For some real insight into the sad demise of "Susan Superstar" read Jean Stein's eye-opening Edie: American Girl, or rent Ciao! Manhattan instead.
Factory Girl (2007)
Tomatometer
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Reviews Counted:110
Fresh:20
Rotten:90
Average Rating:4.7/10
Consensus: Despite a dedicated performance by Sienna Miller, Factory Girl delves only superficially into her character, and ultimately fails to tell a coherent story.
Theatrical Release:Dec 29, 2006 Limited
Box Office: $1,566,027
Synopsis: Best known for playing muse to Andy Warhol, Edie Sedgwick was a dazzling young socialite who found herself at the apex of the pop art scene in 1960s New York. In FACTORY GIRL, Sienna Miller is the... Best known for playing muse to Andy Warhol, Edie Sedgwick was a dazzling young socialite who found herself at the apex of the pop art scene in 1960s New York. In FACTORY GIRL, Sienna Miller is the enchanting, enigmatic Edie, offering a moving characterization of the extremely troubled model/actress. The film kicks off as Edie, the daughter of a well-to-do horse rancher, leaves art school and moves to Manhattan in the mid-'60s. Her friend Chuck Wein (Jimmy Fallon) introduces her to Andy Warhol (Guy Pearce), and Andy is immediately taken with the waifish, wealthy Edie. He welcomes her into his Factory, the silver aluminum-foil covered loft where an assortment of artists and oddballs assisted him with his projects. Edie quickly falls into the hard partying, drug-addled scene, starring in Andy's experimental films and becoming his constant companion. She becomes well-known for her unique style, and the fashion industry taps her as its very first "It" girl. Edie is flying high on Andy, speed, and stardom, when she happens to meet the Bob Dylan-esque "Folksinger" (Hayden Christensen). She falls in love with him, and in doing so, falls out of Andy's favor. Her drug addiction spirals out of control, her parents cut off her cash flow, and her very bright star seems to burn out almost as quickly as it rose. As with most biopics, people are sure to quibble over the accuracy of FACTORY GIRL, and whether it offers fair portrayals of so many larger-than-life cultural icons. However, viewers are sure to agree that it makes a poignant statement about the pitfalls of fame. When Warhol tells Edie's mother that her daughter is going to be "super famous", Mrs. Sedgwick coldly responds: "And what exactly would be the value of that?" Judging from the very tragic, short life of Edie, there wasn't much value in it at all. [More]
Starring: Sienna Miller, Guy Pearce, Hayden Christensen, Jimmy Fallon
Starring: Sienna Miller, Guy Pearce, Hayden Christensen, Jimmy Fallon, Peter Bogdanovich, Beth Grant, Illeana Douglas, Mary-Kate Olsen, Mena Suvari, Tommy Perna, Samantha Maloney, Captain Mauzner, Daniel Newman, Don Novello, Tara Summers, Alexi Wasser, Colleen Camp
Director: George Hickenlooper
Director: George Hickenlooper
Screenwriter: Captain Mauzner
Producer: Aaron Richard Golub, Bob Weinstein, Harvey Weinstein
Screenwriter: Captain Mauzner
Story: Simon Monjack
Screenwriter: Aaron Richard Golub
Studio: Weinstein Company
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Reviews for Factory Girl
Had the cast and promise to be so much better than what finally ended up on screen.
Pearce is as self-consciously annoying as I always found Warhol to be in interviews. Miller looks great, but so what? There's no there there.
Exposition abounds, and while it may be necessary in light of the passage of time, it still makes Sedgwick's 15 minutes feel like 15 years. Still, Miller's performance is a thing of bewildered, brilliant debris.
Though the movie makes clear enough that Warhol's gift is vision%u2014he sees and exploits the shifting relationship between truth and fiction%u2014it lacks exactly that.
This isn't much more than an A&E biographical fluff piece -- with boobs, bad language and an attempt to turn the story into a warped love triangle.
The film is most interesting in its portrayal of Warhol as a cold-hearted user.
[Miller] barely registers -- she's lightweight in an elemental way. Her utter lack of screen presence is the most monumental thing about her.
I think Sienna Miller does a really nice job of capturing Edie Sedgwick, who really was the fore-runner to Paris Hilton and a lot of other people who are just famous for being famous.
Sienna Miller lights up an otherwise mediocre recounting of the rise and fall of Andy Warhol muse Edie Sedgwick.
Miller's touching performance is hamstrung by director George Hickenlooper's disconnected narrative and his overdone efforts to make the film look as messy and dirty as Warhol's underground films.
Factory Girl is weirdo weary, despite some vivacity spooned into it by Sienna Miller as Edie Sedgwick.
It's a movie without that emotional spark that lets us connect with her, or anybody else.
Details feel wrong; the pace is skittish; the rise to fatal hysteria is rapid and unconvincing. Finally you just lose all faith in it.
Once again, Sedgwick is being remembered less for who she was than who she knew.
When Sedgwick's whirl of liberation turns into addiction, clichés stall the plot.
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