Mezzogiorno...rises about the melodrama with a soulful grace that recalls Monica Vitti in her Antonioni films.
Facing Windows (2003)
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Reviews Counted:66
Fresh:42
Rotten:24
Average Rating:6.2/10
Theatrical Release:Jun 18, 2004 Limited
Box Office: $373,955
Synopsis: FACING WINDOWS is a haunting, romantic story of love, history, memory, and politics from director Ferzan Ozpetek, the Instanbul-born Italian transplant whose gay-themed films STEAM: THE TURKISH... FACING WINDOWS is a haunting, romantic story of love, history, memory, and politics from director Ferzan Ozpetek, the Instanbul-born Italian transplant whose gay-themed films STEAM: THE TURKISH BATH and LE FATE IGNORANTI earned him a large degree of cult status and notoriety. He breaks into slightly more mainstream material with this drama that centers around Giovanna, a young housewife who at 29 has found herself stuck in an unhappy marriage and a job she despises. Her marriage to Filippo (Filippo Nigro), a respectable working-class auto mechanic who has been forced to make do with pumping gas for a living, has crumbled into one long argument, and she has been forced to set aside her dreams of being a pastry chef to keep accounts for a chicken packaging factory. Giovanna's hopes for a better life crystallize in her growing obsession with the handsome bachelor whose window faces hers, and whose bedroom activities she takes to spying on; unbeknownst to her, however, Lorenzo is looking back, watching Giovanna and entertaining fantasies of his own. When Filippo takes in a confused old man he meets in the streets (longtime veteran of world cinema Massimo Girotti), Giovanna is a reluctant caretaker until the truth about his past, as well as his talent as a baker, begins to emerge. The infirm old man becomes the catalyst for the two voyeurs to meet as they piece together the mystery of the octogenarian's true identity suggested by his concentration camp tattoo, his constant repetition of the name "Simone," and his frequent confusing of past with present. Ozpetek has woven together a tale of tragedy and love out of lush, beautiful photography and stunning performances delivered by all his actors; the wisdom that is couched in Girotti's subtle, restrained performance is truly remarkable. In the vein of Hitcock's REAR WINDOW, this complex film works on many levels and is layered with insightful touches throughout, which keeps the somewhat soap-operatic storyline from becoming excessive. FACING WINDOWS swept the David di Donatello awards, the Italian equivalent of the Oscars, and won "Best Film at the 2004 Seattle International Film Festival. [More]
Starring: Giovanna Mezzogiorno, Massimo Girotti, Raoul Bova
Starring: Giovanna Mezzogiorno, Massimo Girotti, Raoul Bova
Director: Ferzan Özpetek
Director: Ferzan Özpetek
Studio: Sony Pictures Classics
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Reviews for Facing Windows
Ozpetek ends up with a lot of balls in the air, and he has to do some scrambling to keep up. He pulls it off, but it feels like he's making this harder than it needs to be.
As the relationship progresses between Giovanna and Davide, Facing Windows becomes refined with deeper truths.
Thanks to fine performances and a grounded script, the pieces of this intriguing little puzzle all manage to fit.
The film's puzzlelike structure is a help; Simone's secret may not be hard to guess, but watching him work it out with the aid of Giovanna and Lorenzo consistently holds our interest.
It's a corny and utterly implausible story in many ways -- but, like The Notebook, it's an implausible romance that connects with us because of the lush style and the power of the performances.
Ozpetek is an enriching director. More than a presentation of its contents, every scene seems also to be a distillation of the matters that led to it.
Terrific performance by Mezzogiorno grounds a lovely, if flawed, film.
The Italians do a sort of romantic film best, but they start with a big edge: Italy. In Facing Windows, they have Rome and the warm colors and the food, and a very good cast led by immensely appealing Giovanna Mezzogiorno.
This glossy veneer of artificiality, handled masterfully in the films of Douglas Sirk, Todd Haynes and Pedro Almodovar, doesn't feel classic here so much as cheesy.
It's Italian, it's actually quite mesmerizing in the manner of '50s psychological melodrama held together by incredible coincidences, everyone in it is splendidly attractive, and when you get out, you will be thinking: 'I have to get a pie soon.'
The parts are never integrated into a smoothly satisfying whole...as such it doesn't quite delight the cinematic palate.
This is a beautifully written, grown-up story about choices, regrets and the passage of time.
Thanks to a soulful performance by Giovanna Mezzogiorno, it's also eminently watchable, even as we resist its machinations.
Fluidly directed, superbly acted, boasting a story that wraps itself snugly around big emotional issues but stops just short of sentimentality.
Nicely captures the changing emotions of a woman who is married to a boor.
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| 77% 77% | The Hangover |
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| Tomatometer Percentage | Movie |
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| 82% 82% | Paranormal Activity |
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