The End of Violence (1997)

Wenders' observations and subtextual commentary about violence in American society are well-served by the nuances of Nicholas Klein's script.

A trama principal se perde em um emaranhado de cenas que, rigorosamente, nada acrescentam ao filme.

A sophisticated and pensive film about a subject that fills contemporary movies and fuels our fantasies.

Las respuestas quedan flotando en el espectador, esperando ser rescatadas y entendidas.

Unique atmosphere, solid performances and profound discussions about the nature of our violent, technology-obsessed society don't add up to enough by the end of the movie.

We're left feeling disappointed that an opportunity to make a fine film was lost.

Consider the paradox: By the end of The End Of Violence, a preposterous film that rails against man's inhumanity toward man, you want to do violence. To the filmmaker.

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