A revealing and dryly humorous film about voyeurism and the patient-doctor relationship.

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Empathy (2004)
Tomatometer
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Reviews Counted:14
Fresh:10
Rotten:4
Average Rating:6.2/10
Theatrical Release:Jan 21, 2004 Limited
Synopsis: Combining elements of documentary and narrative with academic playfulness, visual artist Amie Siegel's EMPATHY attempts to shed light on the process of psychoanalysis. Gigi Buffington stars as Lia,... Combining elements of documentary and narrative with academic playfulness, visual artist Amie Siegel's EMPATHY attempts to shed light on the process of psychoanalysis. Gigi Buffington stars as Lia, an intense, neurotic actress whose frustrating relationship with her analyst doesn't provide her with the answers that she is seeking to remedy the confusion in her life. Siegel intercuts Lia's story--which involves an unsympathetic sister, a suicide in a mall, and an awkward attempt to tell her analyst about a sexual dream involving him--with a series of candid interviews with real-life analysts, who offer answers to a series of fascinatingly candid questions. To add to the film's multidimensional post modern coverage of its subject, also included are brief histories of both architect Richard Neutra and the chair, designed by Charles and Ray Eames, which has become the analyst's standard. As the layering of the film progresses, Siegel defies viewers' expectations by inserting footage of actresses other than Buffington auditioning for the role of Lia, and the cast and interview subjects mingling at the film's wrap party. Its indirect approach allows EMPATHY to offer plenty of food for thought on a fascinating subject. [More]
Starring: Gigi Buffington, Aria Knee
Starring: Gigi Buffington, Aria Knee
Director: Amie Siegel
Director: Amie Siegel
Screenwriter: Amie Siegel
Producer: Mark Rance
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Reviews for Empathy
Empathy, despite its entertaining and insightful dialogue, can also be a bore.
An intelligent if shifty riff on the relationship between psychoanalyst and subject.
This odd and fascinating mishmash of fiction, documentary and post-doctoral research project raises a host of interesting questions about the masks people wear, even if it doesn't provide any definitive answers.
Explores a fascinating subject in a self-indulgent and less-than- illuminating manner.
Flows with a certain grace and smoothness, due largely to the sense of psychic mystery projected by a sweet actress, Gigi Buffington.
Siegel's attempt to unveil psychotherapy's strange nostrums for female depression is labyrinthine and intellectually abstruse, more feminist polemic than good filmmaking.
More about schematically posing questions in the form of a film, as opposed to creating something that feels like an actual film.
The nonfiction scenes are most interesting, and could have easily sustained the whole picture.
It's smart, inventive and well-crafted. But as a feature film, it's a novelty item at best.
Saying that Amie Siegel's film about psychoanalysis combines fictional and documentary techniques is a bit misleading, since it deliberately confuses them.
How did watching the movie make me feel? Interested, amused, and um, empathetic.
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