The only reason to see the indulgent, intentionally homemade movie by writer-director Scott Coffey is to be reminded why we aren't actors.
Ellie Parker (2005)
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Reviews Counted:43
Fresh:22
Rotten:21
Average Rating:5.6/10
Consensus: Despite some poignant commentary about struggling actors and Naomi Watts' inspired performance, Ellie Parker stutters in making the transition from short to feature length.
Theatrical Release:Nov 11, 2005 Limited
Synopsis: Shot on digital video over a period of five years, ELLIE PARKER takes an unfiltered look at the Hollywood people rarely see. An insider's story in many ways, the film should appeal to actors and... Shot on digital video over a period of five years, ELLIE PARKER takes an unfiltered look at the Hollywood people rarely see. An insider's story in many ways, the film should appeal to actors and film-industry people for the way it pokes fun at the entertainment profession. Naomi Watts (MULLHOLLAND DRIVE, 21 GRAMS) throws herself fully into the role of Ellie Parker, an eager young Australian actress trying to break into Hollywood. Often transparent and rarely likeable, Ellie is an all too-realistic example of many striving actors. Changing clothes, applying makeup, and experimenting with various dialects in her car while on the way from one audition to the next, Ellie eagerly transforms herself at a moment's notice for the chance of getting a role. When Ellie finds out that her loser boyfriend (Mark Pellegrino) is cheating on her, she seeks solace in her best friend and fellow actress, Sam (Rebecca Rigg), and an equally hapless new love interest, Chris (Scott Coffey). Through chaotic and unrewarding auditions, hilarious acting exercises, therapy sessions, and messy one-night-stands, Ellie makes misguided but funny attempts to find herself in as dramatic a way as possible. While viewers might like to think of this perversely self-conscious, self-consumed, and shallow character as an anomaly, the film suggests that people like her are, unfortunately, a dime a dozen in Los Angeles. While meant to be funny throughout, ELLIE PARKER is also sad in that Ellie's real life feels even less genuine than her acting. First conceived as a 16-minute short, the film grew into a feature-length project with Watts as producer, and actor Scott Coffey as director. The two worked together on MULLHOLLAND DRIVE, and let that film's main character (also a striving actress)--along with Watts's own experiences--inform their story. [More]
Starring: Naomi Watts, Chevy Chase, Scott Coffey, Mark Pellegrino
Starring: Naomi Watts, Chevy Chase, Scott Coffey, Mark Pellegrino, Keanu Reeves
Director: Scott Coffey
Director: Scott Coffey
Screenwriter: Scott Coffey
Producer: Naomi Watts
Composer: B.C. Smith
Studio: Strand Releasing
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Reviews for Ellie Parker
While Coffey occasionally grasps for material to build a feature-length work, it is a truthful, funny testimony to the everyday masquerade of Los Angeles' pose of bohemian cool.
Ellie's story is as old as Hollywood, but Coffey brings to it a fresh, frenzied and often painfully raw vision in which Ellie begins to feel that her personality is as fragmented as life in Los Angeles can be.
Naomi Watts delivers a fearless, largely unsympathetic portrayal of the title character as a desperate, unstrung version of herself (an Australian actress with a knack for dialects).
You don't have to have any actors in your life to get how killingly smart and accurate Ellie Parker is in its depiction of 24/7 navel-gazing, Hollywood-style.
Ellie Parker bounces along on Coffey’s deadpan capture of the no-exit, Hollywood Hills periphery of the movie industry.
What is pleasant and slight in a short film becomes tedious and insipid when stretched to feature length.
A film has never been so representative of simultaneous reality than this little "inside" drama. Naomi Watts also shows us how many things a person can do while driving.
A couple of laughs, a couple of interesting set pieces, a lot of Watts adding to her highlight reel, but when you get right down to it, there's just nothing else.
Ellie Parker stands as definitive proof of Watts' quicksilver talent and self-effacing good-sportsmanship.
| Tomatometer Percentage | Movie |
|---|---|
| 66% 66% | Public Enemies |
| 83% 83% | Harry Potter and the H… |
| 44% 44% | Night at the Museum: B… |
| 75% 75% | Julie & Julia |
| 32% 32% | Terminator Salvation |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
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