Synopsis: Barbers Colm (Barry McEvoy) and George (Brian F. O'Byrne) think they've hit the big time when they take over the only existing Northern Ireland hairpiece franchise from a Bible-toting lunatic (Billy Connolly) who has been admitted to the asylum in which they work. As a Catholic and a... Barbers Colm (Barry McEvoy) and George (Brian F. O'Byrne) think they've hit the big time when they take over the only existing Northern Ireland hairpiece franchise from a Bible-toting lunatic (Billy Connolly) who has been admitted to the asylum in which they work. As a Catholic and a Protestant working together, Colm and George think that they'll be able to serve bald men of both ilks, and will have the market conquered. But selling toupees isn't as easy as they think. To make matters worse, they have to contend with deadbeats, the IRA, the British Army, and, worst of all, a competitor--Toupee or Not Toupee--that threatens their exclusivity agreement. When their wig supplier pits Colm and George--who've deemed themselves The Piece People--against Toupee or Not Toupee to see who can sell the most hairpieces and win the Northern Ireland franchise, the race is on for clients. Bronagh (Anna Friel), Colm's feisty girlfriend, develops a creative sales plan that leads to both political and moral decisions for the partners. Despite its humor, Barry McEvoy's script incorporates the tensions felt between Catholics and Protestants in the 1980s. Barry Levinson's direction evokes the spirit and nostalgia of his Baltimore trilogy, which includes DINER, AVALON, and TIN MEN. [More]