The filmmakers let many scenes linger too long but manage to achieve a sense of realism that occasionally packs dramatic punch. A likable -- not lovable -- Child.
L'Enfant (2006)
Tomatometer
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Reviews Counted:104
Fresh:89
Rotten:15
Average Rating:7.5/10
Consensus: The Dardennes continue to excel at presenting works of rigorous naturalism, with detached observations of authentic characters that nevertheless resonate with complex moral issues.
Theatrical Release:Mar 24, 2006 Limited
Box Office: $420,558
Synopsis: Jean-Pierre and Luc Dardenne present another uncompromising, emotionally devastating depiction of human struggle with THE CHILD. Winner of the Palme d'Or at the 2005 Cannes Film Festival (their... Jean-Pierre and Luc Dardenne present another uncompromising, emotionally devastating depiction of human struggle with THE CHILD. Winner of the Palme d'Or at the 2005 Cannes Film Festival (their second, after 1999's ROSETTA), the film opens just as 20-year-old Bruno (Jeremie Renier) and his 18-year-old girlfriend Sonia (Deborah Francois) have welcomed their first child into the world. A small-time crook with no big-time leads, Bruno decides to sneak away with his son, Jimmy, and sell him for a hefty chunk of money. But when he tries to justify his actions to Sonia, assuring her that they'll have another baby, she collapses in shock. While she recuperates in the hospital, Bruno realizes that he's made a horrendous mistake, and embarks on an impassioned quest to get his son back and redeem himself to Sonia. As in their other fictional feature films, the Dardennes use handheld cinematography, realistic acting, and a music-free soundtrack to create a poetically heightened sense of reality. The result is a supremely humane work of art. Featuring another powerful performance from frequent Dardennes collaborator Renier, THE CHILD also boasts an unforgettable performance from newcomer François, who fills the screen with an honesty rarely seen. [More]
Starring: Jérémie Rénier, Deborah Francois, Fabrizio Rongione, Olivier Gourmet
Starring: Jérémie Rénier, Deborah Francois, Fabrizio Rongione, Olivier Gourmet
Director: Jean-Pierre Dardenne, Luc Dardenne
Director: Jean-Pierre Dardenne, Luc Dardenne
Producer: Denis Freyd
Screenwriter: Jean-Pierre Dardenne, Luc Dardenne
Studio: Sony Pictures Classics
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Reviews for L'Enfant
What interests the Dardennes ... is not only how Bruno became the kind of man who would sell a child as casually as a slab of beef, but also whether a man like this, having committed such a repellent offense, can find redemption.
The slyly generic title of Jean-Pierre and Luc Dardenne’s L’Enfant (The Child) suggests ample room for doubt about who’s the real kid in their new film.
Unlike the great foreign films of old, L'Enfant makes catharsis look easy.
L'Enfant is a forceful, impassioned and unsparing triumph from Jean-Pierre and Luc Dardenne.
Viewers in Europe have swooned, it is said, at this movie’s painful inching toward redemption. Against that, I have to report a slow drip of disappointment.
For all its bleakness, the latest film from the Dardenne brothers offers hope and you'll take away from it how much you have to be thankful for.
An example of how cinema has the power to convince, to move and to compel with the fewest possible material resources.
A gritty fairy tale about repentance that starts out small and gradually grows in power and intensity, as if by magic, until you're feeling as panicked and desperate as its protagonist.
François is heartbreaking in her debut role - here's hoping the Belgian film industry takes note and we see more of her in future.
With Belgian auteurs the Dardenne brothers behind the camera, there are deeper levels to explore in another stark but gripping construction of social realism.
A particularly unlikeable protagonist, the sky-high expectations that come with a Palme d'or and the distinct sensation of "been there, seen that"...
Although it's safe to say that the film is as entertaining as it is distressing, this is bog-standard Dardennes at best, and questionable as a Palme D'or winner.
There was a lot of grumbling after L'Enfant was screened for critics.
Does not present any convincing evidence that Bruno is either so dense or so uncaring as to be remotely capable of selling his son on a whim
Like Spike Lee's 25th Hour, L'Enfant focuses on the redemption of a sinner, but it's debatable whether L'Enfant really earns its teary finale.
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