBC

The tasty 1957 noir thriller that introduced the world to French filmmaker Louis Malle, who at the time was a 24-year-old assistant director for Jacques Cousteau.

Full Review Source: Boston Globe | comment Comment
07/22/05
Wesley Morris
Wesley Morris
Boston Globe
Top Critic Icon Top Critic

"Gallows" was Malle's first film at the age of 24, and you can sense his eagerness to start pushing and kicking at the rigid noir plot structure to see what happens.

Full Review Source: Capital Times (Madison, WI) | comment Comment
04/06/06
Rob Thomas
Rob Thomas
Capital Times (Madison, WI)

Louis Malle was just 25 when he made this moody piece of Gallic pulp fiction about a girl, a gun and a broken lift.

Full Review Source: Channel 4 Film | comment Comment
05/24/03
Jon Fortgang
Jon Fortgang
Channel 4 Film

Efficient but soulless.

Full Review Source: Chicago Reader | comment Comment
04/01/07
Jonathan Rosenbaum
Jonathan Rosenbaum
Chicago Reader
Top Critic Icon Top Critic

These 1950s French noirs abandon the formality of traditional crime films, the almost ritualistic obedience to formula, and show crazy stuff happening to people who seem to be making up their lives as they go along.

Full Review Source: Chicago Sun-Times | comment Comment
09/15/05
Roger Ebert
Roger Ebert
Chicago Sun-Times
Top Critic Icon Top Critic

A plan for a perfect murder goes wildly wrong in this 1958 melodrama by one of France's great filmmakers.

Full Review Source: Christian Science Monitor | comment Comment
06/23/05
David Sterritt
David Sterritt
Christian Science Monitor

Like a black-and-white Hitchcockian tour of hell.

Full Review Source: Combustible Celluloid | comment Comment
08/18/05
Jeffrey M. Anderson
Jeffrey M. Anderson
Combustible Celluloid

Henri Decaë's black-and-white cinematography brings out the melancholy mystery of Paris' boulevards and cafes, and Ms. Moreau, shot with natural lighting and without make-up, is like a mournful goddess of glamour.

Full Review Source: Dallas Morning News | comment Comment
04/07/06
Chris Vognar
Chris Vognar
Dallas Morning News
Top Critic Icon Top Critic

The plot crackles with energy and misdirection, while the black-and-white film sharpens angles and amplifies the shadows lurking in every hallway.

Full Review Source: Denver Post | comment Comment
10/14/05
Michael Booth
Michael Booth
Denver Post

A stylish noir-ish crime drama boasting, amongst other things, an improvised Miles Davis soundtrack.

Full Review Source: Edinburgh U Film Society | comment Comment
01/01/00
Keith H. Brown
Keith H. Brown
Edinburgh U Film Society

No review available.

comment Comment
07/06/05
Emanuel Levy
Emanuel Levy
EmanuelLevy.Com

Part film noir, part melodrama, part Hitchcockian thriller, the film strives to be anything and everything and in many ways succeeds.

Full Review Source: Film Threat | comment Comment
07/18/05
David Nagler
David Nagler
Film Threat

The crisp black-and-white cinematography is the stand out, hugely benefiting from filming on location.... Adding to the melancholy is Miles Davis' sparingly used score.

Full Review Source: Film-Forward.com | comment Comment
06/24/05
Kent Turner
Kent Turner
Film-Forward.com

Malle has a real knack for showing off the nasty side of humanity

Full Review Source: Filmcritic.com | comment Comment
05/09/06
Christopher Null
Christopher Null
Filmcritic.com

It's devilishly clever, bleakly hilarious, and fatalistically romantic throughout, a celebration of grand, doomed gestures made for the sake of making them.

Full Review Source: Goatdog's Movies | comment Comment
11/30/06
Michael W. Phillips, Jr.
Michael W. Phillips, Jr.
Goatdog's Movies

a perfect hybrid of French noir elegance and the New Wave's rough hewn realism

Full Review Source: I.E. Weekly | comment Comment
04/20/06
Jay Antani
Jay Antani
I.E. Weekly

What makes this swooningly atmospheric movie a true romance is the face of Jeanne Moreau in close-up, at once impassive, devious and tragic as she wanders the rain-soaked streets of nighttime Paris.

Full Review Source: L.A. Weekly | comment Comment
07/28/05
Ella Taylor
Ella Taylor
L.A. Weekly
 
 
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