Opening

63% The Maze Runner Sep 19
65% A Walk Among the Tombstones Sep 19
43% This Is Where I Leave You Sep 19
82% Tracks Sep 19
93% The Guest Sep 17

Top Box Office

11% No Good Deed $24.3M
70% Dolphin Tale 2 $15.9M
92% Guardians of the Galaxy $8.1M
19% Teenage Mutant Ninja Turtles $4.9M
20% Let's Be Cops $4.4M
88% The Drop $4.1M
37% If I Stay $3.9M
35% The November Man $2.8M
35% The Giver $2.6M
67% The Hundred-Foot Journey $2.4M

Coming Soon

67% The Equalizer Sep 26
72% The Boxtrolls Sep 26
84% The Two Faces of January Sep 26
—— Two Night Stand Sep 26
91% Jimi: All Is by My Side Sep 26

Premieres Tonight

100% The Good Wife: Season 6
58% Madam Secretary: Season 1
—— Miss Marple: Season 6

New Episodes Tonight

—— American Dad!: Season 11
87% Boardwalk Empire: Season 5
53% The Lottery: Season 1
89% Manhattan: Season 1
97% Masters of Sex: Season 2
78% Ray Donovan: Season 2
87% The Strain: Season 1
—— Witches of East End: Season 2

Discuss Last Night's Shows

91% Doctor Who: Season 8
—— Hell on Wheels: Season 4
40% Intruders: Season 1
90% Outlander: Season 1

Erin Brockovich Reviews

Page 1 of 9
Roger Ebert
Chicago Sun-Times
Top Critic IconTop Critic

The film lacks focus and energy, the character development is facile and thin, and what about those necklines?

Full Review Source: Chicago Sun-Times | Original Score: 2/4

January 1, 2000
Garth Franklin
Dark Horizons

Full Review Source: Dark Horizons | Original Score: 5/10

October 30, 2001
Jim Lane
Sacramento News & Review

The film never builds any dramatic momentum.

Full Review Source: Sacramento News & Review | Original Score: 5/5

January 1, 2000
Joe Lozito
Big Picture Big Sound

Full Review Source: Big Picture Big Sound | Original Score: 2.5/4

July 14, 2007
Bob Bloom
rec.arts.movies.reviews

Full Review Source: rec.arts.movies.reviews | Original Score: 2.5/4

January 1, 2000
Jeanne Aufmuth
Palo Alto Weekly

Erin Brockovich strikes out.

| Original Score: 7/10

January 1, 2000
Dennis Schwartz
Ozus' World Movie Reviews

A feel good, old-fashioned (except for all the cuss words), liberal message movie for the people ...

Full Review Source: Ozus' World Movie Reviews | Original Score: C+

January 1, 2000
A.O. Scott
New York Times
Top Critic IconTop Critic

Not only is every plot development signaled far in advance, but nearly every scene in the film's long second section rings a variation of one of two themes: 1) Julia Roberts tells somebody off, or 2) Julia Roberts feels somebody's pain.

Full Review Source: New York Times | Original Score: 3/5

January 1, 2000
Michael Atkinson
Mr. Showbiz
Top Critic IconTop Critic

Before long, the character simply becomes irritating.

January 1, 2000
Robert Wilonsky
New Times

It's the first Steven Soderbergh film to smack of work for hire.

January 1, 2000
Chuck Rudolph
Matinee Magazine

It is not a movie, but a collection of scenes that serve one purpose only: to justify Julia Roberts as a movie star.

Full Review Source: Matinee Magazine | Original Score: F

March 19, 2001
Eugene Novikov
Film Blather

The movie gets bogged down in a trite legal plot.

Full Review Source: Film Blather | Original Score: 7/10

January 1, 2000
Dustin Putman
DustinPutman.com

Archive Review -- I'd probably rate it much higher now.

Full Review Source: DustinPutman.com | Original Score: 2/4

January 1, 2000
Harvey S. Karten
Compuserve

A feel-good film with all the numbing predictability movie-goers seem to demand.

Full Review Source: Compuserve | Original Score: 6/10

January 1, 2000
Elizabeth Weitzman
Film.com
Top Critic IconTop Critic

It's not that this is lousy entertainment, it's just that it's a Serious Topic given unnecessary Celebrity Sheen.

January 1, 2000
Cynthia Fuchs
Nitrate Online

Remember Michelle Pfeiffer in Frankie and Johnny, how ridiculously unresilient she looked in her waitress uniform? Erin is no more believable.

Full Review Source: Nitrate Online

January 1, 2000
Frank Swietek
One Guy's Opinion

Erin Brockovich is pretty pat and predictable stuff.

Full Review Source: One Guy's Opinion | Original Score: C

January 1, 2000
Yazmin Ghonaim
Cinephiles

The film exploits Julia Roberts' role as a 'pretty woman,' whose prettiness is toyed with by the awful --yet eye-catching-- clothes she wears, and which glamorizes the character's less exciting qualities that drive the story.

Full Review Source: Cinephiles

January 1, 2000
Steve Simels
TV Guide's Movie Guide

Ultimately the story seems rather slight.

Full Review Source: TV Guide's Movie Guide | Original Score: 2.5/5

January 1, 2000
Tom Block
culturevulture.net

Jimmy Stewart in a see-through blouse.

Full Review Source: culturevulture.net | Original Score: 3/10

January 1, 2000
Sam Adams
Philadelphia City Paper
January 1, 2000
Joe Baltake
Sacramento Bee
January 1, 2000
Emily Blunt
Blunt Review
January 1, 2000
Rich Cline
Shadows on the Wall
December 10, 2001
Betty Jo Tucker
ReelTalk Movie Reviews
August 2, 2002
Robin Clifford
Reeling Reviews
April 9, 2005
Jeff Strickler
Minneapolis Star Tribune
Top Critic IconTop Critic
November 6, 2002
Jean Lowerison
San Diego Metropolitan
October 21, 2002
Kevin N. Laforest
Montreal Film Journal
September 10, 2002
Urban Cinefile Critics
Urban Cinefile
March 21, 2001
Beth Jones
Roanoke Times (Virginia)
May 28, 2003
Mark Freeman
Critical Eye

February 14, 2001
Peter Rainer
New York Magazine/Vulture
Top Critic IconTop Critic
January 1, 2000
January 1, 2000
Gary Brown
Houston Community Newspapers
January 1, 2000
Glenn Kenny
Premiere Magazine
September 10, 2001
Andrew O'Hehir
Sight and Sound
December 2, 2002
Andrew Sarris
New York Observer
Top Critic IconTop Critic
April 27, 2007

Empire Magazine
January 1, 2000

Empire Magazine
January 1, 2000
Page 1 of 9
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