Exit Wounds - Movie Reviews - Rotten Tomatoes

Exit Wounds Reviews

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Top Critic
Roger Moore
Orlando Sentinel
March 16, 2001
This film is not just bad, not just a bomb, but a corporate disaster.
Nell Minow
Movie Mom at Yahoo! Movies
March 16, 2001
Steven Seagal is definitely in 'Fat Elvis' mode.
| Original Score: 2/5
Nell Minow
Common Sense Media
December 24, 2010
Very violent honest-cop corruption story.
Full Review | Original Score: 2/5
Scott Weinberg
eFilmCritic.com
October 10, 2001
Steven Seagal is funnier by accident than most comedians are on purpose.
Full Review | Original Score: 3/10
Eric D. Snider
EricDSnider.com
March 19, 2001
It's not unbearably stupid like some entries in the genre, but neither is it the least bit original or inventive.
Full Review | Original Score: C
Top Critic
Todd McCarthy
Variety
March 16, 2001
It doesn't take long to see that Seagal has not spent his layoff getting buff and into fighting trim.
Jim Lane
Sacramento News & Review
March 19, 2001
Seagal is back again, continuing his dedicated quest to make the most brutal, brain-dead, barbaric movies of all time.
Full Review | Original Score: 1/5
Bob Bloom
rec.arts.movies.reviews
January 1, 2000
Full Review | Original Score: 1/4
Carlo Cavagna
AboutFilm.com
September 28, 2001
the action scenes are crisp and keep the film chugging along
Full Review | Original Score: C+
John J. Puccio
Movie Metropolis
September 30, 2001
Seagal is...just as quiet, just as tough, just as slow and methodical, and just as weird as ever.
| Original Score: 4/10
Top Critic
Glenn Lovell
San Jose Mercury News
March 20, 2001
Exit Wounds is really a succession of street fights, explosions, car chases and helicopter rescues in search of a plot.
Top Critic
Wesley Morris
San Francisco Chronicle
March 20, 2001
There's no story here. The film is all about the grisly, electric mayhem that ensues when these two guys hit the streets.
Full Review | Original Score: 1/4
Paul Clinton (Boxoffice)
Boxoffice Magazine
March 27, 2001
[Seagal] is still stuck in his automaton martial-arts persona.
Jim Judy
Screen It!
March 20, 2001
The film may offer enough loud mayhem and onscreen activity to prevent a good, ninety-some minute nap, but it's otherwise just another redundant and mediocre film that steadily gets worse the further along it progress.
Chuck Rudolph
Matinee Magazine
August 29, 2001
May have helped the Buddha-like Seagal get back on the right path, career-wise, but I ask everyone--is that really a good thing?
Full Review | Original Score: short
John R. McEwen
Film Quips Online
February 8, 2003
Full Review | Original Score: 2.5/5
Dustin Putman
TheFilmFile.com
January 1, 2000
While not what one would exactly call 'action-packed,' there are several scenes that are edited and directed with such energy, it's a shame the rest of the movie is so very bad.
Full Review | Original Score: 1.5/4
Jean Lowerison
San Diego Metropolitan
October 21, 2002
It's rumored the actors were paid for this. You don't need to.
Harry Guerin
RTE Interactive (Dublin, Ireland)
February 26, 2003
With a plot that can be roughly described as Serpico for people who never outgrew The A-Team, Seagal beats and bangs up Detroit single-handedly.
Full Review | Original Score: 1/5
July 23, 2001
| Original Score: 2.5/4
Joe Baltake
Sacramento Bee
October 30, 2001
Emily Blunt
Blunt Review
March 20, 2001
Rich Cline
Shadows on the Wall
December 10, 2001
Urban Cinefile Critics
Urban Cinefile
April 27, 2001
Cynthia Fuchs
Nitrate Online
March 22, 2001
Seagal may make a few more comeback films before he's done. But Dark Man X has arrived.
Robert W. Butler
Kansas City Star
April 12, 2001
Alexander Walker
This is London
April 27, 2001
Marjorie Baumgarten
Anchorage Press
June 11, 2001
Top Critic

Chicago Tribune
May 8, 2001

Deseret News, Salt Lake City
October 30, 2001

Boston Phoenix
March 24, 2002
Top Critic

Atlanta Journal-Constitution
June 19, 2002
Top Critic

Time Out
January 26, 2006
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