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Esther Kahn (2002)
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Reviews Counted:24
Fresh:12
Rotten:12
Average Rating:5.5/10
Theatrical Release:Mar 1, 2002 Limited
Synopsis: Summer Phoenix plays a young woman experiencing a crushing and belated coming of age in the Arnaud Desplechin's psychological period film, ESTHER KAHN. Phoenix is devastatingly opaque as Esther--a... Summer Phoenix plays a young woman experiencing a crushing and belated coming of age in the Arnaud Desplechin's psychological period film, ESTHER KAHN. Phoenix is devastatingly opaque as Esther--a young girl raised among the poor Jewish tailors of London's East End. Her cramped and compromised youth has left her cold and distant, unable to express any emotions. But when she attends a popular theater production, Esther is thunderstruck by the deep feelings that the performance stirs within her and immediately sets out to become an actress. Her quick success brings Esther into the complex and convoluted world of the theater, where she encounters a helpful aging actor (Ian Holm) who, in teaching her how to act, teaches her how to live. Haygard, a perfidious playwright, becomes momentarily captivated by Esther's strange allure and odd blankness, and in addition to becoming her lover, he secures her a prestigious role in a production of Ibsen's HEDDA GABLER. Stunned and shocked when Haygard abandons her on the eve of the play's opening, Esther has a panic-filled and heart-wrenching epiphany, as twenty years worth of unlived life come tumbling down on her. Desplechin's difficult film about a difficult character carries mysterious and compelling emotional impact in its portrayal a woman who missed out on her life. [More]
Starring: Summer Phoenix, Ian Holm, Fabrice Desplechin, Frances Barber
Starring: Summer Phoenix, Ian Holm, Fabrice Desplechin, Frances Barber, Laszlo Szabo, Emmanuelle Devos, Akbar Kurtha, Kika Markham, Anton Lesser
Director: Arnaud Desplechin
Director: Arnaud Desplechin
Screenwriter: Arnaud Desplechin, Emmanuel Bourdieu
Composer: Howard Shore
Studio: Empire Pictures
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Reviews for Esther Kahn
if you are an actor who can relate to the search for inner peace by dramatically depicting the lives of others onstage, then Esther's story is a compelling quest for truth.
Confounding because it solemnly advances a daringly preposterous thesis. Acting cannot be acted.
Attempting to determine whether the offstage trauma that she’s undergoing is genuine or an extreme form of method acting becomes the film’s dramatic crux, and it’s more than enough to hold the viewer’s attention
What makes Esther Kahn so demanding is that it progresses in such a low-key manner that it risks monotony. But it's worth the concentration.
The good stuff gets suffocated under the self-indulgent pace and needless length.
The problem is that rather than dramatizing this premise, Mr. Desplechin is content to state it.
Ms. Phoenix is completely lacking in charm and charisma, and is unable to project either Esther’s initial anomie or her eventual awakening.
A particularly joyless, and exceedingly dull, period coming-of-age tale.
Like its title character, Esther Kahn is unusual but unfortunately also irritating.
An ambitious, serious film that manages to do virtually everything wrong; sitting through it is something akin to an act of cinematic penance.
| Tomatometer Percentage | Movie |
|---|---|
| 36% 36% | Angels & Demons |
| 25% 25% | Four Christmases |
| 68% 68% | Funny People |
| 95% 95% | Star Trek |
| 14% 14% | The Ugly Truth |
| Tomatometer Percentage | Movie |
|---|---|
| 32% 32% | Terminator Salvation |
| 44% 44% | Night at the Museum: B… |
| 86% 86% | A Christmas Tale |
| 60% 60% | Paper Heart |
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