Eyes Wide Shut (1999)
Average Rating: 7.3/10
Reviews Counted: 122
Fresh: 94 | Rotten: 28
Kubrick's intense study of the human psyche yields an impressive cinematic work.
Average Rating: 6.6/10
Critic Reviews: 28
Fresh: 19 | Rotten: 9
Kubrick's intense study of the human psyche yields an impressive cinematic work.
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Average Rating: 2.9/5
User Ratings: 163,641
Movie Info
The final work of legendary director Stanley Kubrick, who died within a week of completing the edit, stars Tom Cruise and Nicole Kidman, at the time Hollywood's most bankable celebrity couple, and was shot on a open-ended schedule (finally totaling over 400 days), with closed sets in London standing in for New York City. Cruise and Kidman play William and Alice Harford, a physician and a gallery manager who are wealthy, successful, and travel in a sophisticated social circle; however, a certain
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Cast
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Tom Cruise
William Harford -
Nicole Kidman
Alice Harford -
Sydney Pollack
Victor Ziegler -
Todd Field
Nick Nightingale -
Marie Richardson
Marion -
Rade Serbedzija
Milich -
Vinessa Shaw
Domino -
Alan Cumming
Desk Clerk -
Sky Dumont
Sandor Szavost -
Fay Masterson
Sally -
Leelee Sobieski
Milich's Daughter -
Thomas Gibson
Carl -
Louise J. Taylor
Gayle -
Stewart Thorndike
Nuala -
Julienne Davis
Mandy -
Carmela Marner
Waitress at Gillespie's -
Peter Benson
Bandleader -
Michael Doven
Zielger's Secretary -
Togo Igawa
Japanese Man #1 -
Eiji Kusuhara
Japanese Man #2 -
Leslie Lowe
Illona -
Angus MacInnes
Gateman #1 -
Leon Vitali
Red Cloak -
Phil Davies
Stalker -
Sam Douglas
Cab Driver -
Brian W. Cook
Tall Butler -
Clark Hayes
Hospital Receptionist -
Jackie Sawiris
Roz -
Randall Paul
Harris -
Lisa Leone
Lisa -
Kevin Connealy
Lou Nathanson -
Mariana Hewett
Rosa -
Dan Rollman
Rowdy College Kid #1 -
Gavin Perry
Rowdy College Kid #2 -
Chris Paré
Rowdy College Kid #3 -
Adam Lias
Rowdy College Kid #4 -
Christian Clarke
Rowdy College Kid #5 -
Kyle Whitcombe
Rowdy College Kid #6 -
Gary Goba
Naval Officer -
Florian Windorfer
Maitre D' -- Cafe Sonat... -
Abigail Good
Mysterious Woman -
Cindy Dolenc
Girl at Sharky's -
Treva Etienne
Morgue Orderly -
Colin Angus
Masked Party Goer -
Karla Ashley
Masked Party Goer -
Kathryn Charman
Masked Party Goer -
James Demaria
Masked Party Goer -
Anthony Desergio
Masked Party Goer -
Janie Dickens
Masked Party Goer -
Laura Fallace
Masked Party Goer -
Vanessa Fenton
Masked Party Goer -
Georgina Finch
Masked Party Goer -
Peter Godwin
Masked Party Goer -
Joanna Heath
Masked Party Goer -
Lee Henshaw
Masked Party Goer -
Ateeka Poole
Masked Party Goer -
Adam Pudney
Masked Party Goer -
Sharon Quinn
Masked Party Goer -
Ben De Sausmarcz
Masked Party Goer -
Emma Lou Sharratt
Masked Party Goer -
Paul Spelling
Masked Party Goer -
Dan Travers
Masked Party Goer -
Russell Trigg
Masked Party Goer -
Kate Whalin
Masked Party Goer -
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Matthew Thompson
Masked Party Goer -
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All Critics (125) | Top Critics (28) | Fresh (94) | Rotten (28) | DVD (37)
I don't know how a director whose central theme is the loss of humanity can be so uninterested in the minutiae of human speech and behavior.
A riveting, thematically probing, richly atmospheric and just occasionally troublesome work, a deeply inquisitive consideration of the extent of trust and mutual knowledge possible between a man and a woman.
I kept my eyes wide open all through Eyes Wide Shut and saw more control-freak unreality than visual genius around the edges of the cluttered compositions.
Finally, however, it's just a cautionary tale about some very mild, old-fashioned erotic fantasies.
Kubrick, exactly in character, has left us as the unchallengeable champion of the enigma.
As it rambles on, it makes less and less of the material, rather than more.
Disturbing and completely inappropriate for kids.
Slow, repetitious and conventional, Kubrick's last film has some good moments but does not live up to the hype and occupies a mid-level position in an otherwise brilliant career.
