A quiet, lovely, thoughtful Italian movie.
Facing Windows (2003)
Tomatometer
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Reviews Counted:66
Fresh:42
Rotten:24
Average Rating:6.2/10
Theatrical Release:Jun 18, 2004 Limited
Box Office: $373,955
Synopsis: FACING WINDOWS is a haunting, romantic story of love, history, memory, and politics from director Ferzan Ozpetek, the Instanbul-born Italian transplant whose gay-themed films STEAM: THE TURKISH... FACING WINDOWS is a haunting, romantic story of love, history, memory, and politics from director Ferzan Ozpetek, the Instanbul-born Italian transplant whose gay-themed films STEAM: THE TURKISH BATH and LE FATE IGNORANTI earned him a large degree of cult status and notoriety. He breaks into slightly more mainstream material with this drama that centers around Giovanna, a young housewife who at 29 has found herself stuck in an unhappy marriage and a job she despises. Her marriage to Filippo (Filippo Nigro), a respectable working-class auto mechanic who has been forced to make do with pumping gas for a living, has crumbled into one long argument, and she has been forced to set aside her dreams of being a pastry chef to keep accounts for a chicken packaging factory. Giovanna's hopes for a better life crystallize in her growing obsession with the handsome bachelor whose window faces hers, and whose bedroom activities she takes to spying on; unbeknownst to her, however, Lorenzo is looking back, watching Giovanna and entertaining fantasies of his own. When Filippo takes in a confused old man he meets in the streets (longtime veteran of world cinema Massimo Girotti), Giovanna is a reluctant caretaker until the truth about his past, as well as his talent as a baker, begins to emerge. The infirm old man becomes the catalyst for the two voyeurs to meet as they piece together the mystery of the octogenarian's true identity suggested by his concentration camp tattoo, his constant repetition of the name "Simone," and his frequent confusing of past with present. Ozpetek has woven together a tale of tragedy and love out of lush, beautiful photography and stunning performances delivered by all his actors; the wisdom that is couched in Girotti's subtle, restrained performance is truly remarkable. In the vein of Hitcock's REAR WINDOW, this complex film works on many levels and is layered with insightful touches throughout, which keeps the somewhat soap-operatic storyline from becoming excessive. FACING WINDOWS swept the David di Donatello awards, the Italian equivalent of the Oscars, and won "Best Film at the 2004 Seattle International Film Festival. [More]
Starring: Giovanna Mezzogiorno, Massimo Girotti, Raoul Bova
Starring: Giovanna Mezzogiorno, Massimo Girotti, Raoul Bova
Director: Ferzan Özpetek
Director: Ferzan Özpetek
Studio: Sony Pictures Classics
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Reviews for Facing Windows
While story faults glare, the draw that satisfies is Mezzogiorno's performance, one that speaks of a deeply internal conviction in the woman she's portraying.
Though the film's multiple strands strain to blend, they do give the protags' ill-fated romance a level of deeper, more involving meaning.
This too-sentimental drama does feature a sterling performance by Giovanna Mezzogiorno as a love-struck housewife dissatisfied with her lot, thus providing the only watchable element of an otherwise disappointing movie.
Beautiful to look at and acted with full and tempestuous conviction, it still seems to be taking place in an apartment far across the way.
Ozpetek has outdone himself with this wise and ruminative mystery about memory, unfulfillment and yearning.
In a strange way, Facing Windows harks back to the glorious dawn of Italian Neorealism 60 years ago. And yet it is luminously contemporary in its rediscovery of a long-buried past, both personal and historical.
An ensemble of interconnected characters, sufficiently rounded to be sympathetic...[but] a story out of balance.
As in [director] Ozpetek's last film, His Secret Life (Le Fate Ignoranti), issues are too easily and abruptly resolved.
It's Girotti, a now-deceased veteran of classic films by such great directors as Roberto Rosselini and Luchino Visconti, whose polished restraint and leathery dignity lends authoritative heft to the movie's self-help bromides.
Essentially, it is a love story, but it's one that both cynics and romantics can embrace.
It's a potent tale, wonderfully acted by Mezzogiorno and Massimo Girotti as the old man.
As each incongruous motif is layered on like so much thematic frosting, the tummy ache grows.
Facing Windows is a top-notch Italian drama about finding your passion and devoting yourself to it with as much energy and enthusiasm as you can muster.
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| 78% 78% | The Hangover |
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| Tomatometer Percentage | Movie |
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| 90% 90% | District 9 |
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