It's more clever than smart, but Paul Fox directs with the same easygoing attitude of its slacker hero...
Everything's Gone Green (2007)
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Reviews Counted:35
Fresh:24
Rotten:11
Average Rating:6.6/10
Consensus: Set in beautifully photographed Vancouver, Everything's Gone Green is a winsome coming-of-age tale, thanks to a deft script by Douglas Coupland.
Rated: R [See Full Rating] for some language, sexual material, and drug content.
Runtime: 1 hr 35 mins
Genre: Comedies
Theatrical Release:Apr 13, 2007 Limited
Synopsis: Paulo Costanzo ("40 DAYS AND 40 NIGHTS", "ROAD TRIP", "JOEY") stars as Ryan, a twentysomething uberslacker who is nonetheless willing to fall into accidental success. After losing his job the same... Paulo Costanzo ("40 DAYS AND 40 NIGHTS", "ROAD TRIP", "JOEY") stars as Ryan, a twentysomething uberslacker who is nonetheless willing to fall into accidental success. After losing his job the same day he is dumped by his yuppie girlfriend, Ryan gets a dispiriting job with a tacky lottery magazine, photographing winners and writing their stories. In a Mandarin language class Ryan is taking for work, he meets and is immediately smitten by the lovely Ming (Steph Song). Ming, unfortunately, is currently involved with a fast-talking scammer, Bryce (JR Bourne). Bryce spots a money-laundering scheme involving the new lottery winners and Ryan soon launches himself into the lifestyle of the suddenly rich and not-otherwise-likely-to-be-famous. Soon, and without a lot of thought, Ryan has got the sports car and leather jacket of moneyed youth -- something that puts him at odds with Ming ,the beautiful set-dresser from class, who just so happens to be in the process of breaking up with Bryce. All Ryan needs to do is convince Ming how different he is from Bryce, which proves a bit harder than ever expected. "EVERYTHING’S GONE GREEN" comically illustrates how hard it is to know what’s real in a world filled with fabrication and hidden agendas. This film marks the first screenplay written by the acclaimed Douglas Coupland. -- © First Independent Pictures [More]
Starring: Paulo Costanzo, Peter Kelamis, Seph Song, Susan Hogan
Starring: Paulo Costanzo, Peter Kelamis, Seph Song, Susan Hogan, Tom Butler, Aiden Devine, J.R. Bourne, Gordon Michael Woolvett, Katherine Isabelle, Tara Wilson
Director: Paul Fox
Director: Paul Fox
Screenwriter: Douglas Coupland
Producer: Chris Nanos, Henrik Meyer, Elizabeth Yake
Studio: First Independent Pictures
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Reviews for Everything's Gone Green
Appealing performances by Costanzo and Song, with comic support from Ryan’s entrepreneurial parents and Ming’s knife-wielding granny, guide us over the rough patches.
A charming disappointment that retains the elements that make the writer's novels so good without ever bending them into cinematic shape.
Everything's Gone Green just barely hangs there in that low-watt Canadian film world deadpan.
In trying to mock the yuppie subculture by poking fun at people who become obsessed with grass grow-ops and pyramid schemes, Fox shoehorns Coupland's generalizations into a lame character comedy.
Coupland and Fox do a nimble job of incorporating seemingly tangential points that are deceptively relevant to the larger issues.
If the picture secretly hopes to supply viewers with the kind of epiphany its characters seek, it falls short, staying instead on turf tread in many other good-hearted festival films before it. Within that arena though, it holds its own.
Pic is seasoned with fine perfs by JR Bourne as a charismatic, creepy hustler and Steph Song as Constanzo's sexy potential love interest.
Too many cute anecdotes prevent it from rising above the throwaway ethos the real Generation X left behind nearly a decade ago when it abruptly got over itself.
Layered with odd ideas, cultural references, snappy dialogue, dreamy visuals and charming characters, all of which add to up a refreshingly unironic look at love, life and the desire to just be.
A gorgeous location, involving characters, and stellar wit add up to one crackerjack comedy.
The blandness of director Paul Fox's execution leaves much to be desired.
[Actor] Costanzo is an appealing and likable young actor who carries the film easily; he gives the impression that he is thinking deeply and mildly amused.
Gives the audience some fine eye candy, but Douglas Coupland's first foray into the realm of writing for the screen offers little else to recommend it.
The story -- a guy (Paulo Costanzo) who works for the lottery gets mixed up in money laundering -- is slight, but an appealing cast and lots of scenic leafery make Green feel fresh.
The film exists in that familiar Douglas Coupland never never land populated by twentysomethings facing cubicle farms and shoddy romances revealed under quasi-Ikea lamps.
Far more pleasant than having your teeth cleaned but less memorable, Everything's Gone Green is a nice diversion that will get you thinking - about booking a flight to British Columbia.
Minor pleasures don't come close to compensating for a bloodless film that aims for wry but leaves you merely asking 'why?'
The movie is least successful during literal-minded debates about who's corrupt and who isn't. But Mr. Coupland's screenplay of polarities also makes worthwhile stops to smell the surrealism.
Paul Fox's direction has a deft ease and comic apprehension which serves the material beautifully, as well as the cast.
Latest News for Everything's Gone Green
April 12, 2007:
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