the score by Miles is a remarkable one, tapping into the jazzy zeitgeist of the time
Elevator to the Gallows (1957)
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Reviews Counted:40
Fresh:38
Rotten:2
Average Rating:8/10
Theatrical Release:Jun 24, 2005 Limited
Synopsis: This psychological thriller is imbued with a wonderful Parisian atmosphere and a moody, improvisational score by legendary jazz trumpeter Miles Davis. A beautiful woman, Florence, and her lover,... This psychological thriller is imbued with a wonderful Parisian atmosphere and a moody, improvisational score by legendary jazz trumpeter Miles Davis. A beautiful woman, Florence, and her lover, Julien, plan to murder her husband (who happens to be Julien's boss as well), so they can be together. After carefully carrying out the crime, Julien gets stuck inside the elevator when the power is turned off. The film takes off in a number of surprising twists and turns, one of which includes a young couple who steal Julien's car. They take a ride outside the city and kill a German couple in a hotel, a crime the police eventually pin on Julien. However, Jeanne Moreau's performance as Florence wandering around nighttime Paris in a sad, desperate search for her missing lover, with Davis' haunting score in the background, heightens the tension and suspense of the film and reveals the story's emotional core. [More]
Starring: Jeanne Moreau, Maurice Ronet, Georges Poujouly
Starring: Jeanne Moreau, Maurice Ronet, Georges Poujouly
Director: Louis Malle
Director: Louis Malle
Screenwriter: Louis Malle, Roger Nimier
Story: Noel Calef
Composer: Miles Davis
Studio: Rialto Pictures
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Reviews for Elevator to the Gallows
The movie's most compelling element of all is Moreau, wandering the nighttime streets trying to find her lover. It's as if she's blown from one cafe to the next on a blended wind of passion, dread and the lonely trumpet wail.
An intelligent thriller that served as an important precursor in the late 1950s to such New Wave classics as Breathless and The Four Hundred Blows.
The tasty 1957 noir thriller that introduced the world to French filmmaker Louis Malle, who at the time was a 24-year-old assistant director for Jacques Cousteau.
"Gallows" was Malle's first film at the age of 24, and you can sense his eagerness to start pushing and kicking at the rigid noir plot structure to see what happens.
Louis Malle was just 25 when he made this moody piece of Gallic pulp fiction about a girl, a gun and a broken lift.
These 1950s French noirs abandon the formality of traditional crime films, the almost ritualistic obedience to formula, and show crazy stuff happening to people who seem to be making up their lives as they go along.
A plan for a perfect murder goes wildly wrong in this 1958 melodrama by one of France's great filmmakers.
Henri Decaë's black-and-white cinematography brings out the melancholy mystery of Paris' boulevards and cafes, and Ms. Moreau, shot with natural lighting and without make-up, is like a mournful goddess of glamour.
The plot crackles with energy and misdirection, while the black-and-white film sharpens angles and amplifies the shadows lurking in every hallway.
A stylish noir-ish crime drama boasting, amongst other things, an improvised Miles Davis soundtrack.
Part film noir, part melodrama, part Hitchcockian thriller, the film strives to be anything and everything and in many ways succeeds.
The crisp black-and-white cinematography is the stand out, hugely benefiting from filming on location.... Adding to the melancholy is Miles Davis' sparingly used score.
It's devilishly clever, bleakly hilarious, and fatalistically romantic throughout, a celebration of grand, doomed gestures made for the sake of making them.
a perfect hybrid of French noir elegance and the New Wave's rough hewn realism
What makes this swooningly atmospheric movie a true romance is the face of Jeanne Moreau in close-up, at once impassive, devious and tragic as she wanders the rain-soaked streets of nighttime Paris.
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