Opening

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62% A Walk Among the Tombstones Sep 19
44% This Is Where I Leave You Sep 19
83% Tracks Sep 19
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Top Box Office

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88% The Drop $4.1M
37% If I Stay $3.9M
36% The November Man $2.8M
34% The Giver $2.6M
67% The Hundred-Foot Journey $2.4M

Coming Soon

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71% The Boxtrolls Sep 26
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—— Two Night Stand Sep 26
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Certified Fresh TV

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97% Masters of Sex: Season 2
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87% The Strain: Season 1
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Exit Wounds Reviews

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Roger Moore
Orlando Sentinel
Top Critic IconTop Critic

This film is not just bad, not just a bomb, but a corporate disaster.

March 16, 2001
Nell Minow
Movie Mom at Yahoo! Movies

Steven Seagal is definitely in 'Fat Elvis' mode.

| Original Score: 2/5

March 16, 2001
Nell Minow
Common Sense Media

Very violent honest-cop corruption story.

Full Review Source: Common Sense Media | Original Score: 2/5

December 24, 2010
Scott Weinberg
eFilmCritic.com

Steven Seagal is funnier by accident than most comedians are on purpose.

Full Review Source: eFilmCritic.com | Original Score: 3/10

October 10, 2001
Eric D. Snider
EricDSnider.com

It's not unbearably stupid like some entries in the genre, but neither is it the least bit original or inventive.

Full Review Source: EricDSnider.com | Original Score: C

March 19, 2001
Todd McCarthy
Variety
Top Critic IconTop Critic

It doesn't take long to see that Seagal has not spent his layoff getting buff and into fighting trim.

Full Review Source: Variety

March 16, 2001
Jim Lane
Sacramento News & Review

Seagal is back again, continuing his dedicated quest to make the most brutal, brain-dead, barbaric movies of all time.

Full Review Source: Sacramento News & Review | Original Score: 1/5

March 19, 2001
Bob Bloom
rec.arts.movies.reviews

Full Review Source: rec.arts.movies.reviews | Original Score: 1/4

January 1, 2000
Carlo Cavagna
AboutFilm.com

the action scenes are crisp and keep the film chugging along

Full Review Source: AboutFilm.com | Original Score: C+

September 28, 2001
John J. Puccio
Movie Metropolis

Seagal is...just as quiet, just as tough, just as slow and methodical, and just as weird as ever.

| Original Score: 4/10

September 30, 2001
Glenn Lovell
San Jose Mercury News
Top Critic IconTop Critic

Exit Wounds is really a succession of street fights, explosions, car chases and helicopter rescues in search of a plot.

March 20, 2001
Wesley Morris
San Francisco Chronicle
Top Critic IconTop Critic

There's no story here. The film is all about the grisly, electric mayhem that ensues when these two guys hit the streets.

Full Review Source: San Francisco Chronicle | Original Score: 1/4

March 20, 2001
Paul Clinton (Boxoffice)
Boxoffice Magazine

[Seagal] is still stuck in his automaton martial-arts persona.

Full Review Source: Boxoffice Magazine

March 27, 2001
Jim Judy
Screen It!

The film may offer enough loud mayhem and onscreen activity to prevent a good, ninety-some minute nap, but it's otherwise just another redundant and mediocre film that steadily gets worse the further along it progress.

Full Review Source: Screen It!

March 20, 2001
Chuck Rudolph
Matinee Magazine

May have helped the Buddha-like Seagal get back on the right path, career-wise, but I ask everyone--is that really a good thing?

Full Review Source: Matinee Magazine | Original Score: short

August 29, 2001
John R. McEwen
Film Quips Online

Full Review Source: Film Quips Online | Original Score: 2.5/5

February 8, 2003
Dustin Putman
DustinPutman.com

While not what one would exactly call 'action-packed,' there are several scenes that are edited and directed with such energy, it's a shame the rest of the movie is so very bad.

Full Review Source: DustinPutman.com | Original Score: 1.5/4

January 1, 2000
Jean Lowerison
San Diego Metropolitan

It's rumored the actors were paid for this. You don't need to.

Full Review Source: San Diego Metropolitan

October 21, 2002
Harry Guerin
RTE Interactive (Dublin, Ireland)

With a plot that can be roughly described as Serpico for people who never outgrew The A-Team, Seagal beats and bangs up Detroit single-handedly.

Full Review Source: RTE Interactive (Dublin, Ireland) | Original Score: 1/5

February 26, 2003

| Original Score: 2.5/4

July 23, 2001
Joe Baltake
Sacramento Bee
October 30, 2001
Emily Blunt
Blunt Review
March 20, 2001
Rich Cline
Shadows on the Wall
December 10, 2001
Urban Cinefile Critics
Urban Cinefile
April 27, 2001
Cynthia Fuchs
Nitrate Online

Seagal may make a few more comeback films before he's done. But Dark Man X has arrived.

Full Review Source: Nitrate Online

March 22, 2001
Robert W. Butler
Kansas City Star
April 12, 2001
Alexander Walker
This is London
April 27, 2001
Marjorie Baumgarten
Anchorage Press

June 11, 2001

Chicago Tribune
Top Critic IconTop Critic
May 8, 2001

Deseret News, Salt Lake City
October 30, 2001

Boston Phoenix
March 24, 2002

Atlanta Journal-Constitution
Top Critic IconTop Critic
June 19, 2002

Time Out
Top Critic IconTop Critic
January 26, 2006
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