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Escape to Life: The Erika and Klaus Mann Story (2002)
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Reviews Counted:7
Fresh:2
Rotten:5
Average Rating:4.1/10
Rated: Not Rated
Genre: Education/General Interest
Synopsis: This portrait of Erika Mann and Klaus Mann, the two openly gay oldest siblings of German writer Thomas Mann (DEATH IN VENICE) follows them from childhood through adulthood in the mid-1900s. They... This portrait of Erika Mann and Klaus Mann, the two openly gay oldest siblings of German writer Thomas Mann (DEATH IN VENICE) follows them from childhood through adulthood in the mid-1900s. They both were writers, antifascists, and cabaret performers and were nearly inseparable, having such a close bond that they often told people they were twins. When Hitler took power, Erika and Klaus moved to the United States where they continued to write. During this time, Erika began to do most of her antifascist work, which eventually took her to England. Klaus started a literary journal, which featured the writings of his father and other illustrious intellectuals of the time. But Klaus's battle with drug abuse was a losing one and he spent many years disillusioned and depressed. In his forties, he committed suicide, shaken to the point of surrender by the Fascist movement in Germany. Through dramatic reenactments, never-before-seen interviews with Erika, archival footage, original screen performances by Erika, and anecdotes by friends and family, ESCAPE TO LIFE offers a tribute to two extraordinary individuals and a family of historically influential artists. [More]
Starring: Vanessa Redgrave, Corin Redgrave
Starring: Vanessa Redgrave, Corin Redgrave
Director: Andrea Weiss, Wieland Speck
Director: Andrea Weiss, Wieland Speck
Producer: Greta Schiller
Composer: John Eacott
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Reviews for Escape to Life: The Erika and Klaus Mann Story
Weiss and Speck capture the rich, turbulent tapestry of the Manns’ lives.
Weiss and Speck never make a convincing case for the relevance of these two 20th-century footnotes.
An interesting, if not entirely successful, biography of two extraordinary personalities.
Why make a documentary about these marginal historical figures? Wouldn't one about their famous dad, author of Death in Venice, etc., be more valuable?
The re- enactments, however fascinating they may be as history, are too crude to serve the work especially well.
It's a bad sign when you're rooting for the film to hurry up and get to its subjects' deaths just so the documentary will be over, but it's indicative of how uncompelling the movie is unless it happens to cover your particular area of interest.
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