Kubrick's final film is a virtuoso study of looking and imagining, one that implicates the audience in the act of coveting.
Misunderstood as a psychosexual thriller, Stanley Kubrick's final film is actually more of an acidic comedy about how Tom Cruise fails to get laid.
As you'd expect from Kubrick, this is a cerebral film that works on several levels--the illusory, the real, the ethereal and everything that falls in between.
An unqualified masterpiece from a master whose death marked the end of an era.
Like all Kubrick's films, this one will take time, and multiple viewings, to yield up its full meaning and resonance.
In the end, it is unclear what Mr. Kubrick was attempting to convey with Eyes Wide Shut.
What's the biggest surprise of Eyes Wide Shut? It would be that Kubrick has nearly made a David Lynch movie.
Moviegoers expecting typically crowd-pleasing Tom Cruise fare may come away disappointed, but fans of Kubrick's unique style will, over time, find plenty to admire.
It's the last work we'll ever see by a filmmaker who gave us so much in the dozen films he created over nearly five decades of filmmaking.
I found it brilliantly executed and haunting, like most of Kubrick's work.
No one familiar with the cold precision of Kubrick's work will be surprised that this isn't the steamy erotic thriller a synopsis (or the ads) might suggest.
There is a lot of frustrating, rough going in this supremely controlled and visually enticing enterprise. Still, it is Kubrick, and confused intensity from this director is a better bet than nearly anyone else's best work.
Audience Reviews for Eyes Wide Shut
Yes, it was ms-marketed, and sure, Eyes Wide Shut may not be as profound as some of his masterworks, but it's still a pretty good film in its own right. At its core it's about the bonds of marriage and the challenge of achieving real intimacy. The sexual politics aside (which one can right an entire essay on), this film is one of the more penetrating (bad pun, I know) and creative exposes on the classic bored and wealthy upper-class trying to find true meaning in their lives. And let's not forget, this is Stanley Kubrick at the helm and he hadn't lost his touch: the compositions were spellbinding; the lighting both stylized and natural were endlessly intriguing and added so much to his character's development; his long shots and dissolves were staged with meticulous detail. Also, I'd be remiss if I didn't mention the show-stopping, eerily ritualistic upper crust orgy scene -- everything from the mood lighting, to the cold and unemotional mansion that hosted the event, to the cloaks and masks, to the invasive music is endlessly fascinating and surreal, and as good as anything Kubrick has ever done.
The criticisms, though, do persist. Some of pointed out that the film is cheaply sexually exploitative, that only the women are nude and they are nothing more than sexual objects. Well, yes, but the film is quite pointedly a trip through a fairly conventional man's sexual unconscious and necessarily told from a male point of view. None of these things should come as a surprise. Moreover, much like Steve McQueen's masterful study of sexual addiction, Shame, I found Eyes Wide Shut to be remarkably asexual. Sex is power, nothing less and nothing more. It's powerful in the way dreams can almost destroy a marriage, and it's powerful as a reinforcement of class stratification. As far as lead characters go, maybe Bill Hartford (Cruise) isn't complex as Humbert Humbert or Jack Torrance, but isn't that the point? Eyes Wide Shut isn't so much about one man's mental illness or psychotic breakdown, it's about how all of us -- our projections and insecurities manifested. To that end, Eyes Wide Shut is an effective swan song to Kubrick's llife and magnificent career.
Super Reviewer
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- Alice Harford: I do love you and you know there is something very important we need to do as soon as possible.
- William Harford: What's that?
- Alice Harford: Fuck.
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- Red Cloak: [pleasantly] Please, step forwards. May I have the password?
- William Harford: Fidelio
- Red Cloak: That's correct, sir! That is the password... for admittance. But may I ask, what is the password... for the house?
- William Harford: The password for the house?
- Red Cloak: Yes.
- William Harford: I'm sorry... I seem to... have forgotten it.
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- Red Cloak: That's unfortunate! Because here, it makes no difference... whether you have forgotten it... or if you never knew it. You will kindly remove your mask. [Bill removes his mask. The red cloaked cult leader continues talking in a pleasant tone] Now get undressed.
- William Harford: [nervously] Get... undressed?
- Red Cloak: [sternly] Remove your clothes.
- William Harford: Uh... gentlemen, please
- Red Cloak: Remove your clothes... or would you like us to do it for you?
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- Victor Ziegler: Who do you think those people were? Those were not just some ordinary people. If I told you their names... no, I'm not going to tell you their names... but if I did, I don't think you'd sleep so well at night.
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- Victor Ziegler: Life goes on until it doesn't.
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- Alice Harford: So, because I'm a beautiful woman, the only reason any man wants to talk to me is because he wants to fuck me? Is that what you're saying?
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