In backwards-thinking terms, Malle was the Tarantino of his day, giving French cinema a creative, influential shot in the arm that opened new horizons in directorial thinking.
Elevator to the Gallows (1957)
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Reviews Counted:40
Fresh:38
Rotten:2
Average Rating:8/10
Theatrical Release:Jun 24, 2005 Limited
Synopsis: This psychological thriller is imbued with a wonderful Parisian atmosphere and a moody, improvisational score by legendary jazz trumpeter Miles Davis. A beautiful woman, Florence, and her lover,... This psychological thriller is imbued with a wonderful Parisian atmosphere and a moody, improvisational score by legendary jazz trumpeter Miles Davis. A beautiful woman, Florence, and her lover, Julien, plan to murder her husband (who happens to be Julien's boss as well), so they can be together. After carefully carrying out the crime, Julien gets stuck inside the elevator when the power is turned off. The film takes off in a number of surprising twists and turns, one of which includes a young couple who steal Julien's car. They take a ride outside the city and kill a German couple in a hotel, a crime the police eventually pin on Julien. However, Jeanne Moreau's performance as Florence wandering around nighttime Paris in a sad, desperate search for her missing lover, with Davis' haunting score in the background, heightens the tension and suspense of the film and reveals the story's emotional core. [More]
Starring: Jeanne Moreau, Maurice Ronet, Georges Poujouly
Starring: Jeanne Moreau, Maurice Ronet, Georges Poujouly
Director: Louis Malle
Director: Louis Malle
Screenwriter: Louis Malle, Roger Nimier
Story: Noel Calef
Composer: Miles Davis
Studio: Rialto Pictures
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Reviews for Elevator to the Gallows
A consummate entertainment rich with the romantic atmosphere of Paris in the 1950s.
What makes this swooningly atmospheric movie a true romance is the face of Jeanne Moreau in close-up, at once impassive, devious and tragic as she wanders the rain-soaked streets of nighttime Paris.
The tasty 1957 noir thriller that introduced the world to French filmmaker Louis Malle, who at the time was a 24-year-old assistant director for Jacques Cousteau.
Part film noir, part melodrama, part Hitchcockian thriller, the film strives to be anything and everything and in many ways succeeds.
Don't miss this opportunity to see the movie that launched the legend of Jeanne Moreau.
Moreau’s nocturnal wanderings are made unbearably poignant by an exquisite Miles Davis jazz score that became famous in its own right.
The crisp black-and-white cinematography is the stand out, hugely benefiting from filming on location.... Adding to the melancholy is Miles Davis' sparingly used score.
If you've never seen this 1957 film-noir gem, you should be seduced by the cool nocturnal cinematography of Henri Decae and the languid improvisational sounds of Miles Davis.
A plan for a perfect murder goes wildly wrong in this 1958 melodrama by one of France's great filmmakers.
It's precisely Malle's omnivorous appetite that makes his first feature, adapted from a policier, so delectable, one stuffed with many sumptuous sights and sounds.
Incapable of spreading Moreau's passion and sadness to its crime-thriller narrative.
Louis Malle was just 25 when he made this moody piece of Gallic pulp fiction about a girl, a gun and a broken lift.
Great writing, brilliant direction, awesome music... What could go wrong? Easy: smack a ridiculous, insulting to the audience's intelligence ending.
An intelligent thriller that served as an important precursor in the late 1950s to such New Wave classics as Breathless and The Four Hundred Blows.
A stylish noir-ish crime drama boasting, amongst other things, an improvised Miles Davis soundtrack.
| Tomatometer Percentage | Movie |
|---|---|
| 66% 66% | Public Enemies |
| 83% 83% | Harry Potter and the H… |
| 44% 44% | Night at the Museum: B… |
| 75% 75% | Julie & Julia |
| 32% 32% | Terminator Salvation |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
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