A clumsy spoof of Hollywood.
Ellie Parker (2005)
Tomatometer
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Reviews Counted:43
Fresh:22
Rotten:21
Average Rating:5.6/10
Consensus: Despite some poignant commentary about struggling actors and Naomi Watts' inspired performance, Ellie Parker stutters in making the transition from short to feature length.
Theatrical Release:Nov 11, 2005 Limited
Synopsis: Shot on digital video over a period of five years, ELLIE PARKER takes an unfiltered look at the Hollywood people rarely see. An insider's story in many ways, the film should appeal to actors and... Shot on digital video over a period of five years, ELLIE PARKER takes an unfiltered look at the Hollywood people rarely see. An insider's story in many ways, the film should appeal to actors and film-industry people for the way it pokes fun at the entertainment profession. Naomi Watts (MULLHOLLAND DRIVE, 21 GRAMS) throws herself fully into the role of Ellie Parker, an eager young Australian actress trying to break into Hollywood. Often transparent and rarely likeable, Ellie is an all too-realistic example of many striving actors. Changing clothes, applying makeup, and experimenting with various dialects in her car while on the way from one audition to the next, Ellie eagerly transforms herself at a moment's notice for the chance of getting a role. When Ellie finds out that her loser boyfriend (Mark Pellegrino) is cheating on her, she seeks solace in her best friend and fellow actress, Sam (Rebecca Rigg), and an equally hapless new love interest, Chris (Scott Coffey). Through chaotic and unrewarding auditions, hilarious acting exercises, therapy sessions, and messy one-night-stands, Ellie makes misguided but funny attempts to find herself in as dramatic a way as possible. While viewers might like to think of this perversely self-conscious, self-consumed, and shallow character as an anomaly, the film suggests that people like her are, unfortunately, a dime a dozen in Los Angeles. While meant to be funny throughout, ELLIE PARKER is also sad in that Ellie's real life feels even less genuine than her acting. First conceived as a 16-minute short, the film grew into a feature-length project with Watts as producer, and actor Scott Coffey as director. The two worked together on MULLHOLLAND DRIVE, and let that film's main character (also a striving actress)--along with Watts's own experiences--inform their story. [More]
Starring: Naomi Watts, Chevy Chase, Scott Coffey, Mark Pellegrino
Starring: Naomi Watts, Chevy Chase, Scott Coffey, Mark Pellegrino, Keanu Reeves
Director: Scott Coffey
Director: Scott Coffey
Screenwriter: Scott Coffey
Producer: Naomi Watts
Composer: B.C. Smith
Studio: Strand Releasing
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Reviews for Ellie Parker
Ellie Parker has little to recommend it other than Watts' mercurial performance.
Game for almost anything, Watts displays serious comic chops and is, as always, a delight to watch.
There's the germ of a comic idea here, but most of the movie consists of acting-exercise skits that ramble on until they croak.
A film has never been so representative of simultaneous reality than this little "inside" drama. Naomi Watts also shows us how many things a person can do while driving.
Watts, whose memorable audition scene in Mulholland Drive launched her into stardom, makes a glorious mess of herself playing her karmic opposite.
Eventually the energy of the original short runs out and the movie coasts on fumes, but it remains surprisingly enjoyable for all that.
Ellie isn’t a particularly likable character, but thanks to Watts she’s an imminently watchable one. In many ways this is a daring, unforgiving performance.
Watts' performance is brave and jazzy, but Coffey's riffing lacks lasting impact.
While the material wears thin, every minute of this film is a tour-de-force performance.
Watts is alternately annoying, sympathetic and hilarious in the title role. She's always entertaining.
Some films can make the leap from successful short film to a feature movie, and some just come up short.
Like a sputtering career, Ellie Parker pretty much goes nowhere, and it's difficult to imagine that it would be of interest to many beyond the Hollywood community.
This is the movie they should show in college acting classes, instead of tapes of Inside the Actors' Studio.
Watts fans will, of course, want to see Ellie Parker regardless of what I or anyone else say about it.
Naomi Watts delivers a fearless, largely unsympathetic portrayal of the title character as a desperate, unstrung version of herself (an Australian actress with a knack for dialects).
...the stretch to feature length hasn't done the material any favors.
What is pleasant and slight in a short film becomes tedious and insipid when stretched to feature length.
Too often it has the uncomfortable feel of a too-small sweater - - stretched to capacity, still not covering the territory.
| Tomatometer Percentage | Movie |
|---|---|
| 78% 78% | The Hangover |
| 88% 88% | Inglourious Basterds |
| 66% 66% | Public Enemies |
| 24% 24% | G-Force |
| 44% 44% | Night at the Museum: B… |
| Tomatometer Percentage | Movie |
|---|---|
| 90% 90% | District 9 |
| 86% 86% | 500 Days of Summer |
| 63% 63% | Extract |
| 06% 06% | All About Steve |
| 78% 78% | It Might Get Loud |
